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A magical realist, genderqueer love story. The speaker of the novel is a feisty journalist of tell-all erotica who seduces borderland boys--trannies, butches, and daddies--and doesn't know how quickly she will inhabit the margins she writes about. Written mostly in iambic prose, Origami Striptease takes the reader on a wild ride into lost igloos, snow globes, sinister cakewalks, and a land of paper moose.
Visible: A Femmethology, the only two-volume anthology devoted to femme identity, calls the LGBTQI community on its prejudices and celebrates the diversity of individual femmes. Award-winning authors, spoken-word artists, and new voices come together to challenge conventional ideas of how disability, class, nationality, race, aesthetics, sexual orientation, gender identity and body type intersect with each contributor's concrete notion of femmedom.
First published in 1999, the groundbreaking Exile and Pride is essential to the history and future of disability politics. Eli Clare's revelatory writing about his experiences as a white disabled genderqueer activist/writer established him as one of the leading writers on the intersections of queerness and disability and permanently changed the landscape of disability politics and queer liberation. With a poet's devotion to truth and an activist's demand for justice, Clare deftly unspools the multiple histories from which our ever-evolving sense of self unfolds. His essays weave together memoir, history, and political thinking to explore meanings and experiences of home: home as place, community, bodies, identity, and activism. Here readers will find an intersectional framework for understanding how we actually live with the daily hydraulics of oppression, power, and resistance. At the root of Clare's exploration of environmental destruction and capitalism, sexuality and institutional violence, gender and the body politic, is a call for social justice movements that are truly accessible to everyone. With heart and hammer, Exile and Pride pries open a window onto a world where our whole selves, in all their complexity, can be realized, loved, and embraced.
Described as musical, magical and going straight to the heart by Adrian Mitchell, Utting's finest poems accomplish a striking steady focus, both compassionate and uncompromising writes Elizabeth Garrett.
"As the story unfolds, monkeys mourn, hats remember, guns regret, and Veronica's voice invades Henry's ears. The voice - perhaps the voice of loss, perhaps the voice of God - itself becomes a character, mourning and desiring every bit as much as the characters it possesses." "V is based on a story legendary in the author's family about their mysterious Brazilian relatives and their lives in a postwar Sao Paulo Jewish community. Like most family myths, the story changes every time it is told."--BOOK JACKET.
Bringing together two parallel and occasionally intersecting disciplines - the environmental and medical humanities - this field-defining handbook reveals our ecological predicament to be a simultaneous threat to human health. The book: · Represents the first collection to bring the environmental humanities and medical humanities into conversation in a systematic way · Features contributions from a wide range of interdisciplinary perspectives including literary studies, environmental ethics and philosophy, cultural history and sociology · Adopts a truly global approach, examining contexts including, but not limited to, North America, the UK, Africa, Latin America, South Asia, Turkey and East Asia · Touches on issues and approaches such as narrative medicine, ecoprecarity, toxicity, mental health, and contaminated environments. Showcasing and surveying a rich spectrum of issues and methodologies, this book looks not only at where research currently is at the intersection of these two important fields, but also at where it is going.
A floating blue apparition of the Virgin Mary - that's what Clementine Logan, jaded American, sees from the window of her No. 38 bus in London. This is the first in a series of alarming religious visions, tiggered by her new relationship with fellow foreigner Per, a green-eyed Norwegian undergraduate.
Poetry. Gay & Lesbian Studies. Put whippets in your heart and let the rabbits breed. They will. Like still-wet lagomorphs crawling over each other in innate proximity, Peggy Munson's poems confine the reader inside a lantern, buzzing at the headlights. Munson addresses illness, family, and the blood running through both with malleable tenacity. Noelle Kocot describes Munson's work as free from a lot of the burden of contemporary poetry conventions, [existing] like a small island in the fiery sun, alone, yet willing to be utterly beautiful, utterly strange and utterly itself. PATHOGENESIS was a finalist or semifinalist for numerous prizes, including the Dorset Prize, the Carnegie-Mellon Poetry Series, the Beatrice Hawley Award, the Verse Prize, and the University of Wisconsin Pollack Prize. Munson is the author of the novel, ORIGAMI STRIPTEASE, a finalist for the Lambda Literary Awards.
"Oneiromance (an epithalamion) gives the marriage poem a case of vertigo, displacing while embracing the panoply of possibility when two people attempt to forge a life together. Kathleen Rooney creates a dream-state with fluid borders and a surreal set of laws that allow her to question inherited wisdom and perception, all the while converging on the altar from numerous (occasionally, numinous) angles. The romance persists between the narrator and the beloved - and crucially, between the author and language's opportunities to address the nuances and edges of commitment deemed inexplicable. These poems contain deep doubt and true sentiment, providing that pleasure-giving union of provocation and renewal." --Book Jacket.