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"In Orientalism and the Myth of the Arab Mind, Nissim Rejwan deftly surveys, analyses, criticizes and dismisses the primarily Western Orientalists' insistence on dwelling on the so-called 'Arab mind.' In an attempt to amplify this idea, he cites a number of points made by scholars and observers who wrote on both sides of the subject: Raphael Patai, John Laffin, Edward Said, Bernard Lewis, and Akbar Ahmed, among others. Nissim Rejwan is the author of a dozen books on Arab and Middle Eastern culture and history, and manages skillfully to give a summary of the great number of points made by all those who took part in the controversial subject of 'the Arab mind.' Apart from this particular subject, Orientalism and the Myth of the Arab Mind offers a good deal on other Middle Eastern and Arab topics"--From publisher's website.
"In Orientalism and the Myth of the Arab Mind, Nissim Rejwan deftly surveys, analyses, criticizes and dismisses the primarily Western Orientalists' insistence on dwelling on the so-called 'Arab mind.' In an attempt to amplify this idea, he cites a number of points made by scholars and observers who wrote on both sides of the subject: Raphael Patai, John Laffin, Edward Said, Bernard Lewis, and Akbar Ahmed, among others. Nissim Rejwan is the author of a dozen books on Arab and Middle Eastern culture and history, and manages skillfully to give a summary of the great number of points made by all those who took part in the controversial subject of 'the Arab mind.' Apart from this particular subject, Orientalism and the Myth of the Arab Mind offers a good deal on other Middle Eastern and Arab topics"--From publisher's website.
A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.
First published in 1973, revised in 1983, and updated in 2007 with new demographic information about the Arab world, The Arab Mind takes readers on a journey through the societies and peoples of a complex and volatile region. This sensitive study explores the historical origins of Arab nationalism, the distinctive rhetorical style of Arabic speakers and its effect on politics, traditional attitudes toward child-reading practices, the status of women, the beauty of Arabic literature, and much more. Since Sept 11, 2001, the book's lessons have been misconstrued by some but have proven indispensable to those trying to truly understand the roots of the major political conflicts of our time. In 2010 the book is more relevant than ever. Patai's sympathetic but critical depiction of Arab culture explores the continuing role of the Bedouin values of honor and courage in modern Arab culture, inter-Arab conflict and the aspiration toward unity, and how anti-Western attitudes conflated with anti-modernization have led to stagnation in much of the Arab world. Patai, a prominent anthropologist and historian, drew both on his research and his personal experience to produce this indispensable work in the field of Middle Eastern studies. With an updated forward by Norvell B. DeAtkine, former director of Middle East studies at the JFK Special Warfare School, The Arab Mind remains a relevant and crucial masterpiece of scholarship for anyone seeking to understand this multifaceted culture today. Reviews: "I took this book to Baghdad for my military assignment and left it there with friends who continue to use it to help inform their experiences. The book helped me understand what I was seeing with my own eyes and helped me avoid mis-steps that probably would have been misinterpreted. The book rang true with my experiences and helped me understand the Iraqi people, who I found to be generally good and noble. " "I have lived in the Middle East, on and off, for four years, and no book explained the Arab mind as well as Raphael Patai's. Written over 30 years ago, it still rings true in so many aspects, and definitely helps explain the cultural clashes that still occur and slow down the process of coexisting. Raphael Patai's love of Arabia and all things Arabic is very obvious throughout his work. Even so, Patai managed to be objective and to portray the good and the bad in Arab culture. Too many authors take one road or the other, allowing personal feelings and thoughts to encroach on the necessary objectivity. Patai, like a true sociologist, presents how a culture was formed, in language easily understandable to the Western mind. . . . "The Arab Mind should nonetheless be mandatory reading for all government workers in the Middle East, as it is truly an indispensible guide through a culture that has been around longer than our own." 1672 "When you read this book, you'll become interested in sociology as an interesting branch of human sciences. Patai is a genius. His book is by far the best in this respect. For Arab readers: Read the book and in no time you'll find yourselves putting names to the abundant examples Patai cites. The book deals with several interesting traits that most Arabs share in their inherent characters. These include the Arab unawareness of time, their tendency to speak more than they can actually deliver, their fixation with sex and their keenness to preserve Bedouin values which include preserving a group's honor by preserving the chastity of its female members. Even though the book is academic, the style is entertaining as it alternates between theories and real life examples to illustrate them. The book, a classic, is certainly worth a read. Try it!"-- Review by an Arab reader
At a crucial moment in the history of relations of East and West, Orient and Occident, Christianity and Islam, Orientalism provides a timely account of the subject and the debate. In the 1960s and 1970s a powerful assault was launched on 'orientalism', led by Edward Said. The debate ranged far beyond the traditional limits of 'dry-as-dust' orientalism, involving questions concerning the nature of identity, the nature of imperialism, Islamophobia, myth, Arabism, racialism, intercultural relations and feminism. Charting the history of the vigorous debate about the nature of orientalism, this timely account revisits the arguments and surveys the case studies inspired by that debate.
