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Psychotherapist Dr. Nina Winston is drawn into her patients belief that he has been reincarnated and is determined to fid his reincarnated lover.
If true love can travel across time, can true evil be far behind? When the beautiful Dr. Nina Winston's patient Bucky Buckingham reveals his secret to her, she has to doubt him. Reincarnation? True love across four centuries? But Nina is fascinated and lets herself be drawn into the charming and vulnerable Bucky's tale and into his life. Through hypnotherapy, she meets his former identity, and in real life, she meets his former paramour. If Bucky did live before, is Constance Rawlings his reincarnated lover? A dangerous search begins for the truth behind predestined love, and Nina is caught in the middle of soaring passions and raging jealousies. Peter Paul Rubens's painting, Venus and Adonis, which hangs in the Metropolitan Museum of Art, is the inspiration for this fast-paced thriller set alternately between the seventeenth century in Antwerp and the present day in New York. A novel of intrigue and suspense, The Other Adonis is a tale of true love and murder, a mystery that takes the reader back in time to another world, with a resolution that will delight romantics and turn skeptics into believers.
Psychotherapist Dr. Nina Winston is drawn into her patients belief that he has been reincarnated and is determined to fid his reincarnated lover.
"Frontispiece: Poem and calligraphy by Adonis, XXXX. Translated by Bassam Frangieh" --T.p. verso.
Adonis Vidu tackles an issue of great current debate in evangelical circles and of perennial interest in the Christian academy. He provides a critical reading of the history of major atonement theories, offering an in-depth analysis of the legal and political contexts within which they arose. The book engages the latest work in atonement theory and serves as a helpful resource for contemporary discussions. This is the only book that explores the impact of theories of law and justice on major historical atonement theories. Understanding this relationship yields a better understanding of atonement thinkers by situating them in their intellectual contexts. The book also explores the relevance of the doctrine of divine simplicity for atonement theory.
Allusions are a marvelous literary shorthand. A miser is a Scrooge, a strong man a Samson, a beautiful woman a modern-day Helen of Troy. From classical mythology to modern movies and TV shows, this revised and updated third edition explains the meanings of more than 2,000 allusions in use in modern English, from Abaddon to Zorro, Tartarus to Tarzan, and Rambo to Rubens. Based on an extensive reading program that has identified the most commonly used allusions, this fascinating volume includes numerous quotations to illustrate usage, drawn from sources ranging from Thomas Hardy and Charles Dickens to Bridget Jones's Diary. In addition, the dictionary includes a useful thematic index, so that readers not only can look up Medea to find out how her name is used as an allusion, but also can look up the theme of "Revenge" and find, alongside Medea, entries for other figures used to allude to revenge, such as The Furies or The Count of Monte Cristo. Hailed by Library Journal as "wonderfully conceived and extraordinarily useful," this superb reference--now available in paperback--will appeal to anyone who enjoys language in all its variety. It is especially useful for students and writers.
Scholars have used Levinas as a lens through which to view many authors and texts, fields of endeavor, and works of art. Yet no book-length work or dedicated volume has brought this thoughtful lens to bear in a sustained discussion of the works of Shakespeare. It should not surprise anyone that Levinas identified his own thinking as Shakespearean. "The play's the thing" for both, or put differently, the observation of intersubjectivity is. What may surprise and indeed delight all learned readers is to consider what we might yet gain from considering each in light of the other. Comprising leading scholars in philosophy and literature, Of Levinas and Shakespeare: "To See Another Thus" is the first book-length work to treat both great thinkers. Lear, Hamlet, and Macbeth dominate the discussion; however, essays also address Cymbeline, The Merchant of Venice, and even poetry, such as Venus and Adonis. Volume editors planned and contributors deliver a thorough treatment from multiple perspectives, yet none intends this volume to be the last word on the subject; rather, they would have it be a provocation to further discussion, an enticement for richer enjoyment, and an invitation for deeper contemplation of Levinas and Shakespeare.
How poetic modernism shaped Arabic intellectual debates in the twentieth century and beyond City of Beginnings is an exploration of modernism in Arabic poetry, a movement that emerged in Beirut during the 1950s and became the most influential and controversial Arabic literary development of the twentieth century. Robyn Creswell introduces English-language readers to a poetic movement that will be uncannily familiar—and unsettlingly strange. He also provides an intellectual history of Lebanon during the early Cold War, when Beirut became both a battleground for rival ideologies and the most vital artistic site in the Middle East. Arabic modernism was centered on the legendary magazine Shi‘r (“Poetry”), which sought to put Arabic verse on “the map of world literature.” The Beiruti poets—Adonis, Yusuf al-Khal, and Unsi al-Hajj chief among them—translated modernism into Arabic, redefining the very idea of poetry in that literary tradition. City of Beginnings includes analyses of the Arab modernists’ creative encounters with Ezra Pound, Saint-John Perse, and Antonin Artaud, as well as their adaptations of classical literary forms. The book also reveals how the modernists translated concepts of liberal individualism, autonomy, and political freedom into a radical poetics that has shaped Arabic literary and intellectual debate to this day.
This volumepresents acollection of essays on different aspects of Roman sarcophagi. These varied approaches will produce fresh insights into a subject which is receiving increased interest in English-language scholarship, with a new awareness of the important contribution that sarcophagi can make to the study of the social use and production of Roman art. The book will therefore be a timely addition to existing literature. Metropolitan sarcophagi are the main focus of the volume, which will cover a wide time range from the first century AD to post classical periods (including early Christian sarcophagi and post-classical reception). Other papers will look at aspects of viewing and representation, iconography, and marble analysis. There will be an Introduction written by the co-editors.
Classical Trinitarianism holds that every action of Trinity in the world is inseparable. That is, the divine persons are equally active in every operation. But then, in what way did the Father create the world through Christ? How can only the Son be incarnate, die, and be resurrected? Why does Christ have to ascend before the Spirit may come? These and many other questions pose serious objections to the doctrine of inseparable operations. In the first book-length treatment of this doctrine, Adonis Vidu takes up these questions and offers a conceptual and dogmatic analysis of this essential axiom, engaging with recent and historical objections. Taking aim at a common “soft” interpretation of the inseparability rule, according to which the divine persons merely cooperate and work in concert with one another, Vidu argues for the retrieval of “hard inseparability,” which emphasizes the unity of divine action, primarily drawing from the patristic and medieval traditions. Having probed the biblical foundations of the rule and recounted the story of its emergence in nascent Trinitarianism and its neglect in modern theology, Vidu builds a constructive case for its retrieval. The rule is then tested precisely on the battlegrounds that were thought to have witnessed its defeat: the doctrines of creation, incarnation, atonement, ascension, and the indwelling of the Spirit. What emerges is a constructive account of theology in which the recovery of this dogmatic rule shines fresh light on ancient doctrines.