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"Early Chinese ceramics from New York State Museums" highlights the richness of the collections in upstate and western New York. This exhibition, quite happily, ties together recurring themes in the history of the Gallery and is a reflection of the maturing of public appreciation of Chinese art. Early ceramics was the subject of the first exhibition mounted by the Committee of Art and Exhibits at China Institute in 1944.--Preface.
Scholarly look at this unique whiteware porcelain, known as Dehua ware in China and Blanc de Chine in the West.
This exhibition reevaluates Southern Song art in the context of the geography, cultural traditions and historical references of West Lake in Hangzhou. The Southern Song (1127 - 1279) capital of Lin'an, located near beautiful West Lake, was the center of a dynasty that looked largely inward. In this regard, the story of Southern Song art can be presented in a manner that is site-specific. The exhibition includes over 50 paintings (album leaves, hanging scrolls and fan paintings) and lustrous ceramics from premier collections, from the U.S. and abroad, and utilizes maps and literary accounts to further emphasize the influence of place in Southern Song art from a period known to many as one of the most 'exquisite moments' in art history.
This catalogue of pre-Han pottery presents a variety of regional ancient cultures and reveals China's early civilizations through 63 fine examples of ceramic artworks from the Neolithic period through the Western Zhou dynasty drawn from the renowned Meiyintang Collection. Clearly outlining the different regions and charateristics of the ceramic-producing cultures of ancient China, this volume includes information on newly excavated materials and discussion on how these Neolithic and Bronze age cultures laid the foundations for China's later artistic and cultural achievements.
The Resonance of Qin in East Asian Art explores the rich cultural resonance of the qin (chin), a stringed instrument whose 2,000-year history in East Asia is traced in the almost 40 paintings, sculptures, drawings, woodblock prints, and domestic and scholar's objects inspired by its forms. This exhibition examines the qin's varying roles in East Asian cultures, and reveals how its unique aesthetic became associated with scholarly ideals and the pursuit of enlightenment.
Catalog of the first exhibition to consider the remarkable endurance and symbolic resonance of the horse in Chinese art, history, and philosophy. It features almost 30 works, including 13 sculptures from the Han-Tang dynasties, and hand scrolls, hanging scrolls, and album leaves from the Tang-Qing dynasties. By examining the tremendous range of equine depictions in Chinese art, it reveals the horse as an exceptionally fluid and potent means for the continual construction and reconstruction of Chinese identity, a figure of enduring fascination and value given its usefulness -- both real and symbolic -- to humankind.