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This book follows the origins of the Kedushta, a sequence of poems that leads up to the epitome of Jewish prayer, the Kedusha or Sanctus. It tracks back the earliest forms of prayer in late antiquity and by doing so defines the main characteristics of this genre, both from the standpoint of Rhetoric and poetics. This genre draws from Midrash and Mysticism- adjacent literary forms that influence liturgical poetry. How has such an enigmatic and complex liturgical genre survived the twists and turns of history and is recited to this day, for over 1500 years? The answer to this question pertains to both form and content. When analyzing form, we address rhyme, alphabetical acrostics, and different poetic forms. Those all have a specific rhetorical function in determining the structure of the poem, pushing it forward, and musically aligning the different segments. The form cannot be detached from narratology, referencing early midrash and mysticism. In addition, the emotional approach of the private prayer can express one's existential pain as part of an oppressed community. We can follow the composition of the prayer book for each community over the ages, through the first millennium, starting with Geniza fragments to the European prayer books. Finally, these poems use of sophisticated etymology, correlation by sound, leads to innovative Medieval interpretation of the Torah. It seems that the combination of a public recitation, simulating a divine choir, the musicality of the text and emotional depth all contributed to this eternal poetic genre to penetrate cross cutting traditions of prayer throughout the ages.
This catalogue lists more than 18,000 individual commentaries on Hebrew liturgical poetry from more than 400 manuscripts composed in various Jewish communities throughout the Medieval and Early Modern periods. As a research tool, it provides unprecedented access to this fascinating genre of Hebrew literature.
Formal and thematic devices demonstrate that Hebrew poetry is composed of a consistent pattern of cantos (stanzas) and strophes. The formal devices include quantitative balance on the level of cantos in terms of the number of verselines, verbal repetitions and transition markers.
The contributors and editors dedicate this volume of research to Professor Stefan C. Reif on the occasion of his 75th birthday. Together these twenty papers reflect our appreciation for his exemplary scholarship and lifelong commitment to acquaint our world with the theological and cultural riches of Jewish Studies. This collection reflects the breadth of Prof. Reif’s interests insofar as it is a combination of Second Temple studies and Jewish studies on the roots of Jewish prayer and liturgy which is his main field of expertise. Contributions on biblical and second temple studies cover Amos, Ben Sira, Esther, 2 Maccabees, Judith, Wisdom, Qumran Psalms, and James. Contributions on Jewish studies cover nuptial and benedictions after meals, Adon Olam, Passover Seder, Amidah, the Medieval Palestinian Tefillat ha-Shir, and other aspects of rabbinic liturgy. Moreover, the regional diversity of scholars from Israel, continental Europe, the United Kingdom, Ireland and North America mirrors Stefan’s travels as a lecturer and the reach of his publications. The volume includes a foreword of appreciation and a bibliographic list of Professor Reif's works.
The papers published in this volume were presented at the Fifth Orion International Symposium (Jerusalem, 2000), which focused on prayer and poetry in light of the Dead Sea Scrolls. The volume examines the recently published poetical and liturgical texts from Qumran against the background of Second Temple Judaism, its biblical antecedents, and later rabbinic developments. The essays treat a variety of prayers and religious practices, as well as major issues in the history of Jewish liturgy. Topics range from magic, mysticism and thanksgiving to lamentation, fast day rituals, communal worship, and the relationship between the prayers from Qumran and the traditional Jewish prayers. The application of new Scrolls material to this breadth of topics constitutes an important contribution to the study of religious poetry, religious practice, and liturgy.
An impressive array of the leading names in the field have together produced a volume that seeks to open a new period in the study of Midrash and its creative role in the formation of culture. With a comprehensive introduction that situates Midrash in its historical and rhetorical setting and provides the context for a detailed consideration of different genres and applications, it should interest all scholars of Jewish studies as well as a wider readership interested in how a classical genre can inspire new creativity.
The discovery of the Genizah manuscipt collection is nothing less than a revolution for the knowledge of Hebrew literature and Jewish culture in Late Antiquity and the Middle Ages. One of the main results of one hundred years of Genizah research is the rediscovery of Hebrew liturgical poetry which shed much light on various aspects of Jewish studies. For the last half century it has been almost comonplace to discover new poems, unknown poets, novel uses of poetry and unfamiliar poetic versions of familiar prose texts within liturgical settings being revealed among the manuscripts and manuscript fragments. The products of the composers and reciters of synagogue poetry convincingly demonstrate the importance of poetry in Jewish worship and communal life. The major corpora of Palestinian liturgical poetry bear evidence to the prolific literary activity of a number of famous poets who laid the foundations for the development of Hebrew poetry in later periods: Yossi ben Yossi, Yannai, Simon bar Megas, Elazar birabbi Kilir and Yohanan ha-Kohen. One of these mostly Byzantine-Jewish 'melodists' was Yehudah who composed a cycle of poems in accordance with the reading tradition of the Pentateuch and Prophets on the sabbath. This study presents Yehudah's oeuvre with commentaries and deals with its historical and literary context in four introductory chapters. The edition is complemented by indices and a bibliography.
In Poetry and Memory in Karaite Prayer Joachim Yeshaya offers an edition of liturgical poems which the Karaite poet Moses Darʿī composed in twelfth-century Egypt as introductory poems for the Torah readings on each Sabbath. The Hebrew text and Judaeo-Arabic heading of each poem are provided in the original order attested in the manuscript NLR Evr. I 802, dated to the fifteenth century. Every poem comes with a commentary section consisting of English commentary essays and bilingual (Hebrew / English) line-by-line annotations. In the conclusion following this edition, Joachim Yeshaya demonstrates how Darʿī’s liturgical poems are among the earliest examples of the introduction of poetry, Andalusian Rabbanite poetical norms, and the “memory” of being exiled from Jerusalem into Karaite prayer.
This book introduces the evocative but largely unknown tradition of Samaritan religious poetry from late antiquity to a new audience. These verses provide a unique window into the Samaritan religious world during a formative period. Prepared by Laura Suzanne Lieber, this anthology presents annotated English translations of fifty-five Classical Samaritan poems. Lieber introduces each piece, placing it in context with Samaritan religious tradition, the geopolitical turmoil of Palestine in the fourth century CE, and the literary, liturgical, and performative conventions of the Eastern and Western Roman Empires, shared by Jews, Christians, and polytheists. These hymns, composed by three generations of poets—the priest Amram Dara; his son, Marqah; and Marqah’s son, Ninna, the last poet to write in Samaritan Aramaic in the period prior to the Muslim conquest—for recitation during the Samaritan Sabbath and festival liturgies remain a core element of Samaritan religious ritual to the present day. Shedding important new light on the Samaritans’ history and on the complicated connections between early Judaism, Christianity, the Samaritan community, and nascent Islam, this volume makes an important contribution to the reception of the history of the Hebrew Bible. It will appeal to a wide audience of students and scholars of the Hebrew Bible, the New Testament, early Judaism and early Christianity, and other religions of late antiquity.