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Flux is a somber narrative, an ode to change, a collection of poetry and prose written from the many states of grief over a broken heart. With original illustrations by artist Katie Roberts, Orion Carloto creates a dream world for the brokenhearted and paints a whimsical picture around the themes of love, loss, solitude, depression, sex, nostalgia, and unrequited romance. Flux takes readers through a raw and sorrowful journey of each and every bitter moment of heartbreak. Forewarning, Flux is best read with a warm cup of coffee in hand.
A pivotal book of personal, ecological, and political reckoning tuned toward issues of consequence to all who share this world's current and future fate—"Some of the most important poetry in the world today" (Naomi Shihab Nye, The New York Times Magazine). Ledger's pages hold the most important work yet by Jane Hirshfield, one of our most celebrated contemporary poets. From the already much-quoted opening lines of despair and defiance ("Let them not say: we did not see it. / We saw"), Hirshfield's poems inscribe a registry, both personal and communal, of our present-day predicaments. They call us to deepened dimensions of thought, feeling, and action. They summon our responsibility to sustain one another and the earth while pondering, acutely and tenderly, the crises of refugees, justice, and climate. They consider "the minimum mass for a whale, for a language, an ice cap," recognize the intimacies of connection, and meditate upon doubt and contentment, a library book with previously dog-eared corners, the hunger for surprise, and the debt we owe this world's continuing beauty. Hirshfield's signature alloy of fact and imagination, clarity and mystery, inquiry, observation, and embodied emotion has created a book of indispensable poems by a "modern master" (The Washington Post).
With both pen and camera lens, Orion Carloto captures the dreamlike beauty of memory. Film for Her is a story book of people, places, and memories captured on film. Through photographs, poetry, prose, and a short story, Orion Carloto invites readers to remember the forgotten and reach into the past, find comfort in the present, and make sense of the intangible future. Film photography isn't just eye candy; it's timeless and romantic--the ideal complement to Carloto's writing. In Film for Her, much like a visual diary, word and image are intertwined in a book perfect for both gift and self-purchase.
Here, in this beautifully illustrated anthology, is all the joy and innocence, fear and frustration of childhood in one hundred poems. From John Betjeman to William Wordsworth, from Elizabeth Barrett Browning to Ted Hughes, from Robert Herrick to Walt Whitman, from Carol Ann Duffy to Seamus Heaney - here is a collection of poems which have been taken from the whole range of verse in English, from the Middle Ages to the present day.
Orion is very scared of the dark—until Dark decides to pay him a visit! Orion is scared of a lot of things, but most of all he’s scared of the dark. So one night the Dark decides to take Orion on an adventure. Emma Yarlett’s second picture book combines her incredible storytelling and artwork with die-cut pages that bring the Dark to life.
With The Gone and the Going Way, Pulitzer finalist Maurice Manning returns us to the beloved and lamented lives and landscape of the hill people of his native Kentucky.
"In Sholeh Wolpé's memoir in verse, the poet wields an abacus as an instrument of remembering. Bead by bead, she takes the reader on a journey of love and exile, loss and triumph"--
In poetry that is at once accessible and finely crafted, Todd Davis maps the mysterious arc between birth and death, celebrating the beauty and pain of our varied entrances and exits, while taking his readers into the deep forests and waterways of the northeastern United States. With an acute sensibility for language unlike any other working poet, Davis captures the smallest nuances in the flowers, trees, and animals he encounters through a daily life spent in the field. Davis draws upon stories and myths from Christian, Transcendental, and Buddhist traditions to explore the intricacies of the spiritual and physical world we too often overlook. In celebrating the abundant life he finds in a ditch—replete with Queen Anne’s lace and milkweed, raspberries and blackberries, goldenrod and daisies—Davis suggests that life is consistently transformed, resurrected by what grows out of the fecundity of our dying bodies. In his fourth collection the poet, praised by The Bloomsbury Review, Arts & Letters, and many others, provides not only a taxonomy of the flora and fauna of his native Pennsylvania but also a new way of speaking about the sacred walk we make with those we love toward the ultimate mystery of death.
"To quote Norman O. Brown quoting Euripedes, God made an opening for the unexpected, and at long last we have what many of us have greatly desired: a collection of poems by Paul Watsky. His is a singular voice in contemporary poetry, with a range that encompasses the wry, the mordant, the laugh-out-loud funny and the deeply moving, often within the same poem. One of Ovid's earliest critics complained that he did not know when to leave well enough alone. In this he resembles the eponymous hero of Watsky's The Magnificent Goldstein, and, come to think of it, Watsky himself, for which we have cause to rejoice."—Charles Martin "We meet an observant poet telling a story, his story: wryly perceived incidents of family and history-all given with elegance, wit, and intimacy. A concise, carefully crafted, timely view of the world." —Joanne Kyger