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El autor es Carlo Emanuele Ruspoli. Roma, 1949. Es doctor arquitecto y autor de numerosos títulos técnicos y catálogos, así como de proyectos de edificación e industriales. Ensayista de artículos de índole técnica y cultural en varias revistas, asimismo colabora con la Real Academia Matritense de Heráldica y Genealogía. En mayo de 2011 editó con dicha Real Academia su primer libro de historia Retratos, anécdotas y secretos de los linajes Borja, Téllez-Girón, Marescotti y Ruspoli. Ha escrito además libros de historia, antropología, anécdotas de vida profesional y genealogía. Además ha publicado varias novelas históricas como: El Confaloniero, El Profeso, Asesinato en el Letrán, Muerte de Profesos, El Profeso en Tíbet y está preparando una nueva novela de la serie que se titulará El Profeso y el diablo. Su larga trayectoria profesional y su inquietud como viajador le ha permitido viajar a casi todos los lugares mencionados en este libro.
A COMPANION TO THE ACHAEMENID PERSIAN EMPIRE A comprehensive review of the political, cultural, social, economic and religious history of the Achaemenid Empirem Often called the first world empire, the Achaemenid Empire is rooted in older Near Eastern traditions. A Companion to the Achaemenid Persian Empire offers a perspective in which the history of the empire is embedded in the preceding and subsequent epochs. In this way, the traditions that shaped the Achaemenid Empire become as visible as the powerful impact it had on further historical development. But the work does not only break new ground in this respect, but also in the fact that, in addition to written testimonies of all kinds, it also considers material tradition as an equal factor in historical reconstruction. This comprehensive two-volume set features contributions by internationally-recognized experts that offer balanced coverage of the whole of the empire from Anatolia and Egypt across western Asia to northern India and Central Asia. Comprehensive in scope, the Companion provides readers with a panoramic view of the diversity, richness, and complexity of the Achaemenid Empire, dealing with all the many aspects of history, event history, administration, economy, society, communication, art, science and religion, illustrating the multifaceted nature of the first true empire. A unique historical account presented in its multiregional dimensions, this important resource deals with many aspects of history, administration, economy, society, communication, art, science and religion it deals with topics that have only recently attracted interest such as court life, leisure activities, gender roles, and more examines a variety of available sources to consider those predecessors who influenced Achaemenid structure, ideology, and self-expression contains the study of Nachleben and the history of perception up to the present day offers a spectrum of opinions in disputed fields of research, such as the interpretation of the imagery of Achaemenid art, or questions of religion includes extensive bibliographies in each chapter for use as starting points for further research devotes special interest to the east of the empire, which is often neglected in comparison to the western territories Part of the acclaimed Blackwell Companions to the Ancient World series, A Companion to the Achaemenid Persian Empire is an indispensable work for students, instructors, and scholars of Persian and ancient world history, particularly the First Persian Empire.
One of the most heated scholarly controversies of the early twentieth century, the Orient-or-Rome debate turned on whether art historians should trace the origin of all Western—and especially Gothic—architecture to Roman ingenuity or to the Indo-Germanic Geist. Focusing on the discourses around this debate, Talinn Grigor considers the Persian Revival movement in light of imperial strategies of power and identity in British India and in Qajar-Pahlavi Iran. The Persian Revival examines Europe’s discovery of ancient Iran, first in literature and then in art history. Tracing Western visual discourse about ancient Iran from 1699 on, Grigor parses the invention and use of a revivalist architectural style from the Afsharid and Zand successors to the Safavid throne and the rise of the Parsi industrialists as cosmopolitan subjects of British India. Drawing on a wide range of Persian revival narratives bound to architectural history, Grigor foregrounds the complexities and magnitude of artistic appropriations of Western art history in order to grapple with colonial ambivalence and imperial aspirations. She argues that while Western imperialism was instrumental in shaping high art as mercantile-bourgeois ethos, it was also a project that destabilized the hegemony of a Eurocentric historiography of taste. An important reconsideration of the Persian Revival, this book will be of vital interest to art and architectural historians and intellectual historians, particularly those working in the areas of international modernism, Iranian studies, and historiography.
A rich, discovery-filled history that tells how a forgotten empire transformed the ancient world In the late 8th and early 7th centuries BCE, Scythian warriors conquered and unified most of the vast Eurasian continent, creating an innovative empire that would give birth to the age of philosophy and the Classical age across the ancient world—in the West, the Near East, India, and China. Mobile horse herders who lived with their cats in wheeled felt tents, the Scythians made stunning contributions to world civilization—from capital cities and strikingly elegant dress to political organization and the world-changing ideas of Buddha, Zoroaster, and Laotzu—Scythians all. In The Scythian Empire, Christopher I. Beckwith presents a major new history of a fascinating but often forgotten empire that changed the course of history. At its height, the Scythian Empire stretched west from Mongolia and ancient northeast China to northwest Iran and the Danube River, and in Central Asia reached as far south as the Arabian Sea. The Scythians also ruled Media and Chao, crucial frontier states of ancient Iran and China. By ruling over and marrying the local peoples, the Scythians created new cultures that were creole Scythian in their speech, dress, weaponry, and feudal socio-political structure. As they spread their language, ideas, and culture across the ancient world, the Scythians laid the foundations for the very first Persian, Indian, and Chinese empires. Filled with fresh discoveries, The Scythian Empire presents a remarkable new vision of a little-known but incredibly important empire and its peoples.
