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At first glance the two actors seem worlds apart: pere Osgood the last word in worldly sophistication and fils Anthony the ultimate in incorrigible boyishness. Yet beneath the surface run common currents--a penchant for choosing risky projects, recurring problems with typecasting, a gift for fleshing out underwritten roles. Even the famous twitch runs in the family. Illustrated with more than 100 photos, this comprehensive, chronological survey of the careers of Osgood and Anthony Perkins includes not only all of their film and Broadway performances but also virtually all road, summer stock, radio and television work. Even their formative years in college productions are covered, as are Anthony's brief stints as pop singer, director, screenwriter and songwriter. Extensive credits are cited for each work. Quotes and reminiscences are interwoven into the text, written in an essay format.
Perkins was being groomed to replace the late James Dean as a romantic leading man in Hollywood. But his landmark performance as Norman Bates in Hitchcock's Psycho destroyed his chance and off-screen life equally as secretive, conflicted, and fractured. Compelling and surprising, here is the first in-depth look at the double life of one of the world's most recognisable film stars. Insightfully documents the life of Anthony Perkins, who was forced to act the part of ladies' man while struggling with his own homosexuality. 27/10/2005
Anthony Perkins is best known for playing Norman Bates in Psycho. Its notoriety and success ensured he remained one of filmdom's most recognisable faces for the rest of his life... and beyond. Yet there were those (Perkins included) who felt he never truly shook the screen persona of the knife-wielding, mother-obsessed, cross-dressing psychopath, and he was often labelled on the strength of his most notorious role - thus giving a distorted view of a career which spanned four decades and almost sixty movies. In More Than A Psycho: The Complete Films Of Anthony Perkins, Dawn and Jonathon Dabell take a closer look at the actor's entire body of work. Their book provides cast and crew details, an extensive image gallery, background information and considered critical analysis for every title. Perkins was, they argue, more than just a prominent screen villain - his talent and versatility went much further, his wider oeuvre encompassing everything from romance to comedy, war to western, musical to sci-fi. With a foreword by highly regarded film and pop culture historian Paul Talbot, this is the essential guide to the career of Anthony Perkins.
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The essays presented in this book focus on Psycho, both the novel by Robert Bloch (1950) and the film by Alfred Hitchcock (1960). Therefore, the different approaches range from film studies to literary criticism. Norman Bates has become an icon of the late twentieth century horror genre, and the movie set the basis for later cinematic developments. Over 50 years after the release of the book and the movie it inspired, new readings, revisions and adaptations of the domestic tragedy of Norman Bates and his mother are still being produced, as recently as Sacha Gervasi’s Hitchock in 2012. Now the curtains (either on the stage or in the bathroom) are about to open and a most peculiar house – with its silhouette and endorsement of doom – is waiting up on the hill. No cameras or pencils are allowed; you’re invited to a ritual that only your eyes will view and your imagination will embody. Leave all hope behind and enter at your own risk. The Bates’ terrifying rollercoaster welcomes you. Nothing is over here … at least not until it overcomes you.
Even a Time Lord can’t change the past. A wasteland. A dead world... No, there is a biodome, rising from the ash. Here, life teems and flourishes, with strange and lush plants, and many-winged insects with bright carapaces – and one solitary sentient creature, who spends its days watering the plants, talking to the insects, and tending this lonely garden. This is Inyit, the Last of the Kotturuh. In All Flesh is Grass we are transported back to The Dark Times. The Tenth Doctor has sworn to stop the Kotturuh, ending Death and bringing Life to the universe. But his plan is unravelling – instead of bringing Life, nothing has changed and all around him people are dying. Death is everywhere. Now he must confront his former selves – one in league with their greatest nemesis and the other manning a ship of the undead...