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"This book will break your heart and heal it." - E.J. Levy, author of The Cape Doctor A pregnant moose walks into a rural Maine town called Oslo, looking for food and a place to deliver her calf. Just as when strangers run into each other on the street, the movement of the moose determines the fate of three families in the town as they grapple with trauma, marriage, ambition, and their fraught relationship with the natural world. Meet Pierre Roy, a brilliant twelve-year-old, who loses his memory in an accident. Then Claude Roy, Pierre’s blustery and proud fourth-generation Maine father who cannot, or will not, acknowledge the too-real and frightening fact of his son’s injury. And his wife, Celine, a once-upon-a-time traditional housewife and mother who descends into pills as a way of coping. Enter Sandra and Jim Kimbrough, musicians and recent Maine transplants who scrape together a meager living as performers while shoring up the loose ends by attempting to live off the grid. Finally, the wealthy widow "from away," Edna Sibley, whose dependent adult grandson is addicted to 1980’s Family Feud episodes. Their disparate backgrounds and views on life make for, at times, uneasy neighbors. But when Sandra begins to teach Pierre the violin, forces beyond their control converge. The boy discovers that through sound he can enter a world without pain from the past nor worry for the future. He becomes a preadolescent existentialist and invents an unconventional method to come to terms with his memory loss, all the while attempting to protect, and then forgive, those who’ve failed him. Oslo, Maine is a character-driven novel exploring class and economic disparity. It inspects the strengths and limitations of seven average yet extraordinary people as they reckon with their considerable collective failure around Pierre’s accident. Alliances unravel. Long held secrets are exposed. And throughout, the ever-present moose is the linchpin that drives this richly drawn story, filled with heartbreak and hope, to its unexpected conclusion. "(T)he flawed but deeply relatable characters in Butler's second novel ... exude an authentic sense of humanity, making this a sure-fire recommendation for Fredrik Backman fans." —Carol Haggas, Booklist A seductive, imaginative, and utterly unique story; an astute and compassionate foray into the intersecting lives of characters who are both ordinary and exceptional, saintly and deeply flawed." —Karen Dionne, #1 internationally bestselling author of The Wicked Sister
Winner of the 2021 Rachel Carson Environmental Book Award Winner of the 2021 Maine Literary Award for Nonfiction Finalist for the 2020 National Book Critics John Leonard Prize for Best First Book Finalist for the 2021 New England Society Book Award Finalist for the 2021 New England Independent Booksellers Association Award A New York Times Editors’ Choice and Chicago Tribune top book for 2020 “Mill Town is the book of a lifetime; a deep-drilling, quick-moving, heartbreaking story. Scathing and tender, it lifts often into poetry, but comes down hard when it must. Through it all runs the river: sluggish, ancient, dangerous, freighted with America’s sins.” —Robert Macfarlane, author of Underland Kerri Arsenault grew up in the small, rural town of Mexico, Maine, where for over 100 years the community orbited around a paper mill that provided jobs for nearly everyone in town, including three generations of her family. Kerri had a happy childhood, but years after she moved away, she realized the price she paid for that childhood. The price everyone paid. The mill, while providing the social and economic cohesion for the community, also contributed to its demise. Mill Town is a book of narrative nonfiction, investigative memoir, and cultural criticism that illuminates the rise and collapse of the working-class, the hazards of loving and leaving home, and the ambiguous nature of toxics and disease with the central question; Who or what are we willing to sacrifice for our own survival?
Mainers are known to be fiercely loyal, to their culture, history, and heritage, and to their favorite hometown sports heroes. Many of these heroes have gone on to have legendary careers on the national stage from Louis Sockalexis, the first Native American to play professional baseball, to Joan Benoit Samuelson, the first woman to win gold in an Olympic marathon. There’s Seth Wescott, Olympic gold medal snowboarder; Joey Gamache, junior lightweight world champion boxer, and "Fly Rod" Crosby, Maine's first Registered Maine Guide. For every household name, there are countless local legends that are just as revered. Journalist Nancy Griffin presents a surprising range of athletes in this collection of short profiles and achievements. You’ll find superstars in everything from baseball and hockey to golf, shooting, and harness racing.
Lewiston, a mill town of about thirty-six thousand people, is the second-largest city in Maine. It is also home to some three thousand Somali refugees. After initially being resettled in larger cities elsewhere, Somalis began to arrive in Lewiston by the dozens, then the hundreds, after hearing stories of Maine’s attractions through family networks. Today, cross-cultural interactions are reshaping the identities of Somalis—and adding new chapters to the immigrant history of Maine. Somalis in Maine offers a kaleidoscope of voices that situate the story of Somalis’ migration to Lewiston within a larger cultural narrative. Combining academic analysis with refugees’ personal stories, this anthology includes reflections on leaving Somalia, the experiences of Somali youth in U.S. schools, the reasons for Somali secondary migration to Lewiston, the employment of many Lewiston Somalis at Maine icon L. L. Bean, and community dialogues with white Mainers. Somalis in Maine seeks to counter stereotypes of refugees as being socially dependent and unable to assimilate, to convey the richness and diversity of Somali culture, and to contribute to a greater understanding of the intertwined futures of Somalis and Americans.
Includes articles on international business opportunities.
Using interwoven narratives — present-day United States, Trinidad, and the political tumult of Jamaica in the 1980s — Carol Mitchell's debut gives voice to the immigrant woman whose veneer of middle-class stability masks the violent trauma of a prior life. "An engaging and life-affirming read.” — Booklist "What start bad a mornin', cyan end good a evenin'." — Jamaican proverb Amaya Lin has few memories of the years before she turned eighteen. Now in her forties, she has compensated by carefully cultivating a satisfying life as a wife, mother, and business professional. Her husband’s law practice is on the brink of major success; her neurodiverse son has grown into an independent adult; and she has come to terms with her aunt’s dementia. This sense of order is disrupted, however, when she encounters a stranger who claims to have an impossible connection, launching Amaya on a tumultuous journey into the past. Using three interwoven narratives spanning the United States, Trinidad, and Jamaica, Carol Mitchell's debut gives voice to an immigrant woman forced to confront her repressed memories of violent trauma. Only then can she discover what she is capable of when it comes to self-preservation and the protection of her family. "This is a stellar debut.” — Cleyvis Natera, author of Neruda on the Park "Luminous prose." —Elizabeth Nunez, author of Prospero’s Daughter
The Lloyd's Register of Shipping records the details of merchant vessels over 100 gross tonnes, which are self-propelled and sea-going, regardless of classification. Before the time, only those vessels classed by Lloyd's Register were listed. Vessels are listed alphabetically by their current name.