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"If thirteen is supposed to be an unlucky number...you would think a civilized society could come up with a way for us to skip it." -- from "What's the Worst That Could Happen?" by Bruce Coville No one will want to skip any of the twelve short stories and one poem that make up this collection by some of the most celebrated contemporary writers of teen fiction. The big bar mitzvah that goes suddenly, wildly, hilariously out of control. A first kiss -- and a realization about one's sexual orientation. A crush on a girl that ends up putting the boy who likes her in the hospital. A pair of sneakers a kid has to have. By turns funny and sad, wrenching and poignant, the moments large and small described in these stories capture perfectly the agony and ecstasy of being thirteen.
You think you know the story of Sleeping Beauty, but the real story is far more spellbinding… Gorse is the thirteenth and youngest in a family of fairies tied to the evil king’s land and made to do his bidding. When accident-prone Gorse falls ill just as the family is bid to bless the new princess, a fairytale starts to unfold. Sick as she is, Gorse races to the castle with the last piece of magic the family has left—a piece of the Thread of Life. But that is when accident, mayhem, and magic combine to drive Gorse’s story into the unthinkable, threatening the baby and the kingdom.
This volume offers a survey of American short fiction in 59 tales that combine classic works with 'different, unexpected gems', which invite readers to explore a wealth of important pieces by women and minority writers. Authors include: Amy Tan, Alice Adams, David Leavitt and Tim O'Brien.
Inspired by an experiment on Twitter, these 300 moving stories are no bigger than a sentence or two, on themes like love, death, and family. In this one-of-a-kind collection, author Sean Hill has crafted hundreds of engaging stories that conjure an entire novel in just a sentence or two. Sometimes sad, often humorous and always creative, these tales touch on a wide range of life experiences from romance and family to death and sex. Nana rocked in her old wooden rocking chair. “Timmy, you have always been my favorite,” she said. He looked at her. “Nana, I’m Bobby.” Read your diary, discovered your secret. I thought I loved you, but now I’m not sure. Don’t know what to do, you look so human. Clowning was Daryl’s profession, cooking was his passion. Stella thought he was perfect. She liked to laugh and never learned to cook. Alex bought Sharon a ring for Valentine’s Day, which she sold to buy the gun that stopped him from loving her. In 2009, Sean Hill combined his love of writing and technology by creating @VeryShortStory, a Twitter feed where he interacts with his readers and shares his 140-character stories. Praise for Very Short Stories “Some are touching, some ring true, but most are laugh-out-loud funny.” —Seattle Times “The book is a treasure-trove of fascinating exploration into the craft of language and storytelling.” —Summit Daily “Story telling is his bag, pure and simple.” —Austin American Statesman “The best of the stories might rival Hemingway's classic six word story in their descriptive brevity and their ability to tell a complete and affecting tale.” —Short and Sweet NYC “Witty, well-crafted and always thought-provoking.” —Salt Lake Tribune
This book contains70 short storiesfrom 10 classic, prize-winning and noteworthy authors. The stories were carefully selected by the criticAugust Nemo, in a collection that will please theliterature lovers. For more exciting titles, be sure to check out our 7 Best Short Stories and Essential Novelists collections. This book contains: Fitz-James O'Brien: - The Diamond Lens. - The Lost Room. - What Was it? A Mystery. - My Wife's Tempter. - The Golden Ingot. - The Child Who Loved a Grave. - The Wondersmith.Francis Marion Crawford: - The Dead Smile. - The Screaming Skull. - Man Overboard! - For The Blood Is The Life. - The Upper Berth. - By The Waters of Paradise. - The Doll's Ghost.Francis Stevens: - Behind the Curtain. - Unseen Unfeared. - Elf Trap. - Serapion. - Friend Island. - Citadel of Fear. - Nightmare!Barry Pain: - Aunt Martha. - The Bet. - The Boy in the Book. - The Discovery of Nesting. - Eliza and the Special. - The Kindness of the Celestial. - The Victim of Apparatus.Frank L. Packard: - Corporal Bob. - The Guardian of the Devil's Slide. - Where's Haggerty? - McQueen's Hobby. - Munford. - "If a Man Die" - The Blood of Kings.Paul Laurence Dunbar: - The Scapegoat. - One Christmas At Shiloh. - The Mission Of Mr. Scatters. - A Matter Of Doctrine. - Old Abe's Conversion. - The Race Question. - A Defender Of The Faith.Otis Adelbert Kline: - The Corpse on the Third Slab. - The Man from the Moon. - The Cup of Blood. - Mignight Madness. - The Malignant Entity. - The Bird-People. - The Thing of a Thousand Shapes.John Ulrich Giesy: - The Occult Detector. - The Purple Light. - The Significance of the High "D". - The Wistaria Scarf. - The Master Mind. - Rubies of Doom. - The House of Invisible Bondage.Valery Bryusov: - The Republic of the Southern Cross. - The Marble Bust. - For Herself or for Another. - In the Mirror. - Protection. - The "Bemol" Shop of Stationery. - Rhea Silvia.Eleanor H. Porter: - A Delayed Heritage. - The Folly of Wisdom. - The Letter. - The Elephant's Board and Keep. - Crumbs. - The Lady in Black. - That Angel Boy.
