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What constitutes spatial order in a city? What urban forms do we consider as disorderly? The worldwide assertion over the years of Enlightenment-derived concepts of social order through urban form suggests that we also believe we know how to create an (future) ordered environment. But these notions of order and disorder desperately need interrogation. There has been a great revival of Enlightenment-derived urban forms in the global North in recent years - the gridiron, hierarchies of architectural form, the traditional street and square. But not only is it clear that such forms have failed to failed to produce more social order, as was intended, but it has become more abundantly is equally clear that the imposition of the same ideas in cities of the South cuts across alternative systems of social and cultural order. If we are serious about ordering the urban realm - as almost all architects, urban designers and planners are - then it is time to rethink what we mean by order in the first place. As this provocative and timely book shows, what we think of as urban order is partial and restricted - and what we perceive as disorder usually masks underlying orders of another kind. This book critically analyses the development of the concept of spatial order in modern urban form in from the period of the European Enlightenment, the export of the Enlightenment outside of Europe, the supersession of the Enlightenment in the cities of the global South, and the now likely export of post-Enlightenment concepts of order back to Europe. The authors argue that social order and cultural values have more fundamental importance than ordered urban form in creating urban places in cities, and that urban designers, planners, architects and other built environment professionals need to base their approach to the moulding of urban space through new urban forms on deeper inter-disciplinary understanding of underlying social order. A different approach to emerging urban space and form therefore needs to start from an understanding of the cultural imaginaries and social constructs that underpin the production of most city fabric and engage with these concepts and organisational forms to improve urban life for the majority.
The global application of Enlightenment-derived concepts to create social order through urban form suggests that we believe we know how to create a (future) ordered environment. But these notions of order and disorder need interrogation, especially as the world rapidly urbanises. Not only have such approaches failed to produce more social order, but it has become clear that the imposition of these ideas in cities of the South cuts across alternative systems of social and cultural order and creates new disorder. Thus, if we are serious about forms of urban order, then it is time to rethink what we mean by order in the fi rst place. As this provocative and timely book shows, what we think of as urban order is partial and restricted, and what we perceive as disorder usually masks underlying orders of social nature. The book is intended for architects, urban designers, planners and urban scholars, as well as urban policymakers, managers and residents, to consider a different approach to emerging urban space and form, starting from an understanding of the cultural imaginaries and social constructs that underpin the production of most urban fabric and engaging with these concepts and organisational forms to improve urban life for the majority.
Bringing together an international group of authors, this book addresses the important issues lying at the intersection between urban space, on the one hand, and incivilities and urban harm, on the other. Progressive urbanisation not only influences people’s living conditions, their well-being and health but may also generate social conflict and consequently fuel disorder and crime. Rooted in interdisciplinary scholarship, this book considers a range of urban issues, focussing specifically on their sensory, emotive, power and structural dimensions. The visual, audio and olfactory components that offend or harm are inspected, including how urban social control agencies respond to violations of imposed sensory regimes. Emotive dimensions examined include the consideration of people emotions and sensibilities in the perception of incivilities, in the shaping of social control to deviant phenomena, and their role in activating or suppressing people’s resistance towards otherwise harmful everyday practices. Power and structural dimensions examine the agents who decide and define what anti-social and harmful is and the wider socio-economic and cultural setting in which urbanites and social control agents operate. Connecting with sensory and affective turns in other disciplines, the book offers an original, distinctive and nuanced approach to understanding the harms, disorder and social control in the city. An accessible and compelling read, this book will appeal to those engaged with criminology, sociology, human geography, psychology, urban studies, socio-legal studies and all those interested in the relationship between urban space and urban harm.
Rethinking the open city Planners, privatisation, and police surveillance are laying siege to urban public spaces. The streets are becoming ever more regimented as life and character are sapped from our cities. What is to be done? Is it possible to maintain the public realm as a flexible space that adapts over time? Can disorder be designed? Fifty years ago, Richard Sennett wrote his groundbreaking work The Uses of Disorder, arguing that the ideal of a planned and ordered city was flawed, likely to produce a fragile, restrictive urban environment. The need for the Open City, the alternative, is now more urgent that ever. In this provocative essay, Pablo Sendra and Richard Sennett propose a reorganisation of how we think and plan the life of our cities. What the authors call 'infrastructures for disorder' combine architecture, politics, urban planning and activism in order to develop places that nurture rather than stifle, bring together rather than divide, remain open to change rather than rapidly stagnate. Designing Disorder is a radical and transformative manifesto for the future of twenty-first-century cities.
