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An award-winning journalist and producer of This American Life traces the stories of five convicted murderers to assess their struggles for redemption, efforts toward parole and first steps in transitioning back to civilian life. 25,000 first printing.
The riveting account of the landmark "Hit Man Case"--involving a man who hired a contract killer to execute his ex-wife, his severely brain-damaged son, and the boy's nurse--written by a noted First Amendment attorney who risked his reputation and career to take on the case.
"From accidental murder to a crime of passion, Murder One gives you the nuts and bolts necessary to build your fictional murder scenario. Prosecuting investigators Mauro Corvasce and Joseph Paglino take you step by step through motives, plans, murders and disposal of the bodies. You'll be taken to the scenes of familial murders, set off by simmering feuds; gang murders, from contract hits to drive-by shootings; business and financial murders, guaranteed to silence whistle-blowers; organized crime hits, and the psychology behind the mobs; the little-known vehicular murder, an excellent plot twister; crimes of passion, and the motives that spur them; and bizarre murders, and their real-life investigations;" "Beginning with an overview of murder, the authors also delve into legal definitions and homicide investigations. In these pages, you can also investigate opportunity, weapons, kidnapping and cover-up crimes. The authors augment their chapters with real-life case files and first-hand investigations. From raging spouses to cool contract killers, Murder One is your encyclopedia for inventing murders for your stories and novels."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
An epic case of mistaken identity puts a teen looking for a hookup on the run from both the FBI and a murderous cult in this compulsively readable thriller. !--EndFragment-- Finding himself alone in a posh New York City hotel room for the night, Aidan does what any red-blooded seventeen-year-old would do—tries to hook up with someone new. But that lapse in judgement leads him to a room with a dead guy and a mysterious flash drive . . . two things that spark an epic case of mistaken identity that puts Aidan on the run—from the authorities, his friends, his family, the people who are out to kill him—and especially from his own troubled past. Inspired by a Hitchcock classic, this whirlwind mistaken-identity caper has razor-sharp humor, devastating emotional stakes, and a thrilling storyline with an explosive conclusion to make this the most compelling YA novel of the year. Entertainment Weekly's Best YA Books of the Summer Seventeen Magazine's Best YA Books of the Year Goodreads Most Anticipated YA Books of the Year Buzzfeed's Best YA Summer Reads Most Anticipated Queer Books of 2019 (Hypable) Barnes & Noble's Most Anticipated LGBTQAP YAs of the year 11 New YA Books to Get Excited About (Pure Wow) 29 New LGBTQ+ YA Books To Add To Your Reading List (Pride.com)
This open access book is the culmination of many years of research on what happened to the bodies of executed criminals in the past. Focusing on the eighteenth and nineteenth centuries, it looks at the consequences of the 1752 Murder Act. These criminal bodies had a crucial role in the history of medicine, and the history of crime, and great symbolic resonance in literature and popular culture. Starting with a consideration of the criminal corpse in the medieval and early modern periods, chapters go on to review the histories of criminal justice, of medical history and of gibbeting under the Murder Act, and ends with some discussion of the afterlives of the corpse, in literature, folklore and in contemporary medical ethics. Using sophisticated insights from cultural history, archaeology, literature, philosophy and ethics as well as medical and crime history, this book is a uniquely interdisciplinary take on a fascinating historical phenomenon.
For more than a year, Sebastian Costas has been trying to unravel the truth behind the murder of his ex-wife and son. Despite overwhelming evidence to the contrary, he's convinced that her second husband—a cop—committed both murders, then faked his own death. Now Sebastian has followed the slimmest of leads to Sacramento…and that's where he finally gets the break he needs. Jane Burke, an investigator with The Last Stand, calls him in connection with a separate crime—a crime that could lead him straight to the man he's been looking for. Once married to a serial killer, Jane has spent the past five years rebuilding her life. And with Sebastian she finally has a chance at happiness. But the man they're after is after them, too. For him this has become a personal battle, one he's determined to win. Whatever it takes…
When a down-on-his-luck Vietnam veteran is bludgeoned and stabbed to death in his campsite close to a railroad crossing, Detective Sergeant Bill Palmini has a gut feeling that this is just the tip of the iceberg. Taking command, he swiftly embeds a trusted informant into the shadowy subculture of rail hoppers. What the veteran cop doesn't know, however, is that the murderer is already thousands of miles away and the brutal killing is just one of scores, possibly hundreds, he has committed. Following the killer's bloody trail of death and terror over an eightmonth period, Palmini learns of a violent, predatory pack of criminals: the FTRA. Freight Train Riders of America. This drug-fueled, counter-culture gang from hell lives by a vicious code of robbery, rape and murder on the rails'and Palmini's prey is one of its most feared members. The killer, Robert Silveria, is captured and Palmini begins to interrogate him. A strange, inexplicable bond forms between them. As the relationship deepens, Silveria confesses to a fourteen-year killing spree and murders in twenty eight states. At his trial, the serial killer is sentenced to life in prison and Palmini continues working with the FBI and other law enforcement groups to crack down on the vicious FTRA gang and make the nation's rails safer for all of us.
On the night of December 1,1900, Iowa farmer John Hossack was attacked and killed while he slept at home beside his wife, Margaret. On April 11, 1901, after five days of testimony before an all-male jury, Margaret Hossack was found guilty of his murder and sentenced to life in prison. One year later, she was released on bail to await a retrial; jurors at this second trial could not reach a decision, and she was freed. She died August 25, 1916, leaving the mystery of her husband's death unsolved. The Hossack tragedy is a compelling one and the issues surrounding their domestic problems are still relevant today, Margaret's composure and stoicism, developed during years of spousal abuse, were seen as evidence of unfeminine behavior, while John Hossack--known to be a cruel and dangerous man--was hailed as a respectable husband and father. Midnight Assassin also introduces us to Susan Glaspell, a journalist who reported on the Hossack murder for the Des Moines Daily, who used these events as the basis for her classic short story, " A Jury of Her Peers", and the famous play Trifles. Based on almost a decade of research, Midnight Assassin is a riveting story of loneliness, fear, and suffering in the rural Midwest.
Detective Inspector Andrew Hicks thinks he knows all about murder. For Detective Hicks, however horrific the act, the reasons behind a crime are usually all-too-explicable. So when a woman is found bludgeoned to death, he suspects a crime of passion and focuses on her possessive ex-husband. But when a second body is found, similarly beaten, Hicks is forced to think again about his suspect, as the pieces don't add up. When more murders take place in quick succession, Hicks realizes he is dealing with a type of killer he has never faced before, one who fits nowhere within his logic. Fear spreads as the police search for patterns and reasons where none appear to exist. Then the letters begin to arrive...As the death toll rises, Hicks must face not only a killer obsessed with randomness and chaos but also the secret in his own past. If he is to stop the killings, he must confront the truth about himself and the fact that some murders begin in much darker places than he ever imagined.