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Orlando is a city in Central Florida and one of the most popular tourist destinations in the world. The city is rich in theme parks, attractions, shopping, and nightlife, attracting millions of visitors every year. But Orlando is more than just a tourist destination. It is an important business center, as well as an art, cultural and educational center. The city has a rich history that goes far beyond its role as a resort town. Orlando's history dates back to 1838, when the U.S. Army occupied the area after the War of 1812 and gave it its name. Over the years, the area has been settled by Spanish settlers, African Americans, and European immigrants. Orlando was officially incorporated as a city in 1875. In the late 19th century, Orlando became an important center of the citrus industry. In the 1920s, a building boom began with roads, schools and public buildings. During World War II, the U.S. government took advantage of Orlando's strategic location in Florida to build several military installations here. Since Orlando's first theme park resort opened in the 1960s, Orlando has become one of the premier theme and amusement park destinations. Walt Disney World Resort, Universal Orlando Resort, SeaWorld, and Legoland Florida are just a few of the area's most famous parks. The city is known for its amusement parks, but Orlando has many other amusement parks. The city is home to several important museums, including the Orlando Museum of Art and the Orlando Science Center. In addition, there are numerous theaters, concert halls, and venues for live entertainment. Orlando is also an important educational location, as it is home to several prestigious colleges and universities, including the University of Central Florida and Rollins College. Orlando also has a rich culture and a growing arts scene. The Orlando Shakespeare Theatre and the Orlando Ballet are just two examples of the city's many cultural institutions. There is also a vibrant music scene with many clubs and concert halls. With its history, culture, and many attractions, Orlando is a fascinating destination. This book will help you make the most of your visit to this unique city.
Quentin Jacobson has spent a lifetime loving Margo Roth Spiegelman from afar. So when she cracks open a window and climbs into his life - dressed like a ninja and summoning him for an ingenious campaign of revenge - he follows. After their all-nighter ends, Q arrives at school to discover that Margo has disappeared.
Presents a plan for American cities that focuses on making downtowns walkable and less attractive to drivers through smart growth and sustainable design
The de facto how-to manual of the international Food Not Bombs movement, which provides free food to the homeless and hungry and has branches in countries on every continent except Antarctica, this book describes at length how to set up and operate a Food Not Bombs chapter. The guide considers every aspect of the operation, from food collection and distribution to fund-raising, consensus decision making, and what to do when the police arrive. It contains detailed information on setting up a kitchen and cooking for large groups as well as a variety of delicious recipes. Accompanying numerous photographs is a lengthy section on the history of Food Not Bombs, with stories of the jailing and murder of activists, as well as premade handbills and flyers ready for photocopying.
The National Geographic Kids Ultimate U.S. Road Trip Atlas includes easy-to-read, simple road maps of each state and Washington, D. C., along with a map of the United States. State symbols, cool things to do, boredom busters, fun facts, wacky roadside attractions and games accompany the maps and provide engaging information with stunning photographs that will keep kids busy for hours.
Spanning 25 years of serious writing on hip-hop by noted scholars and mainstream journalists, this comprehensive anthology includes observations and critiques on groundbreaking hip-hop recordings.
This “masterfully woven…literary home run” (New York Journal of Books) follows four women across generations, bound by a beautiful wedding veil and a connection to the famous Vanderbilt family from the New York Times bestselling author of the Peachtree Bluff series. Four women. One family heirloom. A secret connection that will change their lives—and history as they know it. Present Day: Julia Baxter’s wedding veil, bequeathed to her great-grandmother by a mysterious woman on a train in the 1930s, has passed through generations of her family as a symbol of a happy marriage. But on the morning of her wedding day, something tells her that even the veil’s good luck isn’t enough to make her marriage last forever. Overwhelmed, she escapes to the Virgin Islands to clear her head. Meanwhile, her grandmother, Babs, is also feeling shaken. Still grieving the death of her beloved husband, she decides to move into a retirement community. Though she hopes it’s a new beginning, she does not expect to run into an old flame, dredging up the same complicated emotions she felt a lifetime ago. 1914: Socialite Edith Vanderbilt is struggling to manage the luxurious Biltmore Estate after the death of her cherished husband. With 250 rooms to oversee and an entire village dependent on her family to stay afloat, Edith is determined to uphold the Vanderbilt legacy—and prepare her free-spirited daughter Cornelia to inherit it—despite her family’s deteriorating financial situation. But Cornelia has dreams of her own, and as she explores more of the rapidly changing world around her, she’s torn between upholding tradition and pursuing the exciting future that lies beyond Biltmore’s gilded gates. In the vein of Therese Anne Fowler’s A Well-Behaved Woman and Jennifer Robson’s The Gown, The Wedding Veil is “a sparkling, fast-paced joy of a book that celebrates love, family, and the right to shape one’s own destiny” (Kristin Harmel, New York Times bestselling author).
A young boy reflects on his favorite places in town, including the neighborhood pool, the library, the circus, and his grandfather's house.
This instant New York Times bestseller—that’s “perfect for fans of beach reads, P.S. I Love You, and anything by authors Jennifer Weiner and Elin Hilderbrand” (Country Living)— follows two childhood friends who discover that love and family can be found in unconventional ways. Recently separated Amelia Saxton, a dedicated journalist, never expected that uncovering the biggest story of her career would become deeply personal. But when she discovers that a cluster of embryos belonging to her childhood friend Parker and his late wife Greer have been deemed “abandoned,” she’s put in the unenviable position of telling Parker—and dredging up old wounds in the process. Parker has been unable to move forward since the loss of his beloved wife three years ago. He has all but forgotten about the frozen embryos, but once Amelia reveals her discovery, he knows that if he ever wants to get a part of Greer back, he’ll need to accept his fate as a single father and find a surrogate. Each dealing with their own private griefs, Parker and Amelia slowly begin to find solace in one another as they navigate an uncertain future against the backdrop of the pristine waters of their childhood home, Cape Carolina. The journey of self-discovery leads them to a life-changing lesson: family is always closer than you think. “Deliciously plotted, intricately constructed, gorgeously written, and brimming with hope, Under the Southern Sky will steal your heart and make you think about first loves, second chances, and the unforeseeable twists of fate that guide us all” (Kristin Harmel, New York Times bestselling author).
This book addresses Disney parks using performance theory. Few to no scholars have done this to date—an enormous oversight given the Disney parks’ similarities to immersive theatre, interpolation of guests, and dramaturgical construction of attractions. Most scholars and critics deny agency to the tourist in their engagement with the Disney theme park experience. The vast body of research and journalism on the Disney “Imagineers”—the designers and storytellers who construct the park experience—leads to the misconception that these exceptional artists puppeteer every aspect of the guest’s experience. Contrary to this assumption, Disney park guests find a range of possible reading strategies when they enter the space. Certainly Disney presents a primary reading, but generations of critical theory have established the variety of reading strategies that interpreters can employ to read against the text. This volume of twelve essays re-centers the park experience around its protagonist: the tourist.