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Oscar de la Renta loved art. He wanted to be a famous fashion designer, but it was a very competitive field where the most successful designers were French or Italian, unlike him. Learn about the fashion designer from the Dominican Republic who turned his dreams into a reality as you dive into Oscar de la Renta’s biography—part of the Leaders Like Us children’s book series. This nonfiction book introduces readers to Oscar de la Renta, a fashion designer from the Dominican Republic who built a fashion empire. Storybook Features: After-reading questions Extension activity Time line About Rourke Educational Media: We proudly publish respectful and relevant nonfiction and fiction titles that represent our diverse readers, and are designed to support reading on a level that has no limits!
Dreams are a window into the subconscious, and for those who understand their meanings, they are also a crucial step in self-understanding. In this comprehensive volume, author Cassandra Eason shares her decades of study on the subject. From visions of angels to trips to the zoo, from buying a dream home to escaping from demons, Eason catalogs 1,001 scenarios, exploring different types of dreams, practical symbolic meanings, dreams’ psychological underpinnings and spiritual significance, and all the ways in which dreams can be interpreted as warnings or indicators of events to come. Along with a fascinating introduction to dreams and the history of dreaming, this is an essential reference.
Greta Gleissner, a longtime professional dancer, dreamed her whole life of becoming a Rockette. Then she became one—and she fell into the grips of a powerful eating disorder that began poison her life from the inside out. Something Spectacular is Gleissner’s raw, personal chronicle of the devastating effects bulimia exacts upon her life during her time as a Rockette. As her disorder takes over, she begins to lead a dual life: happy-go-lucky on the outside; tortured by obsessive, self-destructive voices on the inside. Immersed in an environment in which even talent is secondary to appearance, Gleissner hides her disorder by any means necessary—lying, cheating, and stealing with no regard for the consequences of her actions—until she hits rock bottom and is forced to face the truths behind her disease. Her intensive odyssey of self-discovery ultimately gives her the strength to reshape her self-image, embrace her sexuality, and break free of the malignant hold bulimia has on her life. The first book to give voice to the pervasive but often unaddressed problem of eating disorders in the dance industry, Something Spectacular is a gripping exposé of the insidious nature of eating-related diseases—and a profound account of one woman’s journey toward self-acceptance and recovery.
How do you know destiny when it knocks on your door, or recognize it if it's always been there? Christian Riley, Elizabeth Horace, and Oscar Albright grew up together, the cliched "church kids", but Chris quickly found everything about his life stifling. When he moves to Los Angeles to get away from everything his existence has dictated for him, he doesn't expect Elizabeth to follow him, but he's known for as long as he can remember that she loves him obsessively...just as Oscar loves her. With Chris's faith in tatters, he has no interest in Christianity let alone morality. Yet in the thirteen years that follow, he finds himself returning to Elizabeth whenever he hits rock bottom. Deep down, he understands she alone will always love him, no matter how far he strays or how much he hurts her when he uses her as his last-ditch refuge. When a serial killer/rapist's attack of Elizabeth is mercifully thwarted, Chris's world collapses in on him with guilt and horror coming at him from every corner. The attack has changed Elizabeth. She realizes she's put her life on hold for too long praying for Chris to share her belief that their love and life together is destined. After she severs the ties between them, Chris knows the only way to get her back is to give himself to the Lord. God begins changing him from the inside out, but--too little, too late--has he fallen in love when his angel of mercy is no longer available to him?
“McCracken mixes the proper amount of lunacy with exactly the right amount of sorrow. The blend is reminiscent of such late-20th-century treasures as The Accidental Tourist, The World According to Garp, or A Confederacy of Dunces.”—Denver Post The year is 1950, and in a small town on Cape Cod twenty-six-year-old librarian Peggy Cort feels like love and life have stood her up. Until the day James Carlson Sweatt– the “over-tall” eleven-year-old boy who’s the talk of the town–walks into her library and changes her life forever. Two misfits whose lonely paths cross at the circulation desk, Peggy and James are odd candidates for friendship, but nevertheless they soon find their lives entwined in ways that neither one could have predicted. In James, Peggy discovers the one person who’s ever really understood her, and as he grows– six foot five at age twelve, then seven feet, then eight–so does her heart and their most singular romance. Praise for The Giant's House “Remarkable . . . McCracken has wit and subtlety to burn, as well as an uncanny ability to tap into the sadness that runs through the center of her characters’ worlds. This book is so lovely that, when you’re reading, you’ll want to sleep with it under your pillow.”—Salon A true marvel . . . thoroughly enjoyable from its unlikely beginning to its bittersweet end. . . McCracken knows all kinds of subtle, enticing secrets of the heart and conveys them in silky, transparent language.”—San Francisco Chronicle “Lovely . . . a tribute to the quiet passion of people trapped in isolation.”—Los Angeles Times “Fascinating . . . The reader finds herself entangled, body and soul, in this tender and endlessly strange novel, which is in all senses a hymn to human growth gone haywire and to a love so big it can’t hold its own magnificent limbs upright.”—Elle “Such is the incantatory power of McCracken’s eccentric tale that by its close we are completely in the grip of its strangely conceived ardor. . . . McCracken is as original a writer as they come. . . . I fell in love.”—Daphne Merkin, The New Yorker
Just in time to celebrate Oscar's 60th birthday: an endlessly juicy, illustrated expose of the predatory backstage politics and outrageous scandals behind Hollywood's coveted idol, from its beginning in 1927 to 1986. Illustrated.
