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The Nasser D. Khalili Collection contains a remarkable group of more than 600 finger rings from the Islamic world and beyond. These rings provide a rare opportunity to survey the history of this form in the Middle East and southern Asia over the last two millennia, for the oldest examples are two Hellenistic glass rings from athe second or first century BC, while the most recent dated specimen is a signet made in India in 1920. This wealth of evidence has allowed the author to present a typology of Islamic rings within a broad chronological framework, and the colour illustrations standard to the series have been supplemented by several drawings of each ring.
Theodore Sider presents a broad new vision of metaphysics centred on the idea of structure. To describe the world well we must use concepts that 'carve at the joints', so that conceptual structure matches reality's structure. This approach illuminates a wide range of topics, such as time, modality, ontology, and the status of metaphysics itself.
Vols. 1-3 paged continuously. Vol. 4 by W.G. Sumner, A.G. Keller, and M.R. Davie."Published under the auspices of the Sumner Club on the foundation established in memory of Philip Hamilton McMillan of the class of 1894, Yale College." "Bibliographical note": v. 4, p. [1193]-1268.
Making Jewelry with Meaning The things you collect - the ticket stubs, the coins, the pieces of shell from a beach - hold meaning and significance, reminding you not only where you've been, but also where you're capable of going. Making these items into wearable pieces of art - amplifying their power to become amulets and talismans - is a rewarding experience that's easy to do. Working with the most basic of tools, you will learn cold-connection jewelry techniques to expand your creative process. In addition to basics like creating jump rings and using a file, you will also: • Make your own hook and latch clasps • Cut windows from sheets of metal • Inlay designs into polymer clay • Incorporate concrete into your work • Achieve patinas with heat • Journal your thoughts onto faux bone • Turn paper pulp into realistic rocks • Create "time capsule" beads from Plexiglas • And much, much more! Discover the rewards of making your own amulets and talismans by learning new techniques to drive your creativity in an entirely new direction.
A comprehensive study of the use of talismans and amulets in the Western Mystery Tradition • Provides an in-depth look at the medieval and Renaissance use of amulets and talismans, including the work of Agrippa, Albertus Magnus, and Athanasius Kircher • Provides a full summary of the magical knowledge required to make an amulet or talisman, including the invocations required to activate their powers • Reviews different kinds of amulets and talismans, from ancient jewelry and magical objects to the modern rabbit’s foot or lucky horseshoe The use of talismans and amulets stretches back nearly to the dawn of man, from everyday items magically prepared, such as horns or coins, to intricate and beautiful jewelry imbued with protective powers. Drawing on his private collection of medieval manuscripts as well as his privileged access to the rare book archives of major European universities, Claude Lecouteux provides a comprehensive history of the use of talismans and amulets for protection, healing, and divine influence. He explores their use in the Western Mystery Tradition as well as Eastern and Middle Eastern beliefs about these magical objects and their incorporation--despite Church anathema--into the Christian tradition of Medieval Europe. Reviewing many different kinds of amulets and talismans used throughout the ages, such as a rabbit’s foot, horseshoe, gris-gris bag, or an inscribed parchment charged through ritual, he details the principles and symbology behind each object and shows that their use is still as widespread today as any time in the past. Lecouteux explains the high magic behind the hermetic art of crafting amulets and talismans: the chains of sympathy, astrological geography, and the invocations required to activate their powers. He explores the work of adepts such as Agrippa, Albertus Magnus, and Athanasius Kircher, including an in-depth look at Kircher’s work on planetary seals in his Oedipus Aegyptiacus. Illustrated throughout with period art depicting magical symbols, seals, and a wide array of talismans and amulets, this comprehensive study provides a practical guide to the historical development and step-by-step creation of magical objects.