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You've read about the Civil War from the American point of view---now read it from the European!Margaret Mitchell studied the Second Empire in writing her book Gone with the Wind. Both Eugénie and Scarlett were high-spirited and vivacious. They were frustrated by an elusive love and jealous of the women that their men preferred. ¿Desolate and sick of an old passion¿, they were unable to find married happiness and could only be ¿faithful in their fashion¿ so that their husbands found satisfaction elsewhere and Napoleon deliberately flaunted mistresses and marketed Paris as a city of sensual and luxurious delights, thereby creating its unique mystique.Scarlett¿s story crescendoed to the burning of Atlanta; Eugénie¿s crescendoed to the Franco-Prussian War. They each had to flee to save themselves. Scarlett had to weed and hoe and pick cotton; Eugénie had to sell her jewels and adapt to an austere lifestyle in England. The official name of Scarlett and Rhett¿s daughter was Eugénie Victoria (before they nicknamed her Bonnie Blue Butler). Both Scarlett and Eugénie wore hats purchased from the Parisian street rue de la Paix. Eugénie kept a secret man¿s photograph in her private boudoir; Scarlett kept a tintype of Ashley in a drawer of her dressing table. Both Scarlett and Eugénie lost a beloved child. The prime years of Eugénie and Scarlett were the same¿starting in 1861 when the South had just declared war; and 1861 when Eugénie became the most powerful woman in the world. The main theme of their lives was survival, with what Margaret Mitchell called ¿gumption¿. Comparing the women, you¿ll feel a sense of déjà vu.Mary Todd Lincoln tried to copy Eugenie¿s fashions from Godey¿s Lady¿s Book. She presented a magnificent ball emulating a Fête Impériale while her son Willie was mortally sick upstairs. She had her White House china bordered with solferino purple which Eugenie popularized, and spent some of her last years in Pau in the Pyrenees near Biarritz which Eugenie made famous.
In this #1 bestselling sequel to Gone With The Wind, Scarlett O'Hara's story continues, beautifully capturing the spirit of Margaret Mitchell's timeless tale. Who can forget the most popular, beloved American historical novel ever written? Gone With the Wind is unparalleled in its portrayal the American South during the Civil War era. Now, Alexandra Ripley brings us back to Tara and reintroduces us to the characters we remember so well: Rhett, Ashley, Mammy, Suellen, Aunt Pittypat, and, of course, the unforgettable Scarlett O'Hara. The greatest fictional love affair is reignited as the passion between Scarlett O'Hara and Rhett Butler reaches its startling culmination. Rich with surprises at every turn and new emotional, breathtaking adventures, Scarlett will find an eternal place in our hearts. #1 New York Times bestseller #1 Chicago Tribune bestseller #1 Los Angeles Times bestseller #1 Publishers Weekly bestseller #1 Washington Post bestseller
Fully authorized by the Margaret Mitchell estate, Rhett Butler's People is the astonishing and long-awaited novel that parallels the Great American Novel, Gone With The Wind. Twelve years in the making, the publication of Rhett Butler's People marks a major and historic cultural event. Through the storytelling mastery of award-winning writer Donald McCaig, the life and times of the dashing Rhett Butler unfolds. Through Rhett's eyes we meet the people who shaped his larger than life personality as it sprang from Margaret Mitchell's unforgettable pages: Langston Butler, Rhett's unyielding father; Rosemary his steadfast sister; Tunis Bonneau, Rhett's best friend and a onetime slave; Belle Watling, the woman for whom Rhett cared long before he met Scarlett O'Hara at Twelve Oaks Plantation, on the fateful eve of the Civil War. Of course there is Scarlett. Katie Scarlett O'Hara, the headstrong, passionate woman whose life is inextricably entwined with Rhett's: more like him than she cares to admit; more in love with him than she'll ever know... Brought to vivid and authentic life by the hand of a master, Rhett Butler's People fulfills the dreams of those whose imaginations have been indelibly marked by Gone With The Wind.
