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This volume deals with the religion of Palmyrenes in Dura-Europos during the first three centuries of the Common Era, and focuses upon the religious interaction between this migrant community and their new residence. By studying the religious interaction of distinct groups on a local level, this study aims to contribute to a better understanding of the process of religious development and change in Syria during the Roman period. Information on the Palmyrenes of Dura-Europos consists primarily of archaeological remains that have been found there. The Palmyrene materials from Dura-Europos have never been published collectively, and for this reason they are enumerated and re-evaluated in the appendix. The book is richly illustrated with 20 figures and 22 plates.
Dura-Europos, on the Syrian Euphrates, is one of the best preserved and most extensively excavated sites of the Roman world. A Hellenistic foundation later held by the Parthians and then the Romans, Dura had a Roman military garrison installed within its city walls before it was taken by the Sasanians in the mid-third century. The Inner Lives of Ancient Houses is the first study to consider the houses of the site as a whole. The houses were excavated by a team from Yale and the French Academy of Inscriptions and Letters in the 1920s and 30s, and though a wealth of archaeological and textual material was recovered, most of that relating to housing was never published. Through a combination of archival information held at the Yale University Art Gallery and new fieldwork with the Mission Franco-Syrienne d'Europos-Doura, this study re-evaluates the houses of the site, integrating architecture, artefacts, and textual evidence, and examining ancient daily life and cultural interaction, as well as considering houses which were modified for use by the Roman military.
This festschrift honors UCLA professor emerita Susan Downey and her meticulous scholarship on religious architecture and imagery in the Roman/Hellenistic world. The iconography of gods and goddesses, the analysis of sacred imagery in the context of ancient cult practices, and the design and decoration of sacred spaces are the main themes of the book. Authors examine such subjects as painting from Dura-Europos, Hellenistic sculpture at Saqqara in Egypt, Roman cameo glass, Pompeian fresco, and aspects of Venus in portrait sculpture. The essays on Dura-Europos are especially valuable in light of the present turmoil in the region. Professor Downey's influence shines through in these discussions, which echo her mentorship of several generations of art history and archaeology students and recognize her scholarly achievements. The broad temporal and geographic parameters of the volume are expansive, and the juxtaposition of images and analyses leads to surprising new conclusions.
Maud (English, Simon Fraser U.) offers a narrative account of the life and work of poet Charles Olson, focusing on the poet's lifelong reading material as a basis for understanding his work. Drawing on an annotated listing of his library, as well as his childhood books and poetry by his contemporaries, he links the books to the poet's intellectual and poetic development at each stage of his career. Annotation copyright by Book News, Inc., Portland, OR
Late Antique and Medieval Art of the Mediterranean World is a much-needed teaching anthology that rethinks and broadens the scope of the stale and limiting classifications used for Early Christian-Byzantine visual arts. A comprehensive anthology offering a new approach to the visual arts classified as Early Christian-Byzantine Comprised of essays from experts in the field that integrate the newer, historiographical research into 'the canon' of established scholarship Exposes the historical, geographical and cultural continuities and interactions in the visual arts of the late antique and medieval Mediterranean world Covers an extensive range of topics, including the effect that converging cultures in late antiquity had on art, the cultural identities that can be observed by looking at difference of tradition in visual art, and the variance of illuminations in holy books