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The compelling biography of the violinist who founded the Palestine Symphony Orchestra and saved hundreds of people from Hitler--as seen in Josh Aronson's documentary Orchestra of Exiles. "The true artist does not create art as an end in itself. He creates art for human beings. Humanity is the goal."--Bronislaw Huberman At fourteen, Bronislaw Huberman played the Brahms Violin Concerto in Vienna-- winning high praise from the composer himself, who was there. Instantly famous, Huberman began touring all over the world and received invitations to play for royalty across Europe. But after witnessing the tragedy of World War I, he committed his phenomenal talent and celebrity to aid humanity. After studying at the Sorbonne in Paris, Huberman joined the ranks of Sigmund Freud and Albert Einstein in calling for peace through the Pan European Movement. But when hope for their noble vision was destroyed by the rise of Nazism, Huberman began a crusade that would become his greatest legacy--the creation, in 1936, of the Palestine Symphony, which twelve years later became the Israel Philharmonic Orchestra. In creating this world-level orchestra, Huberman miraculously arranged for the very best Jewish musicians and their families to emigrate from Nazi-threatened territories. His tireless campaigning for the project--including a marathon fundraising concert tour across America--ultimately saved nearly a thousand Jews from the approaching Holocaust. Inviting the great Arturo Toscanini to conduct the orchestra's first concert, Huberman's clarion call of art over cruelty was heard around the world. His story contains estraordinary adventures, riches and royalty, politicians and broken promises, losses and triumphs. Against near impossible obstacles, Huberman refused to give up on his dream to create a unique and life-saving orchestra of exiles which was one of the great cultural achievements of the 20th century. Includes Photographs
Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgments -- Chapter 1. Lost -- Chapter 2. A Family Long Free -- Chapter 3. City of Sound -- Chapter 4. City of Dust -- Chapter 5. City of Song -- Chapter 6. City of Exile -- Chapter 7. The Lost Violin -- Chapter 8. Found -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z
A "novel based on an unexplored slice of World War II history, following a young Jewish girl whose family flees refined and urbane Vienna for safe harbor in the mountains of Bolivia"--
"In 1936 Tel Aviv, a boy accompanies his grandmother on a walk along the beach, buying seltzer, looking in shops, talking with friends, and following men with strange-shaped cases. They end by meeting violinist Bronislaw Huberman and seeing the first performance of the Israel Philharmonic Orchestra"--Provided by publisher.
Interviews with famous jazz musicians about their experiences palying abroud. Interviewees include : Garvin Bushell, Bud Freeman, JAy Cameron, BobDorough, Art Farmer, Mark Murphy, Eddie "Lockjaw" Davis, Phil Woods, Jon Hendricks, NAthan Davis, Red Mitchell, Donald "Duck" Bailey.
Anna and her family have only one hope left to escape certain doom. It’s 1936 and life is becoming dangerous for the Jews of Krakow. As incidents of violence and persecution increase day by day, Anna begs her father to leave Poland, but he insists it’s impossible. How could he give up his position as an acclaimed clarinetist in the Krakow Philharmonic Orchestra? When Anna and her father barely escape from a group of violent thugs, it becomes clear that the family must leave. But how? There seems to be only one possibility. Bronislaw Huberman, a world-renowned violinist, is auditioning Jewish musicians for a new orchestra in Palestine. If accepted, they and their families will receive exit visas. Anna and her grandmother boldly write to Huberman asking him to give Anna’s father an audition, but will that be enough to save them? This poignant story is based on real events in pre-war Poland and Palestine. After saving seven hundred Jews and their families, Huberman went on to establish what later became the Israel Philharmonic Orchestra. Against an ominous background of the impending Holocaust in Europe and the first Arab-Israeli war, The Sound of Freedom still manages to remind the reader of the goodness in the world.
"Over the Rainbow," "Stormy Weather," and "One for My Baby" are just a few of Harold Arlen's well-loved compositions. Yet his name is hardly known--except to the musicians who venerate him. At a gathering of songwriters George Gershwin called him "the best of us." Irving Berlin agreed. Paul McCartney sent him a fan letter and became his publisher. Bob Dylan wrote of his fascination with Arlen's "bittersweet, lonely world." A cantor's son, Arlen believed his music was from a place outside himself, a place that also sent tragedy. When his wife became mentally ill and was institutionalized he turned to alcohol. It nearly killed him. But the beautiful songs kept coming: "Blues in the Night," "My Shining Hour," "Come Rain or Come Shine," and "The Man That Got Away." Walter Rimler drew on interviews with friends and associates of Arlen and on newly available archives to write this intimate portrait of a genius whose work is a pillar of the Great American Songbook.