Galaxy Science Fiction was an American digest-size science fiction magazine, published from 1950 to 1980. It was founded by an Italian company, World Editions, which was looking to break into the American market. World Editions hired as editor H. L. Gold, who rapidly made Galaxy the leading science fiction (sf) magazine of its time, focusing on stories about social issues rather than technology. Gold published many notable stories during his tenure, including Ray Bradbury's "The Fireman", later expanded as Fahrenheit 451; Robert A. Heinlein's The Puppet Masters; and Alfred Bester's The Demolished Man. In 1952, the magazine was acquired by Robert Guinn, its printer. By the late 1950s, Frederik Pohl was helping Gold with most aspects of the magazine's production. When Gold's health worsened, Pohl took over as editor, starting officially at the end of 1961, though he had been doing the majority of the production work for some time. Under Pohl Galaxy had continued success, regularly publishing fiction by writers such as Cordwainer Smith, Jack Vance, Harlan Ellison, and Robert Silverberg. However, Pohl never won the annual Hugo Award for his stewardship of Galaxy, winning three Hugos instead for its sister magazine, If. In 1969 Guinn sold Galaxy to Universal Publishing and Distribution Corporation (UPD) and Pohl resigned, to be replaced by Ejler Jakobsson. Under Jakobsson the magazine declined in quality. It recovered under James Baen, who took over in mid-1974, but when he left at the end of 1977 the deterioration resumed, and there were financial problems—writers were not paid on time and the schedule became erratic. By the end of the 1970s the gaps between issues were lengthening, and the title was finally sold to Galileo publisher Vincent McCaffrey, who brought out only a single issue in 1980. A brief revival as a semi-professional magazine followed in 1994, edited by H. L. Gold's son, E. J. Gold; this lasted for eight bimonthly issues. At its peak, Galaxy greatly influenced the science fiction field. It was regarded as one of the leading sf magazines almost from the start, and its influence did not wane until Pohl's departure in 1969. Gold brought a "sophisticated intellectual subtlety" to magazine science fiction according to Pohl, who added that "after Galaxy it was impossible to go on being naive." SF historian David Kyle agrees, commenting that "of all the editors in and out of the post-war scene, the most influential beyond any doubt was H. L. Gold". Kyle suggests that the new direction Gold set "inevitably" led to the experimental New Wave, the defining science fiction literary movement of the 1960s.
INDEX VOLUME I. GUY DE MAUPASSANT BOULE DE SUIF TWO FRIENDS THE LANCER'S WIFE THE PRISONERS TWO LITTLE SOLDIERS FATHER MILON A COUP D'ETAT LIEUTENANT LARE'S MARRIAGE THE HORRIBLE MADAME PARISSE MADEMOISELLE FIFI A DUEL ORIGINAL SHORT STORIES, Vol. 2. VOLUME II. THE COLONEL'S IDEAS MOTHER SAUVAGE EPIPHANY THE MUSTACHE MADAME BAPTISTE THE QUESTION OF LATIN A MEETING THE BLIND MAN INDISCRETION A FAMILY AFFAIR BESIDE SCHOPENHAUER'S CORPSE ORIGINAL SHORT STORIES, Vol. 3. VOLUME III. MISS HARRIET LITTLE LOUISE ROQUE THE DONKEY MOIRON THE DISPENSER OF HOLY WATER A PARRICIDE BERTHA THE PATRON THE DOOR A SALE THE IMPOLITE SEX A WEDDING GIFT THE RELIC "To the Abbe Louis d'Ennemare, at Soissons. ORIGINAL SHORT STORIES, Vol. 4. VOLUME IV. THE MORIBUND THE GAMEKEEPER THE STORY OF A FARM GIRL PART I PART II PART III PART IV PART V THE WRECK It was yesterday, the 31st of December. THEODULE SABOT'S CONFESSION THE WRONG HOUSE THE DIAMOND NECKLACE THE MARQUIS DE FUMEROL THE TRIP OF LE HORLA FAREWELL! THE WOLF THE INN ORIGINAL SHORT STORIES, Vol. 5. VOLUME V. MONSIEUR PARENT QUEEN HORTENSE TIMBUCTOO TOMBSTONES MADEMOISELLE PEARL THE THIEF CLAIR DE LUNE WAITER, A "BOCK" AFTER "My darlings," said the comtesse, "you might go to bed." FORGIVENESS IN THE SPRING A QUEER NIGHT IN PARIS ORIGINAL SHORT STORIES, Vol. 6. VOLUME VI. THAT COSTLY RIDE USELESS BEAUTY I THE FATHER I MY UNCLE SOSTHENES THE BARONESS MOTHER AND SON THE HAND A TRESS OF HAIR ON THE RIVER THE CRIPPLE A STROLL ALEXANDRE THE LOG JULIE ROMAIN THE RONDOLI SISTERS