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Papers on the 12th world Sanskrit conference vol. 3.2
An engrossing and definitive narrative account of history and myth that offers a new way of understanding one of the world's oldest major religions, The Hindus elucidates the relationship between recorded history and imaginary worlds. Hinduism does not lend itself easily to a strictly chronological account: many of its central texts cannot be reliably dated even within a century; its central tenets karma, dharma, to name just two arise at particular moments in Indian history and differ in each era, between genders, and caste to caste; and what is shared among Hindus is overwhelmingly outnumbered by the things that are unique to one group or another. Yet the greatness of Hinduism - its vitality, its earthiness, its vividness - lies precisely in many of those idiosyncratic qualities that continue to inspire debate today. Wendy Doniger is one of the foremost scholars of Hinduism in the world. With her inimitable insight and expertise Doniger illuminates those moments within the tradition that resist forces that would standardize or establish a canon. Without reversing or misrepresenting the historical hierarchies, she reveals how Sanskrit and vernacular sources are rich in knowledge of and compassion toward women and lower castes; how they debate tensions surrounding religion, violence, and tolerance; and how animals are the key to important shifts in attitudes toward different social classes. The Hindus brings a fascinating multiplicity of actors and stories to the stage to show how brilliant and creative thinkers - many of them far removed from Brahmin authors of Sanskrit texts - have kept Hinduism alive in ways that other scholars have not fully explored. In this unique and authoritative account, debates about Hindu traditions become platforms from which to consider the ironies, and overlooked epiphanies, of history.
The idea of Māyā pervades Indian philosophy. It is enigmatic, multivalent, and foundational, with its oldest referents found in the Rig Veda. This book explores Māyā's rich conceptual history, and then focuses on the highly developed theology of Māyā found in the Sanskrit Bhāgavata Purāṇa, one of the most important Hindu sacred texts. Gopal K. Gupta examines Māyā's role in the Bhāgavata's narratives, paying special attention to its relationship with other key concepts in the text, such as human suffering (duḥkha), devotion (bhakti), and divine play (līlā). In the Bhāgavata, Māyā is often identified as the divine feminine, and has a far-reaching influence. For example, Māyā is both the world and the means by which God creates the world, as well as the facilitator of God's play, paradoxically revealing him to his devotees by concealing his majesty. While Vedānta philosophy typically sees Māyā as a negative force, the Bhāgavata affirms that Māyā also has a positive role, as Māyā is ultimately meant to draw living beings toward Krishna and intensify their devotion to him.
Hinduism is the world’s third largest and most ancient religion. The scope of this book ranges from the ancient history of Hinduism to the contemporary issues that Hindus face today. It explores the Hindu history, society, philosophy, theology, and culture. In addition to Hinduism, this book also touches upon religious traditions with which Hindus have had extensive interaction, such as Jainism, Buddhism, Sikhism, Christianity, Islam, and Zoroastrianism. This second edition of Historical Dictionary of Hinduism contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 1,000 cross-referenced entries on deities, historical figures, festivals, philosophical terms, ritual implements, and much more. This book is an excellent resource for students, researchers, and anyone wanting to know more about Hinduism.
About the Book : The articles collected in this volume, which were originally presented in the panels on art and epigraphy at the 12th World Sanskrit Conference in Helsinki, Finland, illustrate the depth, diversity and sophistication of recent studies in
The 31 selected and revised articles in the volume Holy Ground: Where Art and Text Meet, written by Hans Bakker between 1986 and 2016, vary from theoretical subjects to historical essays on the classical culture of India. They combine two mainstreams: the Sanskrit textual tradition, including epigraphy, and the material culture as expressed in works of religious art and iconography. The study of text and art in close combination in the actual field where they meet provides a great potential for understanding. The history of holy places is therefore one of the leitmotivs that binds these studies together. One article, "The Ramtek Inscriptions II", was co-authored by Harunaga Isaacson, two articles, on "Moksadharma 187 and 239–241" and "The Quest for the Pasupata Weapon," by Peter C. Bisschop.
This radical reinterpretation of Indian history traces the origins of India's institutions, ideas and identities to the 'early medieval' period.
Volume IIa presents a critical edition of Adhayāyas 26-31.14 from the Skandapurāṇa, complete with synopsis and annotation. The editors also provide a lengthy introduction and commentary on the edited text, and discuss both philological problems and matters of interpretation.
Crossing the Lines of Caste offers a cultural-historical analysis of the legends of Visvamitra, a sage who is said to have used his ascetic power to change his caste and become a Brahmin. It reveals how and why mythological culture has played an active role in the construction of Brahmin social power for more than three thousand years.
This conference volume unites a wide range of scholars working in the fields of history, archaeology, religion, art, and philology in an effort to explore new perspectives and methods in the study of primary sources from premodern South and Southeast Asia. The contributions engage with primary sources (including texts, images, material artefacts, monuments, as well as archaeological sites and landscapes) and draw needed attention to highly adaptable, innovative, and dynamic modes of cultural production within traditional idioms. The volume works to develop categories of historical analysis that cross disciplinary boundaries and represent a wide variety of methodological concerns. By revisiting premodern sources, Asia Beyond Boundaries also addresses critical issues of temporality and periodization that attend established categories in Asian Studies, such as the “Classical Age” or the “Gupta Period”. This volume represents the culmination of the European Research Council (ERC) Synergy project Asia Beyond Boundaries: Religion, Region, Language and the State, a research consortium of the British Museum, the British Library and the School of Oriental and African Studies, in partnership with Leiden University.