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Available on microfilm from University Microfilms.
During the first six decades of this century, the so-called mainline Protestant denominations in America were compelled to accommodate to the growing influences of diverse religions and growing secularization. In this book, twelve historians examine the nature of the American Protestant establishment and its response to the growing pluralism of the times. The goals of the establishment are first examined from the inside, as they were voiced from the pulpit, expressed in education and through the media, and applied in ecumenical and social-reforming ventures. The establishment is then viewed through the eyes of outsiders - Jews and Catholics - and those at the periphery of the establishment's core - and women. The authors conclude that the period surveyed forms a distinct epoch in the evolution of American Protestantism. The days when Protestant cultural authority could be taken for granted were certainly over, but a new era in which religious pluralism would be widely accepted had not yet arrived.
This single volume does what most libraries cannot--placing at your fingertips the whole spectrum of individuals, traditions, institutions, denominations, events and ideas that have influenced North American religion and culture. Edited by Daniel G. Reid, Robert D. Linder, Bruce L. Shelley and Harry S. Stout.
This investigation into the little-known genre of mission-oriented films uncovers how Protestant missionaries overseas sought to bring back motion picture footage from remote parts of the world. In the broader religious community, mission films aimed to educate congregants back home about efforts to evangelize communities around the world. This book, however, demonstrates the larger impact of mission films on American visual culture. The evolution and development of the genre is highlighted from an early emphasis on "foreign views" in the 1910s, to interwar films providing a more detailed look at how mission stations functioned in far-flung lands, to Cold War productions which at times functioned as veritable propaganda tools parroting anti-communist discourse emanating from the CIA.