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Udvalg af tegneserier fra tegneserietidsskriftet "Eightball", der blev skabt af Daniel Clowes
With a revolution behind them, a continent before them, and the First Amendment protecting them, religio-sexual pioneers in antebellum America were free to strike out on their own, breaking with the orthodoxies of the past. Shakers followed the ascetic path; Oneida Perfectionists accepted sex as a gift from God; and Mormons redefined marriage in light of new religious revelations that also redefined God, humankind, spirit, and matter. Sex became a powerful way for each group to reinforce their sectarian identity as strangers in a strange land. Sex and Sects tells the story of these three religiously inspired sexual innovations in America: the celibate lifestyle of the Shakers, the Oneida Community’s system of controlled polyamory, and plural marriage as practiced by the Mormons. Stewart Davenport analyzes why these bold experiments rose and largely fell over the course of the nineteenth century within the confines of the new American republic. Moving beyond a social-scientific lens, Davenport traces for the first time their fascinating shared trajectory as they emerged, struggled, institutionalized, and declined in tandem—and sheds historical light on the way in which Americans have discussed, contested, and redefined the institutions of marriage and family both in our private lives and in the public realm.
In quest of the unpublished manuscript of a martyred Yiddish writer, the American novelist Nathan Zuckerman travels to Soviet-occupied Prague in the mid-1970s. There, in a nation straightjacketed by totalitarian Communism, he discovers a literary predicament, marked by institutionalized oppression, that is rather different from his own. He also discovers, among the oppressed writers with whom he quickly becomes embroiled in a series of bizarre and poignant adventures, an appealingly perverse kind of heroism. The Prague Orgy, consisting of entries from protagonist Nathan Zuckerman's notebooks recording his sojourn among these outcast artists, completes the trilogy and epilogue Zuckerman bound. It provides a startling ending to Roth's intricately designed magnum opus on the unforeseen consequences of art. This Vintage edition is the first paperback publication of the epilogue.
This is the second collection of Johnny Ryan's weekly comic strip, Blecky Yuckerella, as seen in the pages of Vice magazine and elsewhere. Blecky is a four-panel gag strip in the tradition of Underworld, Maakies, and Nancy, but with much more generous portions of bodily fluids and toilet humor. Blecky Yuckerella is the ugliest girl in the second grade, and the only one with three-day stubble.
This career-spanning artist's book presents an alternate history of the photography of New York-based photographer Lucas Blalock (born 1978), featuring new images and previously unseen versions of existing artworks. Employing his signature style of unconcealed digital alterations, including erasures and drawings, and working in both color and black and white, Blalock emphasizes what is absent or obliterated in his manipulated portraits, scenes and still lives, often with a deadpan humor. In A Grocer's Orgy, the artist's layout of such images brings to the forefront the underlying themes, formal connections and art-historical reference points that are often overlooked in the context of his exhibitions.
A previously undocumented slice of London's underground sexual history, and its influence upon artists from Oscar Wilde to Francis Bacon and the Stones to MorrisseyPiccadilly Circus has long been London's principal location for selling sex and this is the first book to really explore the history of male prostitution at "The Dilly." Dating from Oscar Wilde's notorious use of the location for pick-ups through to Francis Bacon's equal attraction to rough trade and right up to recent history, this is a pioneering piece of counterculture history. Employing a flair for acute visual imagery, the author maps out Soho's submerged gay clubs and drinking-rooms in the decades before de-criminalization. This is followed by the new masculinity advocated by the Mod look in the 1960s, the influence of the place on rock and pop stars such as the Stones, Marc Almond, and Morrissey (all of whom themed songs on the subject) and the book closes in the 1990s, when online male escorts replaced rent boys on the Piccadilly railing. An exhilaratingly colorful recreation of the illegal occupation of one of London'’s central commercial zones by lawless Dilly boys, this history is augmented by first-hand interviews with rent boys who worked the meat-rack in the 1970s as well as a chapter recording the author's personal friendship with the artist Francis Bacon.
This collection from the New York Times–bestselling graphic novelist includes his most beloved illustrations and rare, previously unpublished works. Throughout his decades-long career, alternative cartoonist and screenwriter Daniel Clowes has always been ahead of artistic and cultural movements. The creator of acclaimed graphic novels like Ghost World and David Boring, Clowes is widely praised for his emotionally compelling narratives that reimagine the ways that stories can be told in comics. The Art of Daniel Clowes: Modern Cartoonist is the first monograph on this award-winning, New York Times–bestselling creator. It includes all of Clowes’s best-known illustrations, rare and previously unpublished work, as well as interviews and essays by Chip Kidd, Chris Ware, and others.
A vibrant guide to the artistic, cultural, and social faces of the new media.
A bitingly funny, provocative, and revealing look at our foibles, passions, and pasttimes—from one of the most creative minds of our time. “Nora Ephron can write about anything better than anybody else can write about anything.”—The New York Times From her Academy Award–nominated screenplays to her bestselling fiction and essays, Nora Ephron is one of America’s most gifted, prolific, and versatile writers. In this classic collection of magazine articles, Ephron does what she does best: embrace American culture with love, cynicism, and unmatched wit. From tracking down the beginnings of the self-help movement to dressing down the fashion world’s most powerful publication to capturing a glimpse of a legendary movie in the making, these timeless pieces tap into our enduring obsessions with celebrity, food, romance, clothes, entertainment, and sex. Whether casting her ingenious eye on renowned director Mike Nichols, Cosmopolitan magazine founder Helen Gurley Brown—or herself, as she chronicles her own beauty makeover—Ephron deftly weaves her journalistic skill with the intimate style of an essayist and the incomparable talent of a great storyteller.
We are living in a golden age of cartoon art. Never before has graphic storytelling been so prominent or garnered such respect: critics and readers alike agree that contemporary cartoonists are creating some of the most innovative and exciting work in all the arts. For nearly a decade Hillary L. Chute has been sitting down for extensive interviews with the leading figures in comics, and with Outside the Box she offers fans a chance to share her ringside seat. Chute’s in-depth discussions with twelve of the most prominent and accomplished artists and writers in comics today reveal a creative community that is richly interconnected yet fiercely independent, its members sharing many interests and approaches while working with wildly different styles and themes. Chute’s subjects run the gamut of contemporary comics practice, from underground pioneers like Art Spiegelman and Lynda Barry, to the analytic work of Scott McCloud, the journalism of Joe Sacco, and the extended narratives of Alison Bechdel, Charles Burns, and more. They reflect on their experience and innovations, the influence of peers and mentors, the reception of their art and the growth of critical attention, and the crucial place of print amid the encroachment of the digital age. Beautifully illustrated in full-color, and featuring three never-before-published interviews—including the first published conversation between Art Spiegelman and Chris Ware—Outside the Box will be a landmark volume, a close-up account of the rise of graphic storytelling and a testament to its vibrant creativity.