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Immigration, wars, industrial growth, the availability of electricity, the popularity of orchestral music, and the invention of the phonograph and of the player piano all had a part in determining the course of American organ history.
This highly readable and lavishly illustrated work describes the history of organs built in England from AD 900 to the present day. The author's experience in organ building gives the account all the benefits of first-hand experience. Stephen Bicknell also draws on new research and includes many important discoveries made during the past twenty years. Written in an elegant, entertaining and informed manner, the book is a vital and much-needed addition to current organ literature.
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This book investigates a crucial-but forgotten-episode in the history of medicine. In it, Thomas Schlich systematically documents and analyzes the earliest clinical and experimental organ transplant surgeries. In so doing he lays open the historical origins of modern transplantation, offering a new and original analysis of its conceptual basis within a broader historical context. This first comprehensive account of the birth of modern transplant medicine examines how doctors and scientists between 1880 and 1930 developed the technology and rationale for performing surgical organ replacement within the epistemological and social context of experimental university medicine. The clinical application of organ replacement, however, met with formidable obstacles even as the procedure became more widely recognized. Schlich highlights various attempts to overcome these obstacles, including immunological explanations and new technologies of immune suppression, and documents the changes in surgical technique and research standards that led to the temporary abandonment of organ transplantation by the 1930s. Thomas Schlich is professor and Canada Research Chair in the History of Medicine at McGill University.
A History of Organ Transplantation is a comprehensive and ambitious exploration of transplant surgery—which, surprisingly, is one of the longest continuous medical endeavors in history. Moreover, no other medical enterprise has had so many multiple interactions with other fields, including biology, ethics, law, government, and technology. Exploring the medical, scientific, and surgical events that led to modern transplant techniques, Hamilton argues that progress in successful transplantation required a unique combination of multiple methods, bold surgical empiricism, and major immunological insights in order for surgeons to develop an understanding of the body's most complex and mysterious mechanisms. Surgical progress was nonlinear, sometimes reverting and sometimes significantly advancing through luck, serendipity, or helpful accidents of nature. The first book of its kind, A History of Organ Transplantation examines the evolution of surgical tissue replacement from classical times to the medieval period to the present day. This well-executed volume will be useful to undergraduates, graduate students, scholars, surgeons, and the general public. Both Western and non-Western experiences as well as folk practices are included.
Most books dealing with the history of the organ have confined themselves to a single period, area, or even country. This invaluable new work is the first complete survey of the organ ever to have been made in any language. The author firmly bases his interpretations and judgment on extant documents whenever possible, on his practical experience in playing organs all over Europe, and on his close examination of a great variety of instruments at different stages of restoration or transformation. Eight chapters are devoted to the early period and four to the Renaissance. Then individual chapters consider the French classical organ, the organ of Bach, the Spanish baroque organ, the Italian baroque organ, the English organ before 1800, and the northern European organ. The final eight chapters discuss developments in the 19th and 20th centuries. Supplementing the text are a glossary and plates illustrating a full range of organs that are typical of their kind. The eminent English musicologist, organist, and harpsichordist, Peter (Fredric) Williams ranks among the foremost authorities on the organ.