Download Free Oratorio Arias For Alto Book in PDF and EPUB Free Download. You can read online Oratorio Arias For Alto and write the review.

This anthology of arias for countertenors and female altos and mezzo-sopranos drawn from Oratorios and Cantatas is beautifully presented and clear to read. Wherever an aria was composed with a preceding recitative this has also been included. An essential collection for students and teachers, and an invaluable resource for professional singers. All the alto oratorio repertoire for public examinations has been included. Contents include arias from: Vivaldi's Gloria RV 588 and 589; Purcell's Come, ye Sons of Art; Bach's St John Passion, St Matthew Passion, Magnificat, Christmas Oratorio and Easter Oratorio; Handel's Dixit Dominus, Israel in Egypt, L'Allegro, Messiah, Samson, Semele, Joshua, Solomon, Theodora, Hercules, Judas Maccabaeus, Jephtha; Pergolesi's Stabat Mater, Haydn's Stabat Mater; C.P.E.Bach's Magnificat; Mozart's Mass in C minor; Mendelssohn's St. Paul and Elijah; Verdi's Requiem, Rossini's Petite messe solennelle, Mahler's 2nd Symphony, Elgar's The Dream of Gerontius
(Vocal Collection). Contents: Handel: V'adoro pupille (Giulio Cesare) Mozart: Porgi, amor (Le Nozze di Figaro) * Dove sono (Le Nozze Figaro) * Deh vieni, non tardar (Le Nozze di Figaro) * Bester Jungling (Der Schauspieldirektor) * Batti, batti, bel Masetto (Don Giovanni) * Vedrai carino (Don Giovanni) * Ach, ich fuhl's (Die Zauberflote) Beethoven: O war' ich schon mit dir vereint (Fidelio) C.M. von Weber: Kommt ein schlanker Bursch gegangen (Der Freischutz) Verdi: Caro nome (Rigoletto) * Saper vorreste (Un Ballo in Maschera) * Sul fil d'un soffio etesio (Falstaff) Gounod: The Jewel Song (Faust) * Ah! Je veux vivre (Romeo et Juliette) Bizet: Je dis que rien ne m 'epouvante (Carmen) Offenbach: Elle a fui, la tourterelle! (Les Contes d'Hoffmann) Massenet: Adieu, notre petite table (Manon) Leoncavallo: Ballatella (I Pagliacci) Puccini: Mi chiamano Mimi (La Boheme) * Donde lieta (La Boheme) * Quando men vo (La Boheme) * Un bel di (Madama Butterfly) * O mio babbino caro (Gianni Schicchi) * Signore, ascolta (Turandot) * Tu che di gel sei cinta (Turandot) Menotti: The Black Swan (The Medium) * Monica's Waltz (The Medium) Moore: Willow Song (The Ballad of Baby Doe) * The Silver Aria (The Ballad of Baby Doe) Mechem: Fair Robin, I love (Tartuffe).
This anthology of arias for tenors drawn from Oratorios and Cantatas is beautifully presented and clear to read. Wherever an aria was composed with a preceding recitative this has also been included. An essential collection for students and teachers, and an invaluable resource for professional singers. All the tenor oratorio repertoire for public examinations has been included. Contents include arias from: Vivaldi's Gloria RV 588; Bach's St John Passion, St Matthew Passion, Magnificat, Christmas Oratorio and Easter Oratorio; Handel's Dixit Dominus, L'Allegro, Messiah, Samson, Semele, Solomon, Hercules, Judas Maccabaeus, Jephtha; Haydn's Stabat Mater; C.P.E.Bach's Magnificat; Mendelssohn's St. Paul and Elijah; Verdi's Requiem, Rossini's Petite messe solennelle
(Vocal Collection). Contents: Bach: Prepare thyself, Zion * Slumber, beloved, and take thy repose Benedict: Father, whose blessing we entreat * O Thou afflicted Bennett: O Lord, Thou hast searched me out Blumner: My warning heed..Thine, O Saviour, is love unending Costa: Lord, from my bed again I rise * It is a good thing to give thanks..This night I lift my heart to Thee Cowen: Like as a father pitieth his children Dvorak: Within what gloomy depths forest..Thy leading would had not followed Gade: O, with pure devotion * When onward I am gazing Gaul: Eye hath not seen * Now go your ways, my daughters well- beloved..O gracious Lord, cast down Thine eyes * Thou art the guide of our youth Handel: O Judah, Judah! chosen seed!..O Lord, whom we adore * Great Prophetess! my soul's on fire..In the battle, fame pursuing * The smiling hours, a joyful train * Thou shalt bring them in * But who is this? tremendous to behold..Awful, pleasing being, say * Now give the army breath..Heroes, when with glory burning * Father of heav'n! From Thy eternal throne * Behold a virgin shall conceive..O thou that tellest good tidings to Zion * He was despised and rejected * Return, O God of Hosts * O Lord, whose mercies numberless * What tho' I trace each herb and flower * A love like mine, so faithful..When first I saw my lovely maid * Lord, to Thee, each night and day Kiel: He was oppress'd and afflicted sore * For my soul is athirst for God * Turn again to thy rest Mackenzie: Gladness is taken away Marechal: He is dead the child I cherish!..One would say, he reposes Mendelssohn: O rest in the Lord * And he journeyed with companions..But the Lord is mindful of His own Parry: The Lord is long-suffering and merciful Raff: Thrust in Thy sickle, and reap..Great and wonderful are all Thy works * Behold, the House of God is with men Reinthaler: The Lord will not be ever wroth Saint-Saens: Patiently have I waited for the Lord * Thou, O Lord, art my protector Sullivan: The Lord is risen * Love is not the world Vierling: From swarming Highways I now have escaped..Lord, for whom my soul is burning Williams: As Thou wilt, Father.
