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"In honor of the Oriental Institute's centennial celebration, this special edition guide to 100 select highlights of the collections of the Oriental Institute Museum at the University of Chicago presents objects from ancient Mesopotamia, Syro-Anatolia, the Levant, Egypt, Nubia, and Persia. The guide features a history of the collections, new photography, provenance information, and a brief description of each object"--
Emily Teter, research associate at the Institute, has selected 62 works from the over 25,000 in the Egyptian collection at the Oriental Institute at the U. of Chicago to provide the general reader and visitor with a sample of the breadth and significance of this little published collection. In addition to the royal portraits and relief sculpture commonly associated with Egyptian art, some more unusual works are included, such as lamps, grooming implements, and games. A history of the collection, especially the role of James Henry Breasted, begins the volume. A glossary, bibliography, map, chronology, and three indexes are included. Distributed in the US by the David Brown Book Company. Annotation ♭2004 Book News, Inc., Portland, OR (booknews.com).
This guide to over 100 highlights of the collections of the Oriental Institute Museum at the University of Chicago presents objects from ancient Mesopotamia, Syria-Anatolia, the Levant, Egypt, Persia, Nubia, and objects from the Islamic collection. It features all new photography, provenance information, and a brief description of each object, as well as a history of the collections and a concordance.
This small book highlights objects chosen to illuminate some of the more interesting and important aspects of ancient Near Eastern civilization in the Oriental Institute Museum. The information it contains is only a brief glimpse into those complex and fascinating cultures and is intended as an enticement to you to dig deeper into the world of ancient man.
The Oriental Institute Museum is a showcase of the history, art and archaeology of the ancient Near East. An integral part of the University of Chicago's Oriental Institute, which has supported research and archaeological excavation in the Near East since 1919, the site has links to highlights from its major collections of antiquities from Egypt, Mesopotamia, Iran, Syria, Palestine, and Anatolia. It also includes an online tour of the Virtual Museum.
Hope for life after death is evidenced even in prehistoric times in Upper Egypt. The first written aids for attaining and supporting life in the hereafter were the Pyramid Texts inscribed within royal tombs towards the end of the Old Kingdom. In the Middle Kingdom, many texts were borrowed from the pyramid chambers and mingled with new spells; this new form, which today we call Coffin Texts, was usually written inside coffins. These eventually gave way to what we now know as the Book of the Dead. The collections of spells were usually written on rolls of papyrus, that is, in the form of an Egyptian book. Presented here are seventy Book of the Dead documents housed in the Oriental Institute Museum at the University of Chicago. These documents, represented in whole or in part - all Eighteenth Dynasty or later - include seven papyri, three coffins, a shroud, a statuette, three stelae or similar and fifty-five ushabties. This is the first digital reprint of the 1960 publication.
"This volume ... commemorates the OI at its centennial. ..."--Page xii.
This fully illustrated catalogue of essays, descriptions, and commentary accompanies the Oriental Institute special exhibit Picturing the Past: Imaging and Imagining the Ancient Middle East (on exhibit February 7 through September 2, 2012). Picturing the Past presents paintings, architectural reconstructions, facsimiles, models, photographs, and computer-aided reconstructions that show how the architecture, sites, and artifacts of the ancient Middle East have been documented. It also examines how the publication of those images have shaped our perception of the ancient world, and how some of the more "imaginary" reconstructions have obscured our real understanding of the past. The exhibit and catalog also show how features of the ancient Middle East have been presented in different ways for different audiences, in some cases transforming a highly academic image into a widely recognized icon of the past.