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Born in Taiwan, raised in the scholarly traditions of ancient China but forced into the Japanese educational system, Hu Taiming, the protagonist of Orphan of Asia, ultimately finds himself estranged from all three cultures. Taiming eventually makes his mark in the colonial Japanese educational system and graduates from a prestigious college. However, he finds that his Japanese education and his adoption of modern ways have alienated him from his family and native village. He becomes a teacher in the Japanese colonial system but soon quits his post and finds that, having repudiated his roots, he doesn't seem to belong anywhere. Thus begins the long journey for Taiming to find his rightful place, during which he is accused of spying for both China and Japan and witnesses the effects of Japanese imperial expansion, the horrors of war, and the sense of anger and powerlessness felt by those living under colonial rule. Zhuoliu Wu's autobiographical novel is widely regarded as a classic of modern Asian literature and a groundbreaking expression of the postwar Taiwanese national consciousness.
When India and Pakistan held nuclear tests in 1998, they restarted the clock on an intense competition that had begun with Partition. Nuclear weapons restored strategic parity, erasing the advantage of India's much larger military. But the shield offered by nuclear weapons also encouraged a reckless reliance by Pakistan on militant proxies even as jihadis spun out of control within and beyond its borders. In the years that followed, Pakistan would lose decisively to India, sacrificing its own domestic stability in a failed attempt to assert its claim to Kashmir and influence events in Afghanistan.Defeat is an Orphan tracks the defining episodes in the relationship between India and Pakistan from 1998, from bitter conflict in the mountains to military confrontation in the plains, from the hijacking of an Indian airliner to the Mumbai attacks. It is a frank history of an enduringly bitter relationship, set against the background of Islamist militancy in Pakistan and India's economic leap forward.
In 1895 Japan acquired Taiwan as its first formal colony after a resounding victory in the Sino-Japanese war. For the next fifty years, Japanese rule devastated and transformed the entire socioeconomic and political fabric of Taiwanese society. In Becoming Japanese, Leo Ching examines the formation of Taiwanese political and cultural identities under the dominant Japanese colonial discourse of assimilation (dôka) and imperialization (kôminka) from the early 1920s to the end of the Japanese Empire in 1945. Becoming Japanese analyzes the ways in which the Taiwanese struggled, negotiated, and collaborated with Japanese colonialism during the cultural practices of assimilation and imperialization. It chronicles a historiography of colonial identity formations that delineates the shift from a collective and heterogeneous political horizon into a personal and inner struggle of "becoming Japanese." Representing Japanese colonialism in Taiwan as a topography of multiple associations and identifications made possible through the triangulation of imperialist Japan, nationalist China, and colonial Taiwan, Ching demonstrates the irreducible tension and contradiction inherent in the formations and transformations of colonial identities. Throughout the colonial period, Taiwanese elites imagined and constructed China as a discursive space where various forms of cultural identification and national affiliation were projected. Successfully bridging history and literary studies, this bold and imaginative book rethinks the history of Japanese rule in Taiwan by radically expanding its approach to colonial discourses.
The son of a singer mother whose career forcibly separated her from her family and an influential father who runs an orphan work camp, Pak Jun Do rises to prominence using instinctive talents and eventually becomes a professional kidnapper and romantic rival to Kim Jong Il. By the author of Parasites Like Us.
Set at the crossroads of Turkish, Persian and Russian cultures under the red flag of Communism in the late 1970s, The Orphan Sky reveals one woman's struggle to reconcile her ideals with the corrupt world around her, and to decide whether to betray her country or her heart. Leila is a young classical pianist who dreams of winning international competitions and bringing awards to her beloved country Azerbaijan. She is also a proud daughter of the Communist Party. When she receives an assignment from her communist mentor to spy on a music shop suspected of traitorous Western influences, she does it eagerly, determined to prove her worth to the Party. But Leila didn't anticipate the complications of meeting Tahir, the rebellious painter who owns the music shop. His jazz recordings, abstract art, and subversive political opinions crack open the veneer of the world she's been living in. Just when she begins to fall in love with both the West and Tahir, her comrades force her to make an impossible choice.