An argument that operational urban planning can be improved by the application of the tools of urban economics to the design of regulations and infrastructure. Urban planning is a craft learned through practice. Planners make rapid decisions that have an immediate impact on the ground—the width of streets, the minimum size of land parcels, the heights of buildings. The language they use to describe their objectives is qualitative—“sustainable,” “livable,” “resilient”—often with no link to measurable outcomes. Urban economics, on the other hand, is a quantitative science, based on theories, models, and empirical evidence largely developed in academic settings. In this book, the eminent urban planner Alain Bertaud argues that applying the theories of urban economics to the practice of urban planning would greatly improve both the productivity of cities and the welfare of urban citizens. Bertaud explains that markets provide the indispensable mechanism for cities’ development. He cites the experience of cities without markets for land or labor in pre-reform China and Russia; this “urban planners’ dream” created inefficiencies and waste. Drawing on five decades of urban planning experience in forty cities around the world, Bertaud links cities’ productivity to the size of their labor markets; argues that the design of infrastructure and markets can complement each other; examines the spatial distribution of land prices and densities; stresses the importance of mobility and affordability; and critiques the land use regulations in a number of cities that aim at redesigning existing cities instead of just trying to alleviate clear negative externalities. Bertaud concludes by describing the new role that joint teams of urban planners and economists could play to improve the way cities are managed.
Mapping the Megalopolis is an interdisciplinary collection of 10 chapters on contemporary Mexico City. Through topics such as the privatization of public space and challenges to existing conceptualizations of the urban form, this book explores the order and disorder that constitute the city in its social, political, and aesthetic manifestations.
The relationship between public and private spheres is one of the key concerns of the modern society. This book investigates this relationship, especially as manifested in the urban space with its social and psychological significance. Through theoretical and historical examination, it explores how and why the space of human socities is subdivided into public and private sections. It starts with the private, interior space of the mind and moves step by step, through the body, home, neighborhood and the city, outwards to the most public, impersonal spaces, exploring the nature of each realm and their complex, interdependent realtionships. A stimulating and thought provoking book for any architect, architectural historian, urban planner or designer.
City Living is about urban spaces, urban dwellers, and how these spaces and people make, shape, and change one another. More people live in cities than ever before: more than 50% of the earth's people are urban dwellers. As downtown cores gentrify and globalize, they are becoming more diverse than ever, along lines of race, ethnicity, socioeconomic class, sexuality, and age. Meanwhile, we are in the early stages of what seems sure to be a period of intense civil unrest. During such periods, cities generally become the primary sites where tensions and resistance are concentrated, negotiated, and performed. For all of these reasons, understanding cities and contemporary city living is pressing and exciting from almost any disciplinary and political perspective. Quill R Kukla offers the first systematic philosophical investigation of the nature of city life and city dwellers. The book draws on empirical and ethnographic work in geography, anthropology, urban planning, and several other disciplines in order to explore the impact that cities have on their dwellers and that dwellers have on their cities. It begins with a philosophical exploration of spatially embodied agency and of the specific forms of agency and spatiality that are distinctive of urban life. It explores how gentrification is enacted and experienced at the level of embodied agency, arguing that gentrifying spaces are contested territories that shape and are shaped by their dwellers. The book then moves to an exploration of repurposed cities, which are cities materially designed to support one sociopolitical order, but in which that order collapsed, leaving new dwellers to use the space in new ways. Through detailed original ethnography of the repurposed cities of Berlin and Johannesburg, Kukla makes the case that in repurposed cities, we can see vividly how material spaces shape and constrain the agency and experience of dwellers, while dwellers creatively shape the spaces they inhabit in accordance with their needs. The book concludes with a reconsideration of the right to the city, asking what would be involved in creating a city that enabled the agency and flourishing of all its diverse inhabitants.
The text argues that cities are open to many forms of order and disorder both from within the city and outside. They represent cities potentials as well as their problems. It challenges the assumption that cities are threatened by disorder from below and that they might be ruled by 'order' imposed from above.
Enkelt artikel fra bogen Urban space and urban conservation as an aesthetic problem c lectures presented at the international conference in Rome, 23rd-26th October 1997