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Voces de mujeres han sido sistemáticamente silenciado o se omite por completo cuando una nación se reúne su narrativa histórica. En Miradas Transatlánticas: El periodismo literario de Elena Poniatowska y Rosa Montero, Alicia Rita Rueda-Acedo examina la relación entre la obra periodística y literaria de los dos escritores con nombre en el título, ya que utilizan una combinación distinta del periodismo y la ficción para crear nuevos espacios donde las voces y experiencias de las mujeres pueden estar situados prominente en las narraciones históricas de sus naciones. Rueda-Acedo analiza las obras de los dos escritores desde las perspectivas de género y los estudios de género, la ampliación de la noción de género de la tradición literaria y su aplicación a la producción periodística. Cada uno de los capítulos replantea y revisa el concepto de los géneros literarios con el argumento para la inclusión de la entrevista, el reportaje, el artículo, y la crónica en la categoría de literatura. En su estudio de Las siete cabritas por Poniatowska y Historias de mujeres por Montero, Rueda-Acedo argumenta con éxito que se trata de obras de homenaje a las mujeres que han influido en la historia. Al interpretar y subvertir los modelos patriarcales, los escritores llaman la atención sobre las formas en que las mujeres se han involucrado la historia mexicana, española y universal. Rueda-Acedo se centra en las características de la entrevista periodística y propone su interpretación como un texto literario. También se propone una poética de este género. El estudio de Rueda-Acedo explora cómo Poniatowska y Montero representan a las mujeres que han marcado la historia como parte de la agenda feminista de que los dos escritores han promovido en su producción periodística y literaria. El libro también hace hincapié en el papel de los dos escritores como investigadores y críticos y profundiza el debate animado sobre la relación entre la literatura y el periodismo que se discute actualmente en ambos lados del Atlántico. Women's voices routinely have been muted or omitted entirely when a nation assembles its historical narrative. In Miradas Transatlánticas: El periodismo literario de Elena Poniatowska y Rosa Montero, Alicia Rita Rueda-Acedo examines the relationship between the journalistic and literary work of the two writers named in the title as they utilize a distinct combination of journalism and fiction to create new spaces where women's voices and experiences may be situated prominently in their nations' historical narratives. Rueda-Acedo analyzes the works of the two writers from the perspectives of both gender and genre studies, extending the notion of genre from the literary tradition and applying it to journalistic production. Each of the chapters rethinks and revises the concept of literary genres by arguing for the inclusion of the interview, the reportage, the article, and the chronicle within the category of literature. In her study of Las siete cabritas by Poniatowska and Historias de mujeres by Montero, Rueda-Acedo argues successfully that these are works of homage to women who have influenced history. By interpreting and subverting patriarchal models, the writers draw attention to the ways in which women have engaged Mexican, Spanish, and Universal history. Rueda-Acedo focuses on the characteristics of the journalistic interview and proposes its interpretation as a literary text. A poetics of this genre is also proposed. Rueda-Acedo's study explores how Poniatowska and Montero represent women who have marked history as part of the feminist agenda that the two writers have promoted in their journalistic and literary production. The book also emphasizes the role of the two writers as researchers and critics and deepens the vibrant debate about the relationship between literature and journalism currently being discussed on both sides of the Atlantic.
This book studies the nature and background of the Mexican Catholic faith experience, specifically its emphasis on popular religiosity and sacramental practice. Extensive interviews with Mexican Catholics are presented which demonstrate these emphases. The nature of Sixteenth-Century Spanish Catholicism and Pre-Columbian Nahuatl faith, as well as the current theology of Elizondo and Deck are studied to understand the characteristics and background of this faith experience. Finally, the Southern California youth movement Jovenes Para Christo is studied as an expression of this faith. The complete results of the interviews as well as Jovenes Para Cristo source documents are included as appendices.
For two and a half centuries Tejanos have lived and ranched on the land of South Texas, establishing many homesteads and communities. This modest book tells the story of one such family, the Sáenzes, who established Ranchos San José and El Fresnillo. Obtaining land grants from the municipality of Mier in the Mexican state of Tamaulipas, these settlers crossed the Wild Horse Desert, known as Desierto Muerto, into present-day Duval County in the 1850s and 1860s. Through the simple, direct telling of his family’s stories, Andrés Sáenz lets readers learn about their homes of piedra (stone) and sillares (large blocks of limestone or sandstone), as well as the jacales (thatched-roof log huts) in which people of more modest means lived. He describes the cattle raising that formed the basis of Texas ranching, the carts used for transporting goods, the ways curanderas treated the sick, the food people ate, and how they cooked it. Marriages and deaths, feasts and droughts, education, and domestic arts are all recreated through the words of this descendent, who recorded the stories handed down through generations. The accounts celebrate a way of life without glamorizing it or distorting the hardships. The many photographs record a picturesque past in fascinating images. Those who seek to understand the ranching and ethnic heritage of Texas will enjoy and profit from Early Tejano Ranching.
A compact book of prayers in English and Spanish. This is designed to teach prayers in both languages. It includes common prayers, preparation for Confession, thanksgiving after Communion, etc. Un pequeño libro que tiene las oraciones en inglés y en español. Está diseñado para enseñar las oraciones en estos dos idiomas. Incluye las oraciones más comunes, la preparación para la Confesión, preparación y acción de gracias de la Comunión, etc.
Reprint of the original, first published in 1875.
In the delightful Mayan folktale The Dog Who Spoke, we learn what happens when a dog’s master magically transforms into a dog-man who reasons like a man but acts like a dog. This and the other Mayan folktales in this bilingual collection brim with the enchanting creativity of rural Guatemala’s oral culture. In addition to stories about ghosts and humans turning into animals, the volume also offers humorous yarns. Hailing from the Lake Atitlán region in the Guatemalan highlands, these tales reflect the dynamics of, and conflicts between, Guatemala’s Indian, Ladino, and white cultures. The animals, humans, and supernatural forces that figure in these stories represent Mayan cultural values, social mores, and history. James D. Sexton and Fredy Rodríguez-Mejía allow the thirty-three stories to speak for themselves—first in the original Spanish and then in English translations that maintain the meaning and rural inflection of the originals. Available in print for the first time, with a glossary of Indian and Spanish terms, these Guatemalan folktales represent generations of transmitted oral culture that is fast disappearing and deserves a wider audience.