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This essay collection explores the life and work of science fiction doyen Ray Bradbury from a variety of perspectives. Noting the impact of the Southwest on Bradbury, some of the essays analyze Bradbury's southwest metaphors: colonial pollution of a pristine ecology, the impacts of a colonial invasion upon an indigenous population, the meeting of cultures with different values and physical aspects. Other essays view Bradbury via the lens of post-colonialism, drawing parallels between such works as The Martian Chronicles and real-life colonialism and its effects. Another essay views Bradbury sociologically, analyzing border issues in his 1947 New Yorker story "I See You Never," written long before the issue of Mexican deportees appeared on the American literary horizon. From the scientific side, four essays by astronomers document how Bradbury formed the minds of many budding scientists with his vision. On August 22, 2012, the Martian landing site of the Curiosity rover in the Gale Crater was named "Bradbury." This honor shows that Bradbury forms a significant link between the worlds of fiction and planetary science.
This essay collection explores the life and work of science fiction doyen Ray Bradbury from a variety of perspectives. Noting the impact of the Southwest on Bradbury, some of the essays analyze Bradbury's southwest metaphors: colonial pollution of a pristine ecology, the impacts of a colonial invasion upon an indigenous population, the meeting of cultures with different values and physical aspects. Other essays view Bradbury via the lens of post-colonialism, drawing parallels between such works as The Martian Chronicles and real-life colonialism and its effects. Another essay views Bradbury sociologically, analyzing border issues in his 1947 New Yorker story "I See You Never," written long before the issue of Mexican deportees appeared on the American literary horizon. From the scientific side, four essays by astronomers document how Bradbury formed the minds of many budding scientists with his vision. On August 22, 2012, the Martian landing site of the Curiosity rover in the Gale Crater was named "Bradbury." This honor shows that Bradbury forms a significant link between the worlds of fiction and planetary science.
As much as any individual, Ray Bradbury brought science fiction's ideas into the mainstream. Yet he transcended the genre in both form and popularity, using its trappings to explore timely social concerns and the kaleidoscope of human experience while in the process becoming one of America's most beloved authors. David Seed follows Bradbury's long career from the early short story masterpieces through his work in a wide variety of broadcast and film genres to the influential cultural commentary he spread via essays, speeches, and interviews. Mining Bradbury's classics and hard-to-find archival, literary, and cultural materials, Seed analyzes how the author's views on technology, authoritarianism, and censorship affected his art; how his Midwest of dream and dread brought his work to life; and the ways film and television influenced his creative process and visually-oriented prose style. The result is a passionate statement on Bradbury's status as an essential literary writer deserving of a place in the cultural history of his time.
HiRISE is the most powerful camera ever sent to another planet, showing us Mars in astonishing detail. Featuring an outstanding and never-before-published collection of HiRISE high-resolution color images with explanatory captions in twenty-four languages, this book offers a unique volume produced from an active NASA mission. Mars enthusiasts will appreciate these perfect snapshots of our current understanding of Mars, with soon-to-be classic pictures that have come to define our vision of the Red Planet. These images and their interpretations will be held as a yardstick for future exploration as we learn more about the surface and geologic processes of the fourth planet from the Sun. With tantalizing and artistic glimpses at actively eroding slopes, impact craters, strange polar landscapes, avalanches, and even spectacular descent pictures of probes like the Phoenix Lander and the Mars Science Laboratory, we see what researchers are seeing. Through vivid and beautiful images, this book underscores the need for such a camera on future orbiters, especially as more landing missions are planned. Mars: The Pristine Beauty of the Red Planet provides a stunning keepsake of one of humanity’s greatest accomplishments in space travel.
From myth to Musk, astrology to astronomy, Dr Stuark Clark selects the very best writing about the Red Planet. From its very first sighting, Mars has been a source of fascination for humanity. Named for the Roman god of war, this red planet has been explored more than any other beyond Earth and continues to occupy a distinctive place in our imagination. It's an environment that may even foster life. In The Book of Mars, Dr Stuart Clark selects one hundred pieces of writing about the planet. It is a collection that brings together fact and fiction, dreams and fears, centuries of observation and more recent feats of interstellar exploration. From classic writers of science fiction – Stanley G. Weinbaum, Arthur C. Clarke, H.G. Wells, Ray Bradbury, Pamela Sargent, Roger Zelazny – to distinguished experts in astronomy, astrobiology and aerospace engineering; from Hugo and Nebula Award-winning authors – Kim Stanley Robinson, Mary Robinette Kowal – to trail-blazing journalists and science communicators; from Andy Weir's The Martian to Elon Musk's SpaceX programme, The Book of Mars is an extraordinary overview both of the Red Planet and of the way scientific investigation diffuses into culture.
