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In A Tolerable Anarchy, Jedediah Purdy traces the history of the American understanding of freedom, an ideal that has inspired the country’s best—and worst—moments, from independence and emancipation to war and economic uncertainty. Working from portraits of famous American lives, like Frederick Douglas and Ralph Waldo Emerson, Purdy asks crucial questions about our relationship to liberty: Does capitalism perfect or destroy freedom? Does freedom mean following tradition, God’s word, or one’s own heart? Can a nation of individuals also be a community of citizens? This is history that speaks plainly to our lives today, urging readers to explore our understanding of our country and ourselves, and a provocative look at one of America’s cherished principles.
In this engaging account, the first president of Brandeis tells how many formidable obstacles to launching a new university without initial capital endowment or any hope of alumni support for at least a generation were overcome; how academic goals were drafted, distinguished faculty recruited, and chairs endowed; and how a dilapidated campus was expended into a well-organized plant of some 90 buildings. In this revision of the 1976 edition, Abram L. Sachar expands the scope of his commentary and imbues it with a critical depth and objectivity that comes from 20 additional years of active involvement in the service of the university.
Volume two of the world famous trilogy on the history of New York
"Rather than simply engaging in a triumphalist narrative of overcoming where both disability and disablement are shunned alike, Disabilities of the Color Line argues that Black authors and activists have consistently avowed disability as a part of Black social life in varied and complex ways. Sometimes their affirmation of disability serves to capture how their bodies, minds, and health have been and are made vulnerable to harm and impairment by the state and society. Sometimes their assertion of disability symbolizes a sense of commonality and community that comes not only from a recognition of the shared subjection of blackness and disability but also from a willingness to imagine and create a world distinct from the dominant social order. Through the work of David Walker, Henry Box Brown, William and Ellen Craft, Charles Chesnutt, James Weldon Johnson, and Mamie Till-Mobley, Disabilities of the Color Line examines how Black writer-activists have engaged in an aesthetics of redress: modes of resistance that show how Black communities have rigorously acknowledged disability as a response to forms of racial injury and in the pursuit of racial and disability justice"--