The story of the tempestuous romance between Rhett Butler and Scarlet O'Hara is set amid the drama of the Civil War.
“Exquisitely imagined, deeply researched . . . brings to the foreground the most enigmatic and fascinating figure in Gone with the Wind. This is a brave work of literary empathy by a writer at the height of his powers, who demonstrates a magisterial understanding of the period, its clashing cultures, and its heartbreaking crises. ” —Geraldine Brooks, author of March The only authorized prequel to Margaret Mitchell’s Gone with the Wind—the unforgettable story of Mammy. On a Caribbean island consumed by the flames of revolution, an infant girl falls under the care of two French émigrés, Henri and Solange Fournier, who take the beautiful child they call Ruth to the bustling American city of Savannah. What follows is the sweeping tale of Ruth’s life as shaped first by her strong-willed mistress, and then by Solange’s daughter Ellen and Gerald O’Hara, the rough Irishman Ellen chooses to marry; the Butler family of Charleston and their unexpected connection to Mammy Ruth; and finally Scarlett O’Hara—the irrepressible Southern belle Mammy raises from birth. As we witness the lives of three generations of women, gifted storyteller Donald McCaig reveals a nuanced portrait of Mammy, at once a proud woman and a captive, a strict disciplinarian who has never experienced freedom herself. Through it all, Mammy endures, a rock in the river of time. Set against the backdrop of the South from the 1820s until the dawn of the Civil War, here is a remarkable story of fortitude, heartbreak, and indomitable will—and a tale that will forever illuminate your reading of Margaret Mitchell’s Gone with the Wind.
A parody of Gone with the wind, this novel tells the story of Cynara, the mulatto half-sister born into slavery who eventually triumphs.
Vivien Leigh's mystique was a combination of staggering beauty, glamour, romance, and genuine talent displayed in her Oscar-winning performances in Gone With the Wind and A Streetcar Named Desire. For more than thirty years, her name alone sold out theaters and cinemas the world over, and she inspired many of the greatest visionaries of her time: Laurence Olivier loved her; Winston Churchill praised her; Christian Dior dressed her. Through both an in-depth narrative and a stunning array of photos, Vivien Leigh: An Intimate Portrait presents the personal story of one of the most celebrated women of the twentieth century, an engrossing tale of success, struggles, and triumphs. It chronicles Leigh's journey from her birth in India to prominence in British film, winning the most-coveted role in Hollywood history, her celebrated love affair with Laurence Olivier, through to her untimely death at age fifty-three in 1967. Author Kendra Bean is the first Vivien Leigh biographer to delve into the Laurence Olivier Archives, where an invaluable collection of personal letters and documents ranging from interview transcripts to film contracts to medical records shed new insight on Leigh's story. Illustrated by hundreds of rare and never-before-published images, including those by Leigh's "official" photographer, Angus McBean, Vivien Leigh: An Intimate Portrait is the first illustrated biography to closely examine the fascinating, troubled, and often misunderstood life of Vivien Leigh: the woman, the actress, the legend.
Haskell keeps both novel and movie at hand, moving from one to the other, comparing and distinguishing what Margaret Mitchell expresses from what obsessive producer David O. Selznick, directors George Cukor and Victor Fleming, screenplaywrights Sidney Howard and a host of fixers (including Ben Hecht and Scott Fitzgerald), and actors Vivien Leigh, Clark Gable, Hattie McDaniel, and others convey. She emphasizes the contributions of Selznick, Leigh, and in an entire chapter, Mitchell, drawing heavily and analytically on existing biographies, the literature of women and the Civil War, Civil War films (especially Birth of a Nation and Jezebel), and film criticism to such engaging effect as to not just revisit GWTW but to revive and intensify the enduring fascination of what Selznick dubbed the American Bible. --Olson, Ray Copyright 2009 Booklist.
Companion publication to the Harry Ransom Center's exhibition, September 9, 2014-January 4, 2015, marking the seventy-fifth anniversary of the film's release.