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Subtitled The Urban Pastorale in Ballads and Songs about Sailors Ashore in the Big City, this lively monograph investigates Jack's adventures ashore in the lyrics of more than a dozen last-century sailors' songs. Accompanying the lyrics are Dr. Frank's comments on the women and saloons, ports ant streets described; on variations in song lyrics and on characteristic themes and styles.
Through careful research and colorful accounts, historian Paul A. Gilje discovers what liberty meant to an important group of common men in American society, those who lived and worked on the waterfront and aboard ships. In the process he reveals that the idealized vision of liberty associated with the Founding Fathers had a much more immediate and complex meaning than previously thought. In Liberty on the Waterfront: American Maritime Culture in the Age of Revolution, life aboard warships, merchantmen, and whalers, as well as the interactions of mariners and others on shore, is recreated in absorbing detail. Describing the important contributions of sailors to the resistance movement against Great Britain and their experiences during the Revolutionary War, Gilje demonstrates that, while sailors recognized the ideals of the Revolution, their idea of liberty was far more individual in nature—often expressed through hard drinking and womanizing or joining a ship of their choice. Gilje continues the story into the post-Revolutionary world highlighted by the Quasi War with France, the confrontation with the Barbary Pirates, and the War of 1812.
Anyone could swear like a sailor! Within the larger culture, sailors had pride of place in swearing. But how they swore and the reasons for their bad language were not strictly wedded to maritime things. Instead, sailor swearing, indeed all swearing in this period, was connected to larger developments. This book traces the interaction between the maritime and mainstream world in the United States while examining cursing, language, logbooks, storytelling, sailor songs, reading, images, and material goods. To Swear Like a Sailor offers insight into the character of Jack Tar - the common seaman - and into the early republic. It illuminates the cultural connections between Great Britain and the United States and the appearance of a distinct American national identity. The book explores the emergence of sentimental notions about the common man - through the guise of the sailor - appearing on stage, in song, in literature, and in images.
This collection contains 40 well-known folk songs in attractive arrangements for 1-2 voices with easy-to-play piano accompaniments and guitar chords.
The New Bedford whaling fleet was the most numerous and arranging in the world, setting off on voyages that often lasted for years and extended as far as the Antarctic and Siberia. This title features over 700 detailed photos from the world's finest collection of scrimshaw, the New Bedford Whaling Museum.
In a house teeming with life, young Maura, voted the Most Quiet Girl in Catholic school, notices everything but says little. Eager to penetrate the secret world of her father, FBI agent Joe Conlon, she is drawn to the bureau drawer where he places his badge at night. The time is the late 1960s, and Vietnam and the Cold War are fomenting unrest outside Maura’s suburban Los Angeles home. Inside, the Conlons and their five children are still bound by tradition: baseball games, Sunday dinners of roast beef and mashed potatoes, and The FBI on TV. Under the watchful gaze of J. Edgar Hoover’s picture, Maura’s mother, a former New York bathing beauty, remains a housemaker even as she slips out for assertiveness training. And there’s the one unshakable rule of all: Joe Conlon never talks about his job. In fact, he rarely speaks at all. Believing that he communicates in code, Maura is determined to crack it. She uses clues gleaned from Nancy Drew mysteries, eavesdrops on adult conversations, and spins larger-than-life fantasies in her head, with her younger brother, Joey, who has Down syndrome, at her side. But her flights of fancy turn sober with a murder in the family. Suddenly her father’s silence speaks volumes, and she learns a lesson from him abut fierce love during a time of devastating loss. Bathed in luminous nostalgia, resonating with hilarious and painful memories, FBI GIRL is the coming-of-age story of a highly imaginative girl and a passionate homage to family bonds, the trials that test them, and the triumphs that make them stronger.
Hailed as "absolutely the best reference book on its subject" by Newsweek, American Musical Theatre: A Chronicle covers more than 250 years of musical theatre in the United States, from a 1735 South Carolina production of Flora, or Hob in the Well to The Addams Family in 2010. Authors Gerald Bordman and Richard Norton write an engaging narrative blending history, critical analysis, and lively description to illustrate the transformation of American musical theatre through such incarnations as the ballad opera, revue, Golden Age musical, rock musical, Disney musical, and, with 2010's American Idiot, even the punk musical. The Chronicle is arranged chronologically and is fully indexed according to names of shows, songs, and people involved, for easy searching and browsing. Chapters range from the "Prologue," which traces the origins of American musical theater to 1866, through several "intermissions" (for instance, "Broadway's Response to the Swing Era, 1937-1942") and up to "Act Seven," the theatre of the twenty-first century. This last chapter covers the dramatic changes in musical theatre since the last edition published-whereas Fosse, a choreography-heavy revue, won the 1999 Tony for Best Musical, the 2008 award went to In the Heights, which combines hip-hop, rap, meringue and salsa unlike any musical before it. Other groundbreaking and/or box-office-breaking shows covered for the first time include Avenue Q, The Producers, Billy Elliot, Jersey Boys, Monty Python's Spamalot, Wicked, Hairspray, Urinetown the Musical, and Spring Awakening. Discussion of these shows incorporates plot synopses, names of principal players, descriptions of scenery and costumes, and critical reactions. In addition, short biographies interspersed throughout the text colorfully depict the creative minds that shaped the most influential musicals. Collectively, these elements create the most comprehensive, authoritative history of musical theatre in this country and make this an essential resource for students, scholars, performers, dramaturges, and musical enthusiasts.
The rules are simple: Play or get played. And never, ever, catch feelings. That's the motto 17-year-old heartthrob Antonio Lopez lives by. Since his mother walked out, Antonio's father has taught him everything he needs to know about women: they can't be trusted, and a real man has more than one. So once Antonio gets what he wants from a girl, he moves on. But McPherson High's hot new beauty is turning out to be Antonio's first real challenge. Miesha Wilson has a motto of her own: The thrill of the chase is not getting caught. Game knows game, and Miesha is so not interested. She's dumped her share of playboys and she's determined to stay clear of the likes of Antonio Lopez--until his crazy jealous ex aggravates her. But when she decides to play some games of her own, Miesha and Antonio find themselves wondering if love is real after all. . .. "Hot and poppin' with drama and life lessons. The world of teen lit has never seen anything like this before!" --Ni-Ni Simone, author of No Boyz Allowed, on Crazy Love
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
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