Taking its cue from Eugene O'Neill's questioning of «faithful realism», voiced by Edmund Tyrone in Long Day's Journey into Night, this book examines the distant legacy of the Irish American playwright in contemporary multiethnic drama in the U.S. It explores the labyrinth of formal devices through which African American, Latina/o, First Nations, and Asian American dramatists have unconsciously reinterpreted O'Neill's questioning of mimesis. In their works, hybridizations of stage realism function as aesthetic celebrations of the spiritual potentialities of cultural in-betweenness. This volume provides detailed analyses of over forty plays authored by such key artists as August Wilson, Suzan-Lori Parks, José Rivera, Cherríe Moraga, Hanay Geiogamah, Diane Glancy, David Henry Hwang, and Chay Yew, to give only a few prominent examples. All in all, Labyrinth of Hybridities invites its readers to reassess the cross-cultural patterns characterizing the history of twentieth century American drama.
Ever wondered how Walt Disney rose to stardom? Walter Elias Disney was born in Chicago, Illinois on December 5, 1901. He was of German-American ancestry and was one of five children, four boys and a girl. He developed a love of drawing, and by 18, he became a draftsman at a Kansas City art studio. His very first job in the art world was at a small company where he met Ub Iwerks, who turned out to be a fantastic animator later in his life. So many years after his demise, people endure to clutch his philosophies, and his conceptions, recalling him for everything he's done for them. For more detailed information you must read his biography. Grab your biography book now!
From The Hobbit to Harry Potter, how fantasy harnesses the cultural power of magic, medievalism, and childhood to re-enchant the modern world Why are so many people drawn to fantasy set in medieval, British-looking lands? This question has immediate significance for millions around the world: from fans of Lord of the Rings, Narnia, Harry Potter, and Game of Thrones to those who avoid fantasy because of the racist, sexist, and escapist tendencies they have found there. Drawing on the history and power of children’s fantasy literature, Re-Enchanted argues that magic, medievalism, and childhood hold the paradoxical ability to re-enchant modern life. Focusing on works by authors such as J. R. R. Tolkien, C. S. Lewis, Susan Cooper, Philip Pullman, J. K. Rowling, and Nnedi Okorafor, Re-Enchanted uncovers a new genealogy for medievalist fantasy—one that reveals the genre to be as important to the history of English studies and literary modernism as it is to shaping beliefs across geographies and generations. Maria Sachiko Cecire follows children’s fantasy as it transforms over the twentieth and twenty-first centuries—including the rise of diverse counternarratives and fantasy’s move into “high-brow” literary fiction. Grounded in a combination of archival scholarship and literary and cultural analysis, Re-Enchanted argues that medievalist fantasy has become a psychologized landscape for contemporary explorations of what it means to grow up, live well, and belong. The influential “Oxford School” of children’s fantasy connects to key issues throughout this book, from the legacies of empire and racial exclusion in children’s literature to what Christmas magic tells us about the roles of childhood and enchantment in Anglo-American culture. Re-Enchanted engages with critical debates around what constitutes high and low culture during moments of crisis in the humanities, political and affective uses of childhood and the mythological past, the anxieties of modernity, and the social impact of racially charged origin stories.
The Caribbean Novel Since 1945 offers a comparative analysis of fiction from across the pan-Caribbean, exploring the relationship between literary form, cultural practice, and the nation-state. Engaging with the historical and political impact of capitalist imperialism, decolonization, class struggle, ethnic conflict, and gender relations, it considers the ways in which Caribbean authors have sought to rethink and re-narrate the traumatic past and often problematic 'postcolonial' present of the region's peoples. It pays particular attention to the role cultural practices such as stickfighting and Carnival, as well as religious rituals and beliefs like Vodou and Myal, have played in efforts to reshape the novel form. In so doing, it provides an original perspective on the importance of these practices, with their emphasis on bodily movement, to the development of new philosophies of history. Beginning in the post-WWII period, when optimism surrounding the possibility of social and political change was at a peak, The Caribbean Novel Since 1945 interrogates the trajectories of various national projects through to the present. It explores how the textual histories of common motifs in Caribbean writing have functioned to encode the fluctuating fortunes of different political dispensations. The scope of the analysis is varied and comprehensive, covering both critically acclaimed and lesser-known authors from the Anglophone, Francophone, and Hispanophone traditions. These include Jacques Roumain, Sam Selvon, Marie Chauvet, Luis Rafael Sánchez, Earl Lovelace, Patrick Chamoiseau, Erna Brodber, Wilson Harris, Shani Mootoo, Oonya Kempadoo, Ernest Moutoussamy, and Pedro Juan Gutiérrez. Mixing detailed analysis of key texts with wider surveys of significant trends, this book emphasizes the continuing significance of representations of the nation-state to literary articulations of resistance to the imperialist logic of global capital.