This is the first systematic critique of Edward Said's influential work, Orientalism, a book that for almost three decades has received wide acclaim, voluminous commentary, and translation into more than fifteen languages. Said's main thesis was that the Western image of the East was heavily biased by colonialist attitudes, racism, and more than two centuries of political exploitation. Although Said's critique was controversial, the impact of his ideas has been a pervasive rethinking of Western perceptions of Eastern cultures, plus a tendency to view all scholarship in Oriental Studies as tainted by considerations of power and prejudice. In this thorough reconsideration of Said's famous work, Ibn Warraq argues that Said's case against the West is seriously flawed. Warraq accuses Said of not only willfully misinterpreting the work of many scholars, but also of systematically misrepresenting Western civilization as a whole. With example after example, he shows that ever since the Greeks Western civilization has always had a strand in its very makeup that has accepted non-Westerners with open arms and has ever been open to foreign ideas. The author also criticizes Said for inadequate methodology, incoherent arguments, and a faulty historical understanding. He points out, not only Said's tendentious interpretations, but historical howlers that would make a sophomore blush. Warraq further looks at the destructive influence of Said's study on the history of Western painting, especially of the 19th century, and shows how, once again, the epigones of Said have succeeded in relegating thousands of first-class paintings to the lofts and storage rooms of major museums. An extended appendix reconsiders the value of 18th- and 19th-century Orientalist scholars and artists, whose work fell into disrepute as a result of Said's work.
In the period of decolonisation that followed the end of the Second World War a number of scholars, mainly Middle Eastern, launched a sustained assault on Orientalism - the theory and practice of representing 'the Orient' in Western thought -accusing its practitioners of misrepresentation, prejudice and bias. As a result an intense debate occurred regarding the validity of the charges made, involving not only Orientalists but students of history, anthropology, sociology, women's studies and the media. Orientalism: A Reader provides the student with a selection of key readings from this debate, covering a range of areas including myth, imperialism, the cultural perspective, Marxist interpretation and feminist attitudes.The origins and character of the debate on Orientalism are introduced, as well as the intellectual foundations of the assault made and the nature of the debate which ensued. Coverage begins with nineteenth-century material from thinkers such as Hegel and Marx, and moves through extracts from Nietzsche, Gramsci and Foucault to contemporary work from, for example, Bryan Turner, John MacKenzie and Edward Said. As well as a general introduction, each section is introduced and the extracts are placed in context to guide the student carefully through this complex debate.
Orientalism and Literature discusses a key critical concept in literary studies and how it assists our reading of literature. It reviews the concept's evolution: how it has been explored, imagined and narrated in literature. Part I considers Orientalism's origins and its geographical and multidisciplinary scope, then considers the major genres and trends Orientalism inspired in the literary-critical field such as the eighteenth-century Oriental tale, reading the Bible, and Victorian Oriental fiction. Part II recaptures specific aspects of Edward Said's Orientalism: the multidisciplinary contexts and scholarly discussions it has inspired (such as colonial discourse, race, resistance, feminism and travel writing). Part III deliberates upon recent and possible future applications of Orientalism, probing its currency and effectiveness in the twenty-first century, the role it has played and continues to play in the operation of power, and how in new forms, neo-Orientalism and Islamophobia, it feeds into various genres, from migrant writing to journalism.
This second edition considers how the 'global war on terror' has changed the way the West views the Islamic world.
A groundbreaking book that dissects a slanderous history dating from cinema’s earliest days to contemporary Hollywood blockbusters that feature machine-gun wielding and bomb-blowing "evil" Arabs Award-winning film authority Jack G. Shaheen, noting that only Native Americans have been more relentlessly smeared on the silver screen, painstakingly makes his case that "Arab" has remained Hollywood’s shameless shorthand for "bad guy," long after the movie industry has shifted its portrayal of other minority groups. In this comprehensive study of over one thousand films, arranged alphabetically in such chapters as "Villains," "Sheikhs," "Cameos," and "Cliffhangers," Shaheen documents the tendency to portray Muslim Arabs as Public Enemy #1—brutal, heartless, uncivilized Others bent on terrorizing civilized Westerners. Shaheen examines how and why such a stereotype has grown and spread in the film industry and what may be done to change Hollywood’s defamation of Arabs.