The classic images of Iranian nomads in circulation today and in years past suggest that Western awareness of nomadism is a phenomenon of considerable antiquity. Though nomadism has certainly been a key feature of Iranian history, it has not been in the way most modern archaeologists have envisaged it. Nomadism in Iran recasts our understanding of this "timeless" tradition. Far from constituting a natural adaptation on the Iranian Plateau, nomadism is a comparatively late introduction, which can only be understood within the context of certain political circumstances. Since the early Holocene, most, if not all, agricultural communities in Iran had kept herds of sheep and goat, but the communities themselves were sedentary: only a few of their members were required to move with the herds seasonally. Though the arrival of Iranian speaking groups, attested in written sources beginning in the time of Herodutus, began to change the demography of the plateau, it wasn't until later in the eleventh century that an influx of Turkic speaking Oghuz nomadic groups-"true" nomads of the steppe-began the modification of the demography of the Iranian Plateau that accelerated with the Mongol conquest. The massive, unprecedented violence of this invasion effected the widespread distribution of largely Turkic-speaking nomadic groups across Iran. Thus, what has been interpreted in the past as an enduring pattern of nomadic land use is, by archaeological standards, very recent. Iran's demographic profile since the eleventh century AD, and more particularly in the nineteenth and twentieth century, has been used by some scholars as a proxy for ancient social organization. Nomadism in Iran argues that this modernist perspective distorts the historical reality of the land. Assembling a wealth of material in several languages and disciplines, Nomadism in Iran will be invaluable to archaeologists, anthropologists, and historians of the Middle East and Central Asia.
Volume One of The New Cambridge History of Islam, which surveys the political and cultural history of Islam from its Late Antique origins until the eleventh century, brings together contributions from leading scholars in the field. The book is divided into four parts. The first provides an overview of the physical and political geography of the Late Antique Middle East. The second charts the rise of Islam and the emergence of the Islamic political order under the Umayyad and the Abbasid caliphs of the seventh, eighth and ninth centuries, followed by the dissolution of the empire in the tenth and eleventh. 'Regionalism', the overlapping histories of the empire's provinces, is the focus of Part Three, while Part Four provides a cutting-edge discussion of the sources and controversies of early Islamic history, including a survey of numismatics, archaeology and material culture.
Ardā Wirāz Nāmag or the Book of the Righteous Wirāz is an outstanding example of Iranian apocalyptic literature. It is in the Middle Persian (Pahlavi) language and was written probably during the later period of the Sasanian dynasty (AD 226-650). The Zoroastrian priests chose a man called Wirāz, the most righteous among them, to go to the spiritual realm to discover the truth of the religion. This book, first published in 1986, contains the observations of Wirāz’ divine journey and his description of heaven and hell. The basic MS. is K20 (Royal Library of Copenhagen) which is carefully compared with other MSS. The MS. is printed in facsimile, followed by transliteration and transcription following the MS. closely line by line. A full translation is given, and a commentary is included together with a glossary, bibliography and index.
How did Iran remain distinctively Iranian in the centuries which followed the Arab Conquest? How did it retain its cultural distinctiveness after the displacement of Zoroastrianism - state religion of the Persian empire - by Islam? This latest volume in "The Idea of Iran" series traces that critical moment in Iranian history which followed the transformation of ancient traditions during the country's conversion and initial Islamic period. Distinguished contributors (who include the late Oleg Grabar, Roy Mottahedeh, Alan Williams and Said Amir Arjomand) discuss, from a variety of literary, artistic, religious and cultural perspectives, the years around the end of the first millennium CE, when the political strength of the 'Abbasid Caliphate was on the wane, and when the eastern lands of the Islamic empire began to be take on a fresh 'Persianate' or 'Perso-Islamic' character. One of the paradoxes of this era is that the establishment throughout the eastern Islamic territories of new Turkish dynasties coincided with the genesis and spread, into Central and South Asia, of vibrant new Persian language and literatures. Exploring the nature of this paradox, separate chapters engage with ideas of kingship, authority and identity and their fascinating expression through the written word, architecture and the visual arts.
This book explores multilingualism and multiscriptism in a great variety of writing cultures, offering an in-depth analysis of how diverse languages and scripts seamlessly intertwine within written artefacts. Insights into scribal practices are particularly illuminating in that respect, especially when exploring artefacts originating from multicultural communities and regions where distinct writing traditions intersect. The influence of multilingualism and multiscriptism on these writing cultures becomes evident, with essays spanning various domains, from the mundane aspects of everyday life to the realms of scholarship and political propaganda. Scholars often relegate these phenomena, despite being frequently encountered, to the status of exceptions compared to the more prevalent monolingualism and monoscriptism. However, in daring to challenge this viewpoint, this book emphasises the profound significance and relevance of multilingualism and multiscriptism in shaping the development of languages, cultures, and societies across Asia, Africa, and Europe. It caters to a diverse readership keen on delving into the intricacies of these phenomena within this rich tapestry of writing cultures.