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"These are stories about famous figures such as Maui, about the origins of Manihiki's people and their customs, and about the natural world"--Back cover.
An Ocean of Wonder: The Fantastic in the Pacific brings together fifty writers and artists from across Moananuiākea working in myriad genres across media, ranging from oral narratives and traditional wonder tales to creative writing as well as visual artwork and scholarly essays. Collectively, this anthology features the fantastic as present-day Indigenous Pacific world-building that looks to the past in creating alternative futures, and in so doing reimagines relationships between peoples, environments, deities, nonhuman relatives, history, dreams, and storytelling. Wonder is activated by curiosity, humility in the face of mystery, and engagement with possibilities. We see wonder and the fantastic as general modes of expression that are not confined to realism. As such, the fantastic encompasses fantasy, science fiction, magic realism, fabulation, horror, fairy tale, utopia, dystopia, and speculative fiction. We include Black, feminist, and queer futurisms, Indigenous wonderworks, Hawaiian moʻolelo kamahaʻo and moʻolelo āiwaiwa, Sāmoan fāgogo, and other non-mimetic genres from specific cultures, because we recognize that their refusal to adopt restrictive Euro-American definitions of reality is what inspires and enables the fantastic to flourish. As artistic, intellectual, and culturally based expressions that encode and embody Indigenous knowledge, the multimodal moʻolelo in this collection upend monolithic, often exoticizing, and demeaning stereotypes of the Pacific and situate themselves in conversation with critical understandings of the global fantastic, Indigenous futurities, social justice, and decolonial and activist storytelling. In this collection, Oceanic ideas and images surround and connect to Hawaiʻi, which is for the three coeditors, a piko (center); at the same time, navigating both juxtaposition and association, the collection seeks to articulate pilina (relationships) across genres, locations, time, and media and to celebrate the multiplicity and relationality of the fantastic in Oceania.
As modern European empires expanded, written language was critical to articulations of imperial authority and justifications of conquest. For imperial administrators and thinkers, the non-literacy of “native” societies demonstrated their primitiveness and inability to change. Yet as the contributors to Indigenous Textual Cultures make clear through cases from the Pacific Islands, Australasia, North America, and Africa, indigenous communities were highly adaptive and created novel, dynamic literary practices that preserved indigenous knowledge traditions. The contributors illustrate how modern literacy operated alongside orality rather than replacing it. Reconstructing multiple traditions of indigenous literacy and textual production, the contributors focus attention on the often hidden, forgotten, neglected, and marginalized cultural innovators who read, wrote, and used texts in endlessly creative ways. This volume demonstrates how the work of these innovators played pivotal roles in reimagining indigenous epistemologies, challenging colonial domination, and envisioning radical new futures. Contributors. Noelani Arista, Tony Ballantyne, Alban Bensa, Keith Thor Carlson, Evelyn Ellerman, Isabel Hofmeyr, Emma Hunter, Arini Loader, Adrian Muckle, Lachy Paterson, Laura Rademaker, Michael P. J. Reilly, Bruno Saura, Ivy T. Schweitzer, Angela Wanhalla
Contents: Part I: HISTORICAL PERSPECTIVES ON RELIGION AND THE BODY; Desire and Delight: A New Reading of Augustine's Confessions, Margaret Miles; Incontinent Observations, Morney Joy; The Antichene Tradition Regarding the Role of the Body within the "Image of God", Frederick G. McLeod; Body as Moral Metaphor in Dante's Commedia, James Gaffney; Sex, Celibacy, and the Modern Self in Nineteenth-Century Germany, William Madges; Part II: CONTEMPORARY PERSPECTIVES ON CHRISTIANITY AND THE BODY; Christianity, Inc., Jill Raitt; Inkblots and Authenticity, William Loewe; Em-bodied Spirit/In-spired Matter: Against ech-Gnosticism, Gary Mann; The World as God's Body: Theological Ethics and Panentheism, William C. French; A Short Consideration of Sallie McFague's The Body of God, John P. McCarthy; The Body of God: A Feminist Response, Susan A. Ross; Part III: SPIRITUALITY AND THE BODY; Chronic Pain and Creative Possibility: A Psychological Phenomenon Confronts Theologies of Suffering, Pamela A. Smith; Rosemary Haughton on Spirituality and Sexuality, Joy Milos; Spirituality as an Academic Discipline: Reflections from Experience, Sandra Schneiders. Copublished with the College Theology Society.