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For over a century ceramics have been found and collected from various sites in the Philippines. The presence and distribution of these wares throughout the archipelago testify to the country's strategic location on the ancient maritime trade route and to its interaction with its southern Chinese as well as Southeast Asian neighbors. Of particular interest has been the excavation of grave goods, remnants of the burial culture of the Filipinos before the arrival of the European colonizers. Among these are the much-prized white ware and qingbai ware from Jiangxi, Fujian, and Guangdong provinces in China, as well as white ware of Thai and Vietnamese provenance. Published in connection with an exhibition presented by the Oriental Ceramic Society of the Philippines in Manila in March 1993, this book shows the bulk of the exhibition. comprised of the delicate blue-tinged white qingbai porcelain from Jingdezhen in Jiangxi province and produced in large numbers during the Southern Song period (A.D. 1127-1279). The exceptionally fine craftmanship and variety of shapes are amply illustrated in this book. Included are five previously unpublished papers by Rita C. Tan, Li Zhi-yan, Rosemary E. Scott, Allison I. Diem, and Roxanna M. Broun relating to the characteristics of white ware and to their excavation in the Philippines supplement the catalogue of illustrations.
Kamer Aga-Oglu was curator of the Museum’s Asian collections from 1945 to 1974. An extraordinary scholar, Aga-Oglu singlehandedly transformed the study of Asian ceramics, focusing particularly on understudied Asian trade wares in the Museum’s collections. She described for the first time a whole new range of East Asian ceramics that until then were unknown, even among specialists, and she documented the pre-European movement of these ceramics throughout the Pacific and as far as Turkey and East Africa. Her catalogs of the Williams Collection contain dozens of photographs and detailed descriptions of the pieces.
Zhangzhou Ware was produced during the 16th and 17th centuries in Fujian, China. They were meant to meet the trading demands of neighboring countries in Asia. This catalog substantiates historical accounts of the Philippines as one of the thriving markets of China's ceramic trade in the late Ming period. This collection, featured in hundreds of full color photographs, clearly shows to the world the great range and variety of Zhangzhou ware shipped to the Philippines during the 16th and 17th centuries of the Ming dynasty. Today, Zhangzhou ware continues to attract collectors because of its rustic charm.
Southeast Asia is known to many as a region teeming with tourist destinations, economic opportunities and ex-colonies, but a lesser known facet is its colourful and myriad cultures in which ceramics form an integral part of the social fabric. Focusing primarily on the Classical Period (800-1500 CE), this book views ancient Southeast Asian culture through the lens of ceramic production and trade, influenced but not completely overshadowed by its powerful neighbour, China. In this landmark publication, noted archaeologist and scholar John N. Miksic constructs a vivid picture of the development of Southeast Asia's unique ceramics. Along with three contributing authors - Pamela M. Watkins, Dawn F. Rooney and Michael Flecker - he summarizes the fruits of their research over the last forty years, beginning in Singapore with the founding of the Southeast Asian Ceramic Society in 1969. The result is a comprehensive and insightful overview of the technology, aesthetics and organization, both economic and political, of seemingly diverse territories in pre-colonial Southeast Asia. It is essential reading for all those with an interest in the economic history of the region, and also for anyone who seeks a better understanding of the brilliant but too often underestimated material culture of Southeast Asia.
This book is an attempt to present a more complete picture of the variety and quality of Chinese and Vietnamese blue and white wares traded to the Philippines.--Amazon.com.
Scholars have long accepted China's own view of its traditional foreign relations: that China devised its own world order and maintained it from the second century B.C. to the nineteenth century. China ruled out equality with any nation: foreign rulers and their envoys were treated as subordinates or inferiors, required to send periodic tribute embassies to the Chinese emperor. The Chinese court was otherwise uninterested in foreign lands. Its principal interests were to maintain peace with what it perceived to be barbarian neighbors and to coax or coerce them into admitting China's superiority and accepting the Chinese emperor as the Son of Heaven. But Chinese foreign policy was not monolithic. Court officials in traditional times were much more realistic and pragmatic than is commonly assumed. They did not scorn foreign trade, nor were ignorant of foreign lands. Challenging the accepted view of Chinese foreign relations, the authors of China among Equals contribute to a clearer assessment of Chinese foreign relations and policy. From the tenth to the thirteenth centuries, China did not dogmatically enforce its own world order. Chinese were eager for foreign trade and knowledgeable about their neighbors. The Sung (960-1279), the principal dynasty during that era, was flexible in its dealings with foreigners. Its officials recognized the military and political weakness of the dynasty, and in general they adopted a realistic and pragmatic foreign policy. They were compelled to accept foreign states as equals, and the relations between China and other states were defined by diplomatic parity.