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Opticks, Newton's most popular book, is a complex work of genius and the fruit of forty years of thought and investigation. Newton devoted various periods of experimentation to this final expression of his life's work and drew on the results of successive interactions with other scientists and thinkers. This introduction to his book disentangles the different layers of Newton's thought processes in terms of his contemporary influences, and details the development of the final text. It explains problems that arose from Newton's changing ideas during the course of the book's long preparation, touching on such controversial issues of the time as the concepts of atomism, force, and the aether. The author also looks in detail at the way Newton has been interpreted both at home and abroad. This readable, non-mathematical book serves as an excellent introduction to Newton and the great achievement of Opticks and will fascinate students and general readers interested in natural philosophy and the history of science.
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The conventional way of understanding what musicians do as performers is to treat them as producers of sound; some even argue that it is unnecessary to see musicians in performance as long as one can hear them. But musical performance, counters Philip Auslander, is also a social interaction between musicians and their audiences, appealing as much to the eye as to the ear. In Concert: Performing Musical Persona he addresses not only the visual means by which musicians engage their audiences through costume and physical gesture, but also spectacular aspects of performance such as light shows. Although musicians do not usually enact fictional characters on stage, they nevertheless present themselves to audiences in ways specific to the performance situation. Auslander’s term to denote the musician’s presence before the audience is musical persona. While presence of a musical persona may be most obvious within rock and pop music, the book’s analysis extends to classical music, jazz, blues, country, electronic music, laptop performance, and music made with experimental digital interfaces. The eclectic group of performers discussed include the Beatles, Miles Davis, Keith Urban, Lady Gaga, Nicki Minaj, Frank Zappa, B. B. King, Jefferson Airplane, Virgil Fox, Keith Jarrett, Glenn Gould, and Laurie Anderson.
Shedding new light on the intellectual context of Newton's scientific thought, this book explores the development of his mathematical philosophy, rational mechanics, and celestial dynamics. An appendix includes the last paper written by Newton biographer Richard S. Westfall.
This volume collects together Newton's principal philosophical writings for the first time.
In this book the author express more completely than in her earlier studies what were the implications for the poet of a great advance in scientific thought. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
A wide, accessible representation of the interests, problems, and philosophic issues that preoccupied the great 17th-century scientist, this collection is grouped according to methods, principles, and theological considerations. 1953 edition.