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The ordines coronationis are essentially the scripts for the coronation of Frankish and French sovereigns. Combining detailed religious, ceremonial, and political material, they are an extraordinarily important source for the study of individual rulers or dynasties, as well as for the study of kingship, queenship, and the evolution of political institutions. Complete in two volumes, Richard A. Jackson's is the first full edition of these texts, including all the ordines from the early thirteenth century through the end of the fifteenth century, a period during which the texts shift from Latin to the vernacular, and the institutions of kingship become distinctively French.
The ordines coronationis are essentially the scripts for the coronation of Frankish and French sovereigns. Combining detailed religious, ceremonial, and political material, they are an extraordinarily important source for the study of individual rulers or dynasties, as well as for the study of kingship, queenship, and the evolution of political institutions. Complete in two volumes, Richard A. Jackson's is the first full edition of these texts, including all the ordines from the early thirteenth century through the end of the fifteenth century, a period during which the texts shift from Latin to the vernacular, and the institutions of kingship become distinctively French.
The ordines coronationis are essentially the scripts for the coronation of Frankish and French sovereigns. Combining detailed religious, ceremonial, and political material, they are an extraordinarily important source for the study of individual rulers or dynasties, as well as for the study of kingship, queenship, and the evolution of political institutions. Complete in two volumes, Richard A. Jackson's is the first full edition of these texts, including all the ordines from the early thirteenth century through the end of the fifteenth century, a period during which the texts shift from Latin to the vernacular, and the institutions of kingship become distinctively French.
Valuable new insights into the multi-layered and multi-directional relationship of law, literature, and social regulation in pre-Conquest English society. Pre-Conquest English law was among the most sophisticated in early medieval Europe. Composed largely in the vernacular, it played a crucial role in the evolution of early English identity and exercised a formative influence on the development of the Common Law. However, recent scholarship has also revealed the significant influence of these legal documents and ideas on other cultural domains, both modern and pre-modern. This collection explores the richness of pre-Conquest legal writing by looking beyond its traditional codified form. Drawing on methodologies ranging from traditional philology to legal and literary theory, and from a diverse selection of contributors offering a broad spectrum of disciplines, specialities and perspectives, the essays examine the intersection between traditional juridical texts - from law codes and charters to treatises and religious regulation - and a wide range of literary genres, including hagiography and heroic poetry. In doing so, they demonstrate that the boundary that has traditionally separated "law" from other modes of thought and writing is far more porous than hitherto realized. Overall, the volume yields valuable new insights into the multi-layered and multi-directional relationship of law, literature, and social regulation in pre-Conquest English society.
“A joy to read…one of the most entertaining popular history books published in recent years” (Dan Jones, Sunday Times), this is the definitive history of the Capetians, the crusading dynasty that made the French crown the wealthiest and most powerful in medieval Europe and forged France as we know it today In House of Lilies, historian Justine Firnhaber-Baker tells the epic story of the Capetian dynasty of medieval France, showing how their ideas about power, religion, and identity continue to shape European society and politics today. Reigning from 987 to 1328, the Capetians became the most powerful monarchy of the Middle Ages. Consolidating a fragmented realm that eventually stretched from the Rhône to the Pyrenees, they were the first royal house to adopt the fleur-de-lys, displaying this lily emblem to signify their divine favor and legitimate their rule. The Capetians were at the center of some of the most dramatic and far-reaching episodes in European history, including the Crusades, bloody waves of religious persecution, and a series of wars with England. The Capetian age saw the emergence of Gothic architecture, the romantic ideals of chivalry and courtly love, and the Church’s role at the center of daily life. Evocatively interweaving these pivotal developments with the human stories of the men and women who drove them, House of Lilies is the definitive history of the dynasty that forged France—and Europe—as we know it.
Established in 1917, the Index of Christian Art, located at Princeton University, is now the largest archive of medieval art in existence and the most specialized resource for the iconographer. Throughout its eighty-five years, it has justly been recognized as one of the most learned institutions for the study of the art and culture of the medieval world. The essays in this book, all by staff or scholars of the archive, highlight some of the current research in the archive and the scholarship for which it has been widely renowned. The studies cover art from the Late Antique period to the end of the fifteenth century and include most of the media represented in the archive, from manuscripts to sculpture to glass. From reinterpreting previous scholarship to making new insights into the medieval mind, they explore such themes as Jephtha's Daughter; Mary Magdalene; Saints Blaise, Paul, Joseph, and Elisabeth of Hungary; and topics including women in the Bibles moralis es, Late German sermons, the iconographic program at Bourges Cathedral, Franciscan devotional art, and a late medieval Islamic manuscript. This volume presents some of the most exciting and interdisciplinary approaches to the study of these subjects, from the home of medieval iconography in Princeton. The contributors are Adelaide Bennett, Lois Drewer, Ivan Great, Judith Golden, Gerald Guest, Margaret Jennings, Margaret Lindsey, Mika Natif, Lynn Ransom, Pamela Sheingorn, and A. E. Wright.
What did kingship mean to medieval Europeans - especially to those who did not wear a crown? From the training of heirs, to the deathbed of kings and the choosing of their successors, this engaging study explores how a ruler's subjects shaped both the idea and the reality of power.
This volume will provide the first English translation of Ralph Niger’s critical reflection on military pilgrimage, written in the late 1180s in response to the calling of the Third Crusade. Long known to scholars as early and highly idiosyncratic critique of crusading, On Warfare and the Threefold Path of the Jerusalem Pilgrimage provides a sustained reflection on penance, the meaning of Jerusalem, and the challenges of military expeditions to the Levant. After the fall of Jerusalem in 1187, Ralph resisted the calls to crusade and instead exhorted Christians to look inward and build Jerusalem in their hearts. Throughout the four books of the work, Ralph looks to scripture for precedents for crusading and finds none. However, by ranging widely over examples of Old Testament violence and considering the Heavenly and Earthly Jerusalem together, On Warfare offers a unique perspective on how the Bible informed contemporary views of the Crusades. Methodically examining pilgrimage through the lens of scripture, Ralph surveys the entire semantic field of crusading, and concludes that Christian knights could do more good by staying home than going on a military adventure to the Holy Land.
This highly original study examines the history and religious life of the Ottonian Church through its ritual books. With forensic attention to the writing and design of four important manuscripts from the city of Mainz - a musician's troper, a priest's ritual handbook, a bishop's pontifical and a copy of the enigmatic compilation now known as the 'Romano-German Pontifical' - Henry Parkes transforms liturgical sources into eloquent witnesses to the ecclesiastical history of early medieval Germany. He also presents the first comprehensive revision of Michel Andrieu's influential 'Romano-German Pontifical' theory, from the dual perspective of Mainz's cathedral of St Martin and its Benedictine monastery of St Alban. Challenging long-held assumptions about the geographies of Ottonian power, in particular the central role of Mainz and its archbishops, the book opens up important new ways of understanding how religious ritual was organised, transmitted and perceived.