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An artifact hidden for centuries... A power man was not meant to wield... A horror unlike anything ever unleashed... Postgraduate student and Renaissance man Julius Godom uncovers the legend of a mysterious artifact rumored to hold the key to human understanding. He sets off on a journey that will take him around the world to India during the Roaring Twenties, chasing the only thing that will quench his thirst for knowledge. From the monsoon-swollen banks of the Ganges to heights of the Himalayan mountains, the search for the Idol threatens to possess Julius' mind with fiery desire. The knowledge contained within is unlike anything he has ever experienced, and now he cannot be without it... But a shadowy coterie of assassins has other plans. Julius must navigate steamy markets, lush jungles, and perilous mountains to track down the Idol before it's used to unleash an ancient horror that will rip apart the world with its own carnal desires.
Increasingly, our world is becoming incomprehensible. Many people, societies, even countries, behave in strange ways: America turns intolerant toward its own whistleblowers, Arabia leads the world in opening a women-only university, Britain turns largely un-Christian, India increasingly buries herself under a surfeit of democracy, and China under communism. This book is about the emerging mega-picture, a reinterpretation of world history along Darwinian lines. In order to survive in the biological food web, humans needed connectivity, which our religions provided. It goes into the evolution and dissolution of religions, across centuries, as our biggest connecting and integrating factors yet, and how these weakening faiths are now being replaced by new, robust connectors: democracy, science, technology. Of course, we still have many devout around, but their beliefs have shorter shelf life. These silent but gigantic changes are restructuring our societies. With the change in emphasis in the very infrastructure of the human society, the entire edifice is undergoing transformation and renovation—it is nothing less than the Ascent of Women, the Fourth Wave, for the first time since the dawn of civilization some ten thousand years ago. This book is for those who would enter this New World!
A student of Darwin, John Lubbock applied evolutionary theory to the development of human civilisations in this influential 1870 publication.
An Economist Best Book of the Year In this timely and lively look at the act of toppling monuments, the popular historian and author of Blood and Sand explores the vital question of how a society remembers—and confronts—the past. In 2020, history came tumbling down. From the US and the UK to Belgium, New Zealand, and Bangladesh, Black Lives Matter protesters defaced, and in some cases, hauled down statues of Confederate icons, slaveholders, and imperialists. General Robert E. Lee, head of the Confederate Army, was covered in graffiti in Richmond, Virginia. Edward Colston, a member of Parliament and slave trader, was knocked off his plinth in Bristol, England, and hurled into the harbor. Statues of Christopher Columbus were toppled in Minnesota, burned and thrown into a lake in Virginia, and beheaded in Massachusetts. Belgian King Leopold II was set on fire in Antwerp and doused in red paint in Ghent. Winston Churchill’s monument in London was daubed with the word “racist.” As these iconic effigies fell, the backlash was swift and intense. But as the past three hundred years have shown, history is not erased when statues are removed. If anything, Alex von Tunzelmann reminds us, it is made. Exploring the rise and fall of twelve famous, yet now controversial statues, she takes us on a fascinating global historical tour around North America, Western and Eastern Europe, Latin America and Asia, filled with larger than life characters and dramatic stories. Von Tunzelmann reveals that statues are not historical records but political statements and distinguishes between statuary—the representation of “virtuous” individuals, usually “Great Men”—and other forms of sculpture, public art, and memorialization. Nobody wants to get rid of all memorials. But Fallen Idols asks: have statues had their day?