I ORIGINAL SHORT STORIES, Vol. 7. VOLUME VII. THE FALSE GEMS FASCINATION YVETTE SAMORIS "The Comtesse Samoris." A VENDETTA MY TWENTY-FIVE DAYS "THE TERROR" LEGEND OF MONT ST. MICHEL A NEW YEAR'S GIFT FRIEND PATIENCE What became of Leremy?" ABANDONED THE MAISON TELLIER PART II PART III DENIS MY WIFE THE UNKNOWN THE APPARITION ORIGINAL SHORT STORIES, Vol. 8. VOLUME VIII. CLOCHETTE THE KISS THE LEGION OF HONOR THE TEST FOUND ON A DROWNED MAN THE ORPHAN THE BEGGAR He had seen better days, despite his present misery and infirmities. THE RABBIT HIS AVENGER MY UNCLE JULES THE MODEL A VAGABOND THE FISHING HOLE THE SPASM IN THE WOOD MARTINE ALL OVER THE PARROT I THE PIECE OF STRING ORIGINAL SHORT STORIES, Vol. 9. VOLUME IX. TOINE MADAME HUSSON'S "ROSIER" THE ADOPTED SON COWARD OLD MONGILET MOONLIGHT THE FIRST SNOWFALL SUNDAYS OF A BOURGEOIS A RECOLLECTION OUR LETTERS THE LOVE OF LONG AGO FRIEND JOSEPH THE EFFEMINATES OLD AMABLE ORIGINAL SHORT STORIES, Vol. 10. VOLUME X. THE CHRISTENING "Well doctor, a little brandy?" THE FARMER'S WIFE Said the Baron Rene du Treilles to me: THE DEVIL THE SNIPE THE WILL WALTER SCHNAFFS' ADVENTURE AT SEA The following paragraphs recently appeared in the papers: MINUET THE SON THAT PIG OF A MORIN SAINT ANTHONY LASTING LOVE PIERROT A NORMANDY JOKE FATHER MATTHEW ORIGINAL SHORT STORIES, Vol. 11. VOLUME XI. THE UMBRELLA BELHOMME'S BEAST DISCOVERY THE ACCURSED BREAD THE DOWRY THE DIARY OF A MADMAN THE MASK THE PENGUINS' ROCK This is the season for penguins. A FAMILY SUICIDES To Georges Legrand. AN ARTIFICE DREAMS SIMON'S PAPA ORIGINAL SHORT STORIES, Vol. 12. VOLUME XII. THE CHILD A COUNTRY EXCURSION ROSE ROSALIE PRUDENT REGRET A SISTER'S CONFESSION COCO DEAD WOMAN'S SECRET A HUMBLE DRAMA MADEMOISELLE COCOTTE THE CORSICAN BANDIT THE GRAVE ORIGINAL SHORT STORIES, Vol. 13. VOLUME XIII. OLD JUDAS THE LITTLE CASK BOITELLE A WIDOW THE ENGLISHMAN OF ETRETAT MAGNETISM A FATHER'S CONFESSION A MOTHER OF MONSTERS AN UNCOMFORTABLE BED A PORTRAIT THE DRUNKARD THE WARDROBE THE MOUNTAIN POOL A CREMATION MISTI MADAME HERMET THE MAGIC COUCH
Maupassant (1850-1893) was a prodigious writer, particularly of short stories. This volume is divided into thirteen books of stories each with about a dozen stories. Maupassant's stories were often menacing or disturbing in some way.
"I entered literary life as a meteor, and I shall leave it like a thunderbolt." These words of Maupassant to Jose Maria de Heredia on the occasion of a memorable meeting are, in spite of their morbid solemnity, not an inexact summing up of the brief career during which, for ten years, the writer, by turns undaunted and sorrowful, with the fertility of a master hand produced poetry, novels, romances and travels, only to sink prematurely into the abyss of madness and death. . . . . In the month of April, 1880, an article appeared in the "Le Gaulois" announcing the publication of the Soirees de Medan. It was signed by a name as yet unknown: Guy de Maupassant. After a juvenile diatribe against romanticism and a passionate attack on languorous literature, the writer extolled the study of real life, and announced the publication of the new work. It was picturesque and charming. In the quiet of evening, on an island, in the Seine, beneath poplars instead of the Neapolitan cypresses dear to the friends of Boccaccio, amid the continuous murmur of the valley, and no longer to the sound of the Pyrennean streams that murmured a faint accompaniment to the tales of Marguerite's cavaliers, the master and his disciples took turns in narrating some striking or pathetic episode of the war. And the issue, in collaboration, of these tales in one volume, in which the master jostled elbows with his pupils, took on the appearance of a manifesto, the tone of a challenge, or the utterance of a creed. In fact, however, the beginnings had been much more simple, and they had confined themselves, beneath the trees of Medan, to deciding on a general title for the work. Zola had contributed the manuscript of the "Attaque du Moulin," and it was at Maupassant's house that the five young men gave in their contributions. Each one read his story, Maupassant being the last.