The study highlights several writers who have not received much, if any, attention among Gothic scholars. This allows readers exposure to writers they may have never encountered before or may realize dimensions to the authors’ works they have never considered. The study reconsiders scholarship’s understanding of post-war American literature. This gives readers, students, and scholars a new approach to discussing post-war fiction that is not delimited to widely accepted understanding of how Cold War anxieties were manifested in fiction. The study contextualizes the fiction it examines within each work’s respective region. This allows readers a new way of approaching not just post-war Gothic fiction but Gothic fiction in general.
Language and literature teaching are a keystone in the age of STEM, especially when dealing with minority communities. Practical methodologies for language learning are essential for bridging the cultural gap. Teaching Language and Literature On and Off-Canon is a critical research publication that provides a multidisciplinary, multimodal, and heterogenous perspectives on the applications of language learning and teaching practices for commonly studied languages, such as Spanish, English, and French, and less-studied languages, such as Latin, Gaelic, and ancient Semitic languages. Highlighting topics such as language acquisition, artistic literature, and minority languages, this book is essential for language teachers, linguists, academicians, curriculum designers, policymakers, administrators, researchers, and students.
For more than a century, Mars has been at the center of debates about humanity’s place in the cosmos. Focusing on perceptions of the red planet in scientific works and science fiction, Dying Planet analyzes the ways Mars has served as a screen onto which humankind has projected both its hopes for the future and its fears of ecological devastation on Earth. Robert Markley draws on planetary astronomy, the history and cultural study of science, science fiction, literary and cultural criticism, ecology, and astrobiology to offer a cross-disciplinary investigation of the cultural and scientific dynamics that have kept Mars on front pages since the 1800s. Markley interweaves chapters on science and science fiction, enabling him to illuminate each arena and to explore the ways their concerns overlap and influence one another. He tracks all the major scientific developments, from observations through primitive telescopes in the seventeenth century to data returned by the rovers that landed on Mars in 2004. Markley describes how major science fiction writers—H. G. Wells, Kim Stanley Robinson, Philip K. Dick, Edgar Rice Burroughs, Ray Bradbury, Robert Heinlein, and Judith Merril—responded to new theories and new controversies. He also considers representations of Mars in film, on the radio, and in the popular press. In its comprehensive study of both science and science fiction, Dying Planet reveals how changing conceptions of Mars have had crucial consequences for understanding ecology on Earth.
Fifteen all-new stories by science fiction’s top talents, collected by bestselling author George R. R. Martin and multiple-award winning editor Gardner Dozois Burroughs’s A Princess of Mars. Bradbury’s The Martian Chronicles. Heinlein’s Red Planet. These and so many more inspired generations of readers with a sense that science fiction’s greatest wonders did not necessarily lie far in the future or light-years across the galaxy but were to be found right now on a nearby world tantalizingly similar to our own—a red planet that burned like an ember in our night sky . . . and in our imaginations. This new anthology of fifteen all-original science fiction stories, edited by George R. R. Martin and Gardner Dozois, celebrates the Golden Age of Science Fiction, an era filled with tales of interplanetary colonization and derring-do. Before the advent of powerful telescopes and space probes, our solar system could be imagined as teeming with strange life-forms and ancient civilizations—by no means always friendly to the dominant species of Earth. And of all the planets orbiting that G-class star we call the Sun, none was so steeped in an aura of romantic decadence, thrilling mystery, and gung-ho adventure as Mars. Join such seminal contributors as Michael Moorcock, Mike Resnick, Joe R. Lansdale, S. M. Stirling, Mary Rosenblum, Ian McDonald, Liz Williams, James S. A. Corey, and others in this brilliant retro anthology that turns its back on the cold, all-but-airless Mars of the Mariner probes and instead embraces an older, more welcoming, more exotic Mars: a planet of ancient canals cutting through red deserts studded with the ruined cities of dying races. FEATURING ALL-NEW STORIES BY James S. A. Corey • Phyllis Eisenstein • Matthew Hughes • Joe R. Lansdale • David D. Levine • Ian McDonald • Michael Moorcock • Mike Resnick • Chris Roberson • Mary Rosenblum • Melinda Snodgrass • Allen M. Steele • S. M. Stirling • Howard Waldrop • Liz Williams And an Introduction by George R. R. Martin! Praise for Old Mars “Strong, fun and evocative.”—Tordotcom “A fantastic anthology . . . Pulp magic lives in these pages.”—Bookhound
Mars has long served as a blank canvas for illustrating society's aspirations and anxieties--a science fiction setting for exploring our "future history." Covering a wide array of films from Soviet propaganda to Hollywood blockbusters, the authors examine a range of themes and concepts in motion pictures about Mars--attitudes about women, fear of government, environmental issues--and how these depictions changed over time. A complete filmography provides a concise summary of each film discussed.