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Despite political upheavals under Muslim domination in the Middle Ages, Palestine was a center of great artistic activity recognized for its incredible dynamism. Its unique contribution to the Islamic “macrocosm,” however, never became the subject of extensive study. Numerous archeological excavations on this relatively small geographic area reveal the existence of extremely well preserved monuments of high architectural quality and exceptional religious value. This is what Myriam Rosen-Ayalon exposes in this thorough introduction to Palestinian Islamic art and archeology. In chronological order she presents here for the first time the multifaceted and long-lasting achievements of Islamic art in Palestine, filling the gap of years of neglect on the subject.
This book brings together leading experts in the field of ancient synagogue studies to discuss the current issues and emerging trends in the study of synagogues in ancient Palestine. Divided into four thematic units, the different contributions apply archaeological, textual, historical and art historical methodologies to questions related to ancient synagogues. Part One addresses issues related to the origins and early development of synagogues up to 200 CE. The contributions provide different explanations to the alleged lack of evidence for synagogues built in the second and third centuries CE and ask how much continuity or change there is between the late Second Temple and late Roman/early Byzantine synagogues. Part Two deals with architecture and dating of ancient synagogues. It gives an overview of all synagogues found so far, approaches the dating of Galilean synagogues in the light of the recently-exposed synagogue at Huqoq, and provides a stylistic re-evaluation of the Capernaum synagogue decoration. Part three examines leadership, power and daily life in late antique synagogue contexts, illustrating non-monumental inscriptions, amulets and dining in synagogue contexts as well as the role of individual benefactors. Section four contextualizes synagogue art. An overview of synagogue mosaics in late antique Palestine is complemented with reinterpretations of the mosaics two synagogues. The section also offers a discussion of the appearance of the menorah.
This volume illustrates lamps from the Byzantine period excavated in the Holy Land and demonstrates the extent of their development since the first enclosing/capturing of light (fire) within a portable man-made vessel.
James A. Sauer was for many years the Director of the American Center of Oriental Research in Amman, Jordan, leading it to the preeminent place it now occupies as a research institution dedicated to the archaeology and history of Transjordan. This volume honors him, with more than 50 contributions from colleagues and friends. With this volume, the Harvard Semitic Museum inaugurates a new series entitled "Studies in the Archaeology and History of the Levant."
Explores the problems for studying art and religion in Eurasia arising from ancestral, colonial and post-colonial biases in historiography.
This collection of over twenty essays brings together scholars from three continents to discuss the early synagogue. It addresses the questions of: When and where did the synagogue originate? What was its early distribution? What was its role in Judaism? The print edition is available as a set of two volumes (9789004112544).
This volume provides an extensive look at the technological development of lighting and lighting devices during Late Antiquity and the Middle Ages in Western Europe and Byzantium. 29 papers are gathered from two International Lychnological Association (ILA) Round Tables held in Olten, Switzerland (2007) and Thessaloniki, Greece (2011).
This book sheds light on the reciprocal relations between liturgical performance and the physical spaces in which they took place in synagogues and churches in antiquity. The kernel of the manuscript revolves around a decorated stone that was found during the excavations of a synagogue dated to the first century CE at Magdala on the shore of the Sea of Galilee. The book displays how this important archaeological discovery radically transforms our understanding of the changes in the shape of the liturgical space and the liturgical furniture in the places of assembly of the two sister faiths, Judaism and Christianity.