Japanese war orphans in Manchuria are the forgotten victims of the Asia-Pacific War and Sino-Japanese relations, and this is an integral part of the Japanese government's 'postwar settlement' issues concerning its war responsibility and compensation.
In the mid-1600s, Manchu bannermen spearheaded the military force that conquered China and founded the Qing Empire, which endured until 1912. By the end of the Taiping War in 1864, however, the descendants of these conquering people were coming to terms with a loss of legal definition, an ever-steeper decline in living standards, and a sense of abandonment by the Qing court. Focusing on three generations of a Manchu family (from 1750 to the 1930s), Orphan Warriors is the first attempt to understand the social and cultural life of the bannermen within the context of the decay of the Qing regime. The book reveals that the Manchus were not "sinicized," but that they were growing in consciousness of their separate ethnicity in response to changes in their own position and in Chinese attitudes toward them. Pamela Kyle Crossley's treatment of the Suwan Guwalgiya family of Hangzhou is hinged upon Jinliang (1878-1962), who was viewed at various times as a progressive reformer, a promising scholar, a bureaucratic hack, a traitor, and a relic. The author sees reflected in the ambiguities of his persona much of the plight of other Manchus as they were transformed from a conquering caste to an ethnic minority. Throughout Crossley explores the relationships between cultural decline and cultural survival, polity and identity, ethnicity and the disintegration of empires, all of which frame much of our understanding of the origins of the modern world.
This book relates the experiences of the zanryu-hojin - the Japanese civilians, mostly women and children, who were abandoned in Manchuria after the end of the Second World War when Japan’s puppet state in Manchuria ended. It examines their eventual repatriation, alongside issues of war memory and war guilt, and the worldviews of the zanryu-hojin, alongsideJapanese society and its anti-war social movements.
A vulnerable, honest and deeply personal guide to finding your way through grief. Flora Baker was only twenty when her mum died suddenly of cancer. Her coping strategy was simple: ignore the magnitude of her loss. But when her dad became terminally ill nine years later, Flora was forced to confront the reality of grief. She had to accept that her life had changed forever. In The Adult Orphan Club, Flora draws on a decade of experience with grief and parent loss to explore all the chaotic ways that grief affects us, and how we can learn to navigate it. Written with the newly bereaved in mind and packed with practical tips and advice, this book guides the reader through every step of their grief journey and opens up the death conversation in an honest, heartfelt and accessible way. Whether you’re grieving your own loss or supporting someone else through grief, The Adult Orphan Club will show you that you’re not broken, and you’re not alone.
These two searingly funny and unsettling portraits of teenagers beyond the control and largely beneath the notice of adults in 1980s Taiwan are the first English translations of works by Taiwan's most famous and best-selling literary cult figure. Chang Ta-chun's intricate narrative and keen, ironic sense of humor poignantly and piercingly convey the disillusionment and cynicism of modern Taiwanese youth. Interweaving the events between the birth of the narrator's younger sister and her abortion at the age of nineteen, the first novel, My Kid Sister, evokes the complex emotional impressions of youth and the often bizarre social dilemmas of adolescence. Combining discussions of fate, existentialism, sexual awakening, and everyday "absurdities" in a typically dysfunctional household, it documents the loss of innocence and the deconstruction of a family. In Wild Child, fourteen-year-old Hou Shichun drops out of school, runs away from home, and descends into the Taiwanese underworld, where he encounters an oddball assortment of similarly lost adolescents in desperate circumstances. This novel will inevitably invite comparisons with the classic The Catcher in the Rye, but unlike Holden Caulfield, Hou isn't given any second chances. With characteristic frankness and irony, Chang's teenagers bear witness to a new form of cultural and spiritual bankruptcy.