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This book also explores Sophie Barat's spiritual journey, from her dark Jansenistic roots to her belief in a loving, warm and tender God, as expressed in devotion to the Sacred Heart."--BOOK JACKET.
Guyon's theology and spiritual writing opened new doors to people from all walks of life who yearned for spiritual joy and wisdom. These new translations include her popular A Short and Easy Method of Prayer, as well as her biblical commentary on the Song of Songs. The Complete Madame Guyon also presents examples of her passionate poetry, some of which has never before been translated into English. Nancy James's historical introduction explains the events of Guyon's life first as an aristocratic wife and mother of five, and later as a wido traveling around Europe as an author, who ended up incarcerated in the Bastille by the direct order of Louis XIV. Guyon suffered ten years of incarceration, along with accusations of heresy. Cleared of all charges at the end of her life, in all of her writing Madame Guyon testified to the goodness and holiness of God.
In 1664, Molière's Tartuffe was banned from public performance. This book provides a detailed, in-depth account of five-year struggle (1664-69) to have the ban lifted and, so doing, sheds important new light on 1660s France and the ancien régime more broadly.
Historians of the ancien régime have long been interested in the relationship between religion and politics, and yet many issues remain contentious, including the question of sacral monarchy. Scholars are divided over how - and, indeed, if - it actually operated. With its nuanced analysis of the cult of Saint Louis, covering a vast swathe of French history from the Wars of Religion through the zenith of absolute monarchy under Louis XIV to the French Revolution and Restoration, Sacral Kingship in Bourbon France makes a major contribution to this debate and to our overall understanding of France in this fascinating period. Saint Louis IX was the ancestor of the Bourbons and widely regarded as the epitome of good Christian kingship. As such, his cult and memory held a significant place in the political, religious, and artistic culture of Bourbon France. However, as this book reveals, likenesses to Saint Louis were not only employed by royal flatterers but also used by opponents of the monarchy to criticize reigning kings. What, then, does Saint Louis' cult reveal about how monarchies fostered a culture of loyalty, and how did sacral monarchy interact with the dramatic religious, political and intellectual developments of this era? From manuscripts to paintings to music, Sean Heath skilfully engages with a vast array of primary source material and modern debates on sacral kingship to provide an enlightening and comprehensive analysis of the role of Saint Louis in early modern France.
In the midst of the fierce controversies raging in France over the papal bull Unigenitus, worshipers at the tomb of a revered Jansenist deacon in Paris's Saint-Médard cemetery witnessed a variety of miraculous occurrences. These well-publicized events led to the emergence of a cult that came to affect and be affected by the most furious religious debate of the eighteenth-century. Professor Kreiser provides a full and objective account of the conflicts surrounding this unsanctioned cult, which remained a major cause célèbre in ecclesiastical politics for nearly a decade. The author details the intricate relationships between Church and State and broadens our awareness of the political implications of popular religion during the ancien régime. His wide-ranging book is the first account of the Saint-Médard episode to deal with this affair in its multiple contexts. At stake was more than acceptance of the papal bull, whose political history the author discusses. Also involved, as he shows, were fundamental questions about the nature of miracles, conflicts between episcopal and priestly authority, the unwelcome intrusions of the papacy in the affairs of the Gallican Church, and struggles among the crown, the Parlement of Paris, and the French episcopate for control over ecclesiastical affairs. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The first book-length study devoted to this topic, Mendacity and the Figure of the Liar in Seventeenth-Century French Comedy offers an important contribution to scholarship on the theatre as well as on early modern attitudes in France, specifically on the subject of lying and deception. Unusually for a scholarly work on seventeenth-century theatre, it is particularly alert to plays as performed pieces and not simply printed texts. The study also distinguishes itself by offering original readings of Molière alongside innovative analyses of other playwrights. The chapters offer fresh insights on well-known plays by Molière and Pierre Corneille but also invite readers to discover lesser-known works of the time (by writers such as Benserade, Thomas Corneille, Dufresny and Rotrou). Through comparative and sustained close readings, including a linguistic and speech act approach, a historical survey of texts with an analysis of different versions and a study of irony, the reader is shown the manifest ways in which different playwrights incorporate the comedic tropes of lying and scheming, confusion and unmasking. Drawing particular attention to the levels of communicative or mis-communicative exchanges on the character-to-character axis and the character-to-audience axis, this work examines the process whereby characters in the comedies construct narratives designed to trick, misdirect, dazzle, confuse or exploit their interlocutors. In the different incarnations of seducer, parasite, cross-dresser, duplicitous narrator/messenger and deluded mythomaniac, the author underscores the way in which the figure of the liar both entertains and troubles, making it a fascinating subject worthy of detailed investigation.