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A study of the later novels of the Anglo-American novelists.
Rowe uses recent work on the oppressive treatment of gays, women and children in his analysis of Henry James, arguing that James mounts a critique of bourgeois values and lack of historical consciousness.
James's narrative strategies are discussed in the context of the techniques employed by his literary predecessors. Illuminating comparisons are made with novelists such as Jane Austen and George Eliot, and particular attention is paid to the French novelist Flaubert, who was probably the most significant influence on James. The author examines James's stylistic devices in a selection of representative works from his early, middle, and late periods (Roderick Hudson, The Portrait of a Lady, and The Golden Bowl).
Thinking in Henry James identifies what is genuinely strange and radical about James's concept of consciousness—first, the idea that it may not always be situated within this or that person but rather exists outside or "between," in some transpersonal place; and second, the idea that consciousness may have power over things and people outside the person who thinks. Examining these and other counterintuitive representations of consciousness, Cameron asks, "How do we make sense of these conceptions of thinking?"
Henry James and the “Aliens” intervenes substantially in current debates in James studies, most notably in the key areas of cultural studies, ethnic studies and queer studies. Focusing throughout on questions of identity, and most prominently on how the latter is given shape in the very form of the late style, the book finds that James’s response to the ethnic other can be grasped neither as an attempt to police, supervise and master the other, nor as a politics of non-identical surrender to that other. Instead, there is a continuum of identity—akin to the “criminal continuity” that James registers throughout the American scene—in which self and other, native and alien, subject and object adopt alternate roles of control and submission. Both are at times in possession of the American scene and possessed by that scene. Jamesian sexual identity, too, proves to be constantly reconstituted in transitive processes of signification that make it impossible to fix the “I” or the “other” within a fixed framework—be that framework a heterosexual or a homosexual one. The eroticism that strikingly informs the late James can therefore only be captured, if at all, under the rubric of the “queer.”
Ordálias da Interpretação analisa ordálias medievais, a leitura de dados no polígrafo e alguns métodos de tortura, ao mesmo tempo que lê textos como Hamlet e Macbeth. Este livro descreve a ambição por uma pedra de toque que demonstre a veracidade, ou autenticidade, de certas entidades. De notar que pedra-de-toque – basanos (Βάσαυος) – era um termo usado para denominar a pedra com que se testava em contextos mercantis a qualidade do ouro, mas que designava igualmente a ideia de teste, tortura e torturador. Para os intérpretes mencionados neste livro, a pedra de toque, que pode ser um objecto, uma pessoa ou um teste, teria a capacidade de nos auxiliar a distinguir amigos de inimigos, de identificar a qualidade de alguns versos e de iluminar a verdade. Argumenta-se, todavia, que a capacidade de fazer juízos precisos deriva de um entendimento técnico de interpretação conduzida por indivíduos hábeis, observando-se que a capacidade de descobrir “a verdade” depende da perícia de cada examinador, da sua intuição, da capacidade para aprender um método ou uma técnica específica, de detectar erros e fazer perguntas (qualidades importantes na actividade de um crítico literário).