The subject of the Academy Award–winning documentary The Lady in Number 6: Music Saved My Life, Alice Herz-Sommer was the world’s oldest Holocaust survivor when she died on February 23, 2014. A Century of Wisdom is the true story of her life—an inspiring story of resilience and the power of optimism. Before her death at 110, the pianist Alice Herz-Sommer was an eyewitness to the entire last century and the first decade of this one. She had seen it all, surviving the Theresienstadt concentration camp, attending the trial of Adolf Eichmann in Jerusalem, and along the way coming into contact with some of the most fascinating historical figures of our time. As a child in Prague, she spent weekends and holidays in the company of Franz Kafka (whom she knew as “Uncle Franz”), and Gustav Mahler, Sigmund Freud, and Rainer Maria Rilke were friendly with her mother. When Alice moved to Israel after the war, Golda Meir attended her house concerts, as did Arthur Rubinstein, Leonard Bernstein, and Isaac Stern. Until the end of her life Alice, who lived in London, practiced piano for hours every day. Despite her imprisonment in Theresienstadt and the murders of her mother, husband, and friends by the Nazis, and much later the premature death of her son, Alice was victorious in her ability to live a life without bitterness. She credited music as the key to her survival, as well as her ability to acknowledge the humanity in each person, even her enemies. A Century of Wisdom is the remarkable and inspiring story of one woman’s lifelong determination—in the face of some of the worst evils known to man—to find goodness in life. It is a testament to the bonds of friendship, the power of music, and the importance of leading a life of material simplicity, intellectual curiosity, and never-ending optimism. Praise for A Century of Wisdom “An instruction manual for a life well lived.”—The Wall Street Journal “As if her 108 years of experience alone were not enough to coax you, there is the overarching fact that draws people to Herz-Sommer’s story: She survived the Theresienstadt concentration camp and is believed to be the oldest living Holocaust survivor.”—The Washington Post “I have rarely read a Holocaust survivor’s memoir as enriching and meaningful. Get Caroline Stoessinger’s book, A Century of Wisdom, telling Alice Herz-Sommer’s tale of her struggles and triumphs. You will feel rewarded.”—Elie Wiesel “A Century of Wisdom is a stately and elegant book about an artist who found deliverance in her passion for music. Caroline Stoessinger writes with a special purity, as though she were arranging pearls on a string of silk.”—Pat Conroy “As one of millions who fell in love on YouTube with Alice Herz-Sommer, a 108-year-old Holocaust survivor who plays the piano and greets each day with no hint of bitterness, I’m grateful to Caroline Stoessinger for writing a book that explains this mystery. You will be inspired by the story of Alice Herz-Sommer, who lives to teach us.”—Gloria Steinem “I walked on the cobblestones in Prague for thirty years wondering who might have walked on them before me: Kafka, Freud, Mahler. It feels like a miracle to have encountered, in Caroline Stoessinger’s wonderful book, Alice Herz-Sommer, who walked with them all—with a heart full of music.”—Peter Sis “A Century of Wisdom is universal and will enrich readers for generations to come.”—Itzhak Perlman
After her beloved dad got addicted to right-wing talk radio and Fox News, Jen Senko feared he would never be the same again... Frank Senko had always known how to have a good time. Despite growing up in a poverty-stricken family during the Depression and having to fight his way to middle-class status as an adult, he tended to look on the bright side. But after a job change forced Frank to begin a long car commute every day, his daughter Jen noticed changes in his personality and beliefs. Long hours on the road listening to talk radio commentators like Rush Limbaugh sucked her father into a suspicion-laden worldview dominated by conspiracy theories, fake news, and rants about the "coastal elite" and "libtards" trying to destroy America. Over the course of a few years, Jen's dad went from a nonpolitical, open-minded Democrat to a radical, angry, and intolerant right-wing devotee who became a stranger to those closest to him. As politics began to take precedence over everything else in her father's life, Jen was mystified. What happened to her dad? Was there anything she could do to help? And, most importantly, would he ever be his lovable self again? Jen began the search for answers, and found them... as well stories from countless other families like her own. Based on the award-winning documentary, The Brainwashing of My Dad uncovers the alarming right-wing strategy to wield the media as a weapon against our very democracy. Jen's story shows us how Fox News and other ultra-conservative media outlets are reshaping the way millions of Americans view the world, and encourages us to fight back.
This volume presents for the first time a study of the interface between exile and travel within the context of exile from Nazi Germany. The nineteen essays share the overarching aim to compare the tropes of travel and exile as generators of a critical discourse and as central categories within German exile, in particular literature, music and film. The essays are guided by powerful questions: How does travel compare to exile, and how much overlap is there between these two categories? How do exiles travel, as practitioners of displacement? Or rather, to what extent does the concept of travel apply to the exilic predicament? Do the terms “exile” and “travel” still have validity in our postmodern era of cosmopolitanism, ever increasing mobility, the embrace of otherness, and tourism? How does exile literature in which travel is thematized compare to the tradition(s) of travel writing? And how are the critical moments of leavetaking, re-membering home, and return imagined and narrated? The essays feature numerous German and Austrian authors, musicians, and filmmakers and lend fresh insights into German Exile and the field of Exile Studies at large.