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The 40 or so species of beach-loving plovers (genus Charadrius) comprise a diverse group of shorebirds found around the world. Most of these species are challenged by changing climates and other human-related development activities, yet they provide key insights into basic ecological and evolutionary processes. The expert international contributors take a comparative approach, presenting examples from many worldwide plover studies and synthesizing the group’s most pressing and important topics. The book further presents an emphasis on full life-cycle biology, including the importance of examining migratory connectivity issues, even for non-migratory plovers. Color pages were planned and approved for some pages in this volume, but due to a printing error some copies have incorrectly been released with these pages printed in black and white. Replacement copies with the correct color in place can be obtained upon request by contacting [email protected]. CRC Press extends apologies to any customers affected by this error and for the inconvenience caused. Key Features Serves as a fundamental resource for conservation practitioners Detailed overview of a widely distributed group of shorebirds Authored by renowned specialists who present theoretical and applied perspectives Emphasis on comparative and synthetic approach in all chapters Related Titles McComb, B. et al. Monitoring Animal Populations and Their Habitats: A Practitioner’s Guide (ISBN 978-0-4291-3827-0). Garvey, J. E. & M. R. Whiles. Trophic Ecology (ISBN 978-1-4987-5846-8). Dewdney, A. K. Stochastic Communities: A Mathematical Theory of Biodiversity (ISBN 978-1-1381-9702-2).
The human history of depicting birds dates to as many as 40,000 years ago, when Paleolithic artists took to cave walls to capture winged and other beasts. But the art form has reached its peak in the last four hundred years. In The Art of the Bird, devout birder and ornithologist Roger J. Lederer celebrates this heyday of avian illustration in forty artists’ profiles, beginning with the work of Flemish painter Frans Snyders in the early 1600s and continuing through to contemporary artists like Elizabeth Butterworth, famed for her portraits of macaws. Stretching its wings across time, taxa, geography, and artistic style—from the celebrated realism of American conservation icon John James Audubon, to Elizabeth Gould’s nineteenth-century renderings of museum specimens from the Himalayas, to Swedish artist and ornithologist Lars Jonsson’s ethereal watercolors—this book is feathered with art and artists as diverse and beautiful as their subjects. A soaring exploration of our fascination with the avian form, The Art of the Bird is a testament to the ways in which the intense observation inherent in both art and science reveals the mysteries of the natural world.
Host to a large and diverse bird population as well as a long human history, Virginia is arguably the birthplace of ornithology in North America. David W. Johnston's History of Ornithology in Virginia, the result of over a decade of research, is the first book to address this fascinating element of the state's natural history. Tertiary-era fossils show that birds inhabited Virginia as early as 65 million years ago. Their first human observers were the region's many Indian tribes and, later, colonists on Roanoke Island and in Jamestown. Explorers pushing westward contributed further to the development of a conception of birds that was distinctively American. By the 1900s planter-farmers, naturalists, and government employees had amassed bird records from the Barrier Islands and the Dismal Swamp to the Blue Ridge and Appalachian Mountains. The modern era saw the emergence of ornithological organizations and game laws, as well as increasingly advanced studies of bird distribution, migration pathways, and breeding biology. Johnston shows us how ornithology in Virginia evolved from observations of wondrous creatures to a sophisticated science recognizing some 435 avian species. David W. Johnston taught ornithology at the University of Virginia's Mountain Lake Biological Station for nearly two decades and has edited numerous ecological studies as well as the Journal of Field Ornithology and Ornithological Monographs.
During the nineteenth century, Britain maintained a complex network of garrisons to manage its global empire. While these bases helped the British project power and secure trade routes, they served more than just a strategic purpose. During their tours abroad, many British officers engaged in formal and informal scientific research. In this ambitious history of ornithology and empire, Kirsten A. Greer tracks British officers as they moved around the world, just as migratory birds traversed borders from season to season. Greer examines the lives, writings, and collections of a number of ornithologist-officers, arguing that the transnational encounters between military men and birds simultaneously shaped military strategy, ideas about race and masculinity, and conceptions of the British Empire. Collecting specimens and tracking migratory bird patterns enabled these men to map the British Empire and the world and therefore to exert imagined control over it. Through its examination of the influence of bird watching on military science and soldiers' contributions to ornithology, Red Coats and Wild Birds remaps empire, nature, and scientific inquiry in the nineteenth-century world.
The Extended Specimen highlights the research potential for ornithological specimens, and is meant to encourage ornithologists poised to initiate a renaissance in collections-based ornithological research. Contributors illustrate how collections and specimens are used in novel ways by adopting emerging new technologies and analytical techniques. Case studies use museum specimens and emerging and non-traditional types of specimens, which are developing new methods for making biological collections more accessible and "usable" for ornithological researchers. Published in collaboration with and on behalf of The American Ornithological Society, this volume in the highly-regarded Studies in Avian Biology series documents the power of ornithological collections to address key research questions of global importance.
Urban Ornithology is the first quantitative historical analysis of any New York City natural area’s birdlife and spans the century and a half from 1872 to 2016. Only Manhattan’s Central and Brooklyn’s Prospect Parks have preliminary species lists, not revised since 1967, and the last book examining the birdlife of the entire New York City area is now more than fifty years old. This book updates the avifaunas of those two parks, the Bronx, and other New York City boroughs. It treats the 301 bird species known to have occurred within its study area—Van Cortlandt Park and the adjacent Northwest Bronx—plus 70 potential additions. Its 123 breeding species are tracked from 1872 and supplemented by quantitative breeding bird censuses from 1937 to 2015. Gains and losses of breeding species are discussed in light of an expanding New York City inexorably extinguishing unique habitats.