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The Indian armed forces have a great sense of humour, as awe-inspiring as its fighting prowess — remarkably incisive and direct (like the famed Bofors), succinct and biting, but for reasons unknown (and perhaps ‘classified’), they prefer to shoot with their weapons, rather than with their writing instruments. 'It surely has come as a pleasant surprise that one of us has put together numerous jokes on service personnel itself. It is said that a person who can laugh on oneself is a gifted individual and a person who cannot laugh/smile is cursed.' — Air Chief Marshall S K Sareen, PVSM, AVSM, VM(G), Former Chief of the Air Staff, Indian Air Force
A collection of jokes, riddles, tongue twisters, tricks, games, poems, and stories.
Readers can push the button and hear giggling as a boy plays such games as "Pat-a-cake," "This Llittle Piggy," and "Peek-a-boo" with his mother and father. On board pages.
Do you feel like laughing? Then you'd better not read this book! There is no laughing allowed! Do you hear? NO LAUGHING!
Ralph "Petey" Greene was a comic genius who spent years "clowning around" and spiraling to life's lowest depths. Then he conned, rhymed, and "speechified" his way to heights he hardly dared imagine, using lessons from his unconventional grandmother. He gained national recognition with "Petey Greene's Washington," on cable (BET), and when he signed off with, "I'll tell it to the hot, I'll tell it to the cold, I'll tell it to the young, I'll tell it to the old, I don't want no laughin', I don't want no cryin', and most of all, no signifyin' ...," viewers asked, "Who IS this man?" Laugh ... answers and introduces two characters destined to capture hearts.
Critical studies attempting to define and dissect American humor have been published steadily for nearly one hundred years. However, until now, key documents from that history have never been brought together in a single volume for students and scholars. What's So Funny? Humor in American Culture, a collection of 15 essays, examines the meaning of humor and attempts to pinpoint its impact on American culture and society, while providing a historical overview of its progres-sion. Essays from Nancy Walker and Zita Dresner, Joseph Boskin and Joseph Dorinson, William Keough, Roy Blount, Jr., and others trace the development of American humor from the colonial period to the present, focusing on its relationship with ethnicity, gender, violence, and geography. An excellent reader for courses in American studies and American social and cultural history, What's So Funny? explores the traits of the American experience that have given rise to its humor.
No one steps up to life’s banquet, holds out her tray, and orders, “Grief, please!” But as a child, Candy Pekkala was served a heaping helping of it. Every buffet line has a dessert section, however, and when a cousin calls with a Hollywood apartment to sublet, it seems as though Candy is finally offered something sweet. It’s good-bye to Minnesota and hello to California, where a girl who has always lived by her wits has a real chance of making a living with them. With that, the irrepressible Lorna Landvik launches her latest irresistible character onto the world stage—or at least onto the dimly lit small stage where stand-up comedy gets its start. Herself a comic performer, Landvik taps her own adventurous past and Minnesota roots to conjure Candy’s life in this strange new Technicolor home. Her fellow tenants at Peyton Hall include a female bodybuilder, a ruined nightclub impresario, and a well-connected Romanian fortune-teller. There are game show appearances and temp jobs at a record company and an establishment suspiciously like the Playboy Mansion, and of course the alluring but not always welcoming stage of stand-up comedy. As she hones her act, Candy is tested by humiliation, hecklers, and the inherent sexism that insists “chicks aren’t funny.” Written with the light touch and quiet wisdom that have made her works so popular, this is classic Lorna Landvik—sometimes so funny, you’ll cry; sometimes so sad, you might as well laugh; and always impossible to put down.
Light, Laugh, and Human Folly is a collection of novellas centered around anti-heroes living in a society that makes a straight road to success impossible. Alexander Belyaev’s reality-set stories with a touch of science fiction are chillingly close to home. They present the reader with scenarios that are very plausible and easy to imagine witnessing in today’s world. Instead of introducing a traditional hero, who comes and saves the world, Belyaev centers his narrative around individuals who are not only far from heroic but are decidedly unlikable at times. This collection includes the following works: - Invisible Light - Mister Laugh - Doomsday
This book analyzes Western and Chinese philosophical texts to determine why laughter and the comic have not been a major part of philosophical discourse. Katrin Froese maintains that many philosophical accounts of laughter try to unearth laughter's purpose, thereby rendering it secondary to the intentional and purposive aspects of human nature that impel us to philosophize. Froese also considers texts that take laughter and the comic as starting points, attempting to philosophize out of laughter rather than merely trying to unearth reasons for laughter. The book proposes that continuously unraveling philosophical assumptions through the comic and laughter may be necessary to live well.