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Written during the long battles with Sparta that were to ultimately destroy ancient Athens, these six plays by Euripides brilliantly utilize traditional legends to illustrate the futility of war. The Children of Heracles holds a mirror up to contemporary Athens, while Andromache considers the position of women in Greek wartime society. In The Suppliant Women, the difference between just and unjust battle is explored, while Phoenician Women describes the brutal rivalry of the sons of King Oedipus, and the compelling Orestes depicts guilt caused by vengeful murder. Finally, Iphigenia in Aulis, Euripides' last play, contemplates religious sacrifice and the insanity of war. Together, the plays offer a moral and political statement that is at once unique to the ancient world, and prophetically relevant to our own.
In this innovative rendition of The Oresteia, the poet, translator, and essayist Anne Carson combines three different visions -- Aischylos' Agamemnon, Sophokles' Elektra, and Euripides' Orestes, giving birth to a wholly new experience of the classic Greek triumvirate of vengeance. Carson's accomplished rendering combines elements of contemporary vernacular with the traditional structures and rhetoric of Greek tragedy, opening up the plays to a modern audience. --from publisher description.
Produced more frequently on the ancient stage than any other tragedy, Orestes retells with striking innovations the story of the young man who kills his mother to avenge her murder of his father. Though eventually exonerated, Orestes becomes a fugitive from the Furies (avenging spirits) of his mother's blood. On the brink of destruction, he is saved in the end by Apollo, who had commanded the matricide. Powerful and gripping, Orestes sweeps us along with a momentum that starting slowly, builds inevitably to one of the most spectacular climaxes in all Greek tragedy.
"Written during the long battles with Sparta that were to ultimately destroy ancient Athens, these six plays by Euripides brilliantly utilize traditional legends to illustrate the futility of war. The Children of Heracles holds up a mirror to a contemporary Athens, while Andromache considers the position of women in Greek wartime society. In The Suppliant Women, the difference between a just and an unjust battle is explored, while The Phoenician Women describes the brutal rivalry of the sons of King Oedipus, and the compelling Orestes depicts the guilt caused by vengelful murder. Finally, Iphigenia in Aulis, Euripides' last play, contemplates religious sacrifice and the insanity of war. Together, the plays offer a moral and political statement that is at once unique to the ancient world and prophetically relevant to our own."--P. [4] of cover.
In the Oresteia Aeschylus addressed the bloody chain of murder and revenge within the royal family of Argos. As they move from darkness to light, from rage to self-governance, from primitive ritual to civilized institution, their spirit of struggle and regeneration becomes an everlasting song of celebration. In Agamemnon, a king's decision to sacrifice his daughter and turn the tide of war inflicts lasting damage on his family, culminating in a terrible act of retribution; The Libation Bearers deals with the aftermath of Clytemnestra's regicide, as her son Orestes sets out to avenge his father's death; and in The Eumenides, Orestes is tormented by supernatural powers that can never be appeased. Forming an elegant and subtle discourse on the emergence of Athenian democracy out of a period of chaos and destruction, The Oresteia is a compelling tragedy of the tensions between our obligations to our families and the laws that bind us together as a society. The only trilogy in Greek drama that survives from antiquity, Aeschylus' The Oresteia is translated by Robert Fagles with an introduction, notes and glossary written in collaboration with W.B. Stanford in Penguin Classics. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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The Oresteian trilogy (Agamemnon, Libation Bearers, Eumenides) established the themes of Greek tragedy - the inexorable nature of Fate, the relationship between justice, revenge, and religion. The plays dramatize the murder of Agamemnon by his wife Clytemnestra, the revenge of her son Orestes, and his judgement by the court of Athens. This new translation seeks to preserve the plays' qualities as theatre and as literature.
The Oresteia is permeated with depictions of the afterlife, which have never been examined together. In this book Amit Shilo analyses their intertwined and conflicting implications. He argues for a 'poetics of multiplicity' and 'poetics of the beyond' that inform the ongoing debates over justice, fate, ethics, and politics in the trilogy. The book presents novel, textually-grounded readings of Cassandra's fate, Clytemnestra's ghost scene, mourning ritual, hero cult, and punishment by Hades. It offers a fresh perspective on the political thought of the trilogy by contrasting the ethical focus of the Erinyes and Hades with Athena's insistence on divine unity and warfare. Shedding new light on the trilogy as a whole, this book is crucial reading for students and scholars of classical literature and religion. This title is available as open access on Cambridge Core.
Wagner and Aeschylus examines the role that the Oresteia played in the shaping of the Ring.
This is a fully revised new edition of Michael Ewans’ 1995 English translation of the Oresteia, taking into account the extensive work published on the trilogy in recent years. Accompanying this lucid, accurate and actable translation is a substantial introduction, outlining the festival setting of the plays, the original performance conditions and performance style, the form and meaning of the trilogy, the issues surrounding the act of translation, and finally a survey of some major productions since 1980. The text itself is a thoroughly competitive translation into modern English verse, now significantly revised in the light of recent scholarship on the text. It is followed by a theatrical commentary on each scene and chorus, providing unique insights into how the plays might have been staged in ancient Athens and how they can be staged today. The book also includes notes on the translation, two glossaries of names and Greek terms, selected further reading, and a chronology of Aeschylus’ life and times. Aeschylus’ Oresteia: Translation and Theatrical Commentary is the most comprehensive English edition of Aeschylus’ masterpiece, and this new edition fully meets the needs of teachers, students and practitioners working on the trilogy as well as those interested in ancient Greek drama and literature more broadly.