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Provides a critical history of Western architecture theory from the ancient world to the present day. It looks at how the architect generates architectural form in order to explain a number of issues, including the origins of style, the persistence of tradition and the role of genius.
This engaging study discusses ways in which architectural forms emulate some archetypal settings that humans have found appealing--and useful for survival--from ancient times to the present. 119 photos. 6 line figures.
Draw In Order to See is the first book to survey the history of architectural design using the latest research in cognitive science and embodied cognition. Beginning with a primer on visual perception, cognitive science, design thinking, and modes of conception used by groups of architects in their practices, Mark Alan Hewitt surveys a 12,000-year period for specific information about the cognitive schemata used by Homo sapiens to make their buildings and habitats. The resulting history divides these modes of thinking into three large cognitive arcs: crafting, depicting, and assembling, within specific temporal frames. His analysis borrows from Merlin Donald's thesis about mimetic and symbolic cognition as critical to the emergence of the modern mind, and further employs theories of enactment and embodiment to clarify their relationship to architecture. Individual chapters treat the emergence of depiction during the Renaissance, the education of architects in the modern era, Baroque illusionism and scenography, the breakdown of artisanal literacy during the Enlightenment, and modern experiments with models, montage, and illusions of movement. The author concludes with a critique of contemporary design and education, and promotes design with embodiment as a tonic for a profession in crisis, facing the challenges of climate change, energy shortages, inequality, and housing a population of over seven billion in the coming decades. This groundbreaking and valuable study presents a clear view of current research in two related fields that have not heretofore been compared, and outlines a strategy for future research. An extensive bibliography offers readers an up-to-date reference to both the science and the architectural history behind the text.
Conditional design is the sequel to Operative Design. This book will further explore the operative in a more detailed, intentional, and perhaps functional manner. Spatially, the conditional is the result of the operative. It is not a blind result however. Both terms work together to satisfy a formal manipulation through a set of opportunities for elements such as connections and apertures.
The complete visual guide to the elements of architectural design ELEMENTS OF ARCHITECTURAL DESIGN A PHOTOGRAPHIC SOURCEBOOK SECOND EDITION With over 3,000 photographs and illustrations! This book offers quick access to thousands of ideas, terms, and photographs related to the essentialelements of architectural design. Comprehensive and easy to use, it combines the best features of a dictionary, photographic guide, and textbook-making information simple to find. It lets you search visually (through the photographs), alphabetically (by index), or by general subject (through chapter headings). Throughout, chapters are arranged to cover different aspects of architectural design, establishing a solid framework that puts information into a physical, historical, and conceptual context. No other reference covers the subject with so much flexibility and from so many perspectives in a single volume. Ideal for long-term use as a study aid or refresher, or as a springboard for design inspiration, Elements of Architectural Design, Second Edition is an essential resource for the desktop. * Traditional and contemporary styles * Work of famous architects * Different building types and uses * Elements of form and composition * Materials and their use in structures * Building components and details * Clear definitions of terms
Delivers the inside story on 6,000 years of personal and public space. John Pile acknowledges that interior design is a field with unclear boundaries, in which construction, architecture, the arts and crafts, technology and product design all overlap.
Excerpt from Origin of Architectural Design: Or the Archaeology of Astronomy In this thesis we attempt to establish the truth in re several much discussed subjects. Man as man is a very interesting study, and we can trace his history only by the monuments he has left behind him, whether intentionally or unintentionally. These monuments may take the form varying from a potsherd to the Great Pyramid at Cheops, but it is all markings of the advancement of man. Sometime in the history of the human race, architecture must have had its beginning; something must have served as a model. The question naturally arises: - What was that model? In this thesis we are endeavoring to arrive at conclusions in regard to: - 1. The Origin of Architectural Design. 2. The Relation of Astronomy (as conceived by the primitive races) to Religion. 3. The Actual Scientific Knowledge Possessed by the Earliest of Civilized Peoples, i. e., the Egyptians, Babylonians and Greeks. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
In 1896, Otto Wagner's "Modern Architecture" shocked the European architectural community with its impassioned plea for an end to eclecticism and for a "modern" style suited to contemporary needs and ideals, utilizing the nascent constructional technologies and materials. Through the combined forces of his polemical, pedagogical, and professional efforts, this determined, newly appointed professor at the Vienna Academy of Fine Arts emerged in the late 1890s - along with such contemporaries as Charles Rennie Mackintosh in Glasgow and Louis Sullivan in Chicago - as one of the leaders of the revolution soon to be identified as the "Modern Movement." Wagner's historic manifesto is now presented in a new English translation - the first in almost ninety years - based on the expanded 1902 text and noting emendations made to the 1896, 1898, and 1914 editions. In his introduction, Dr. Harry Mallgrave examines Wagner's tract against the backdrop of nineteenth-century theory, critically exploring the affinities of Wagner's revolutionary élan with the German eclectic debate of the 1840s, the materialistic tendencies of the 1870s and 1880s, and the emerging cultural ideology of modernity. Modern Architecture is one of those rare works in the literature of architecture that not only proclaimed the dawning of a new era, but also perspicaciously and cogently shaped the issues and the course of its development; it defined less the personal aspirations of one individual and more the collective hopes and dreams of a generation facing the sanguine promise of a new century