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At the end of Being and Nothingness, French philosopher Jean-Paul Sartre (1905-80) claims that his ethics follow from his ontology and are based on it. Zheng (philosophy, St. Cloud State U.) investigates whether, and to what extent, that is true. After studying in detail the important notions in his early ontology and ethics, including some notorio
Existentialist Ontology and Human Consciousness The majority of the distinguished scholarly articles in this volume focus on Sartre's early philosophical work, which dealt first with imagination and the emotions, then with the critique of Husserl's notion of a transcendental ego, and finally with systematic ontology presented in his best-known book, Being and Nothingness. In addition, since his preoccupation with ontological questions and especially with the meanings of ego, self, and consciousness endured throughout his career, other essays discuss these themes in light of later developments both in Sartre's own thought and in the phenomenological, hermeneutic, and analytic traditions.
Most readers of Sartre focus only on the works written at the peak of his influence as a public intellectual in the 1940s, notably "Being and Nothingness". "Jean-Paul Sartre: Key Concepts" aims to reassess Sartre and to introduce readers to the full breadth of his philosophy. Bringing together leading international scholars, the book examines concepts from across Sartre's career, from his initial views on the "inner life" of conscious experience, to his later conceptions of hope as the binding agent for a common humanity. The book will be invaluable to readers looking for a comprehensive assessment of Sartre's thinking - from his early influences to the development of his key concepts, to his legacy.
Sartre explains the theory of existential psychoanalysis in this treatise on human reality.
Published posthumously, the text presents Sartre's ontology of truth in terms of freedom, action, and bad faith
For a long time, commentators viewed Sartre as one of Kant's significant twentieth-century critics. Recent research of their philosophies has discovered that Sartre's relation to Kant's work manifests an 'anxiety of influence', which masks more profound similarities. This volume of newly written comparative essays is the first edited collection on the philosophies of Kant and Sartre. The volume focuses on issues in metaphysics, metaethics and metaphilosophy, and explores the similarities and differences between the two authors, as well as the complementarity of some of their views, particularly on autonomy, happiness, self-consciousness, evil, temporality, imagination and the nature of philosophy.
"Why is my pain perpetual, and my wound incurable, which refuseth to be healed?" -Jeremiah "Existentialism" today refers to faddism