inch....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James,Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire ofBach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.
More great teaching material, at the same level as Volume 1. The contents, completely new and unduplicated from Volume 1, once again include American and English art songs, folk songs, sacred songs, and an introduction to singing in German, French, Italian, and Spanish. Over 30 songs in each book. Joan Boytim, who has emerged as the nationally recognized expert in the field of teaching pre-collegiate voice, has done exhaustive research in preparing these volumes.
In the seventeenth and eighteenth centuries, the cantors of the St. Thomas School and Church in Leipzig could be counted among the most significant German composers of their times. But what attracted these artists - from Seth Calvisius to J.S. Bach to Johann Adam Hiller - to the music school and choir and inspired them to explore new repertoire of the highest standing? And how did the cantors influence the musical profile of the school - a profile that often became a bone of contention between school and city hall? The success of the St. Thomas School was not a foregone conclusion; its history is replete with challenges and setbacks as well as triumphs. The school was caught between the conflicting interests of enthusiastic mayors and townspeople, who wanted to showcase the city's musical culture, and opposing parties, including jealous rectors and elitist sponsors, who argued for the traditional subordination of the cantorate to the school system. Drawing on many new, recently discovered sources, Michael Maul explores the phenomenon of the St Thomas School. He shows how cantors, local luminaries and municipal politicians overcame the School's detractors to make it a remarkable success, with a world-famous choir. Illuminating the social and political history of the cantorate and the musical life of an important German city, the book will be of interest to scholars of Baroque music and J.S. Bach, cultural historians, choral directors, and musicologists and performers studying historical performance practice. MICHAEL MAUL is Senior Scholar at the Bach-Archiv Leipzig and lecturer in musicology at the universities of Leipzig/Halle. He is also the artistic director of the annual Leipzig Bach Festival.
This anthology of arias drawn from Oratorios and Cantatas is beautifully presented and clear to read. Wherever an aria was composed with a preceding recitative this has also been included. An essential collection for students and teachers, and an invaluable resource for professional singers. All the soprano oratorio repertoire for public examinations has been included. Contents include arias from: Vivaldi's Gloria RV 588 and 589; Purcell's Come, ye Sons of Art; J. S. Bach's Cantata no. 21, St John Passion, Cantata no. 68, Cantata no. 92, St Matthew Passion, Magnificat, Christmas Oratorio; Handel's Acis and Galatea, Dixit Dominus, Ode for St. Cecilia's Day, L'Allegro, Alexander Balus, Messiah, Samson, Semele, Joshua, Solomon, Theodora, Jephtha; Pergolesi's Stabat Mater; Boyce's Secular Masque; Haydn's Stabat Mater, Little Organ Mass, The Creation, The Seasons; Spohr's Des Heilands letzte Stunden; Mozart's Exsultate jubilate, Mass in C minor, Vesperae solennes, Coronation Mass; Mendelssohn's St. Paul, Hear my Prayer, Elijah; Fauré's Requiem;, Debussy's L'Enfant prodigue; Grieg's Peer Gynt.
The second edition of A Catalogue of Vocal Solos and Duets Arranged in Biblical Order serves as a companion volume to A Catalogue of Choral Music Arranged in Biblical Order (Second edition, 1996, and supplement, 2001, both published by Scarecrow Press). It is a necessary tool for the church musician to coordinate music with the scripture readings and/or the sermon topic and a valuable aid to the vocal soloist seeking a work using a particular biblical text. The work serves as a working document for the church musician, soloist, or voice teacher. Titles are arranged in the same order as found in the Bible. Each entry contains title, composer, voice range/type, and publisher information. Two indexes are also included: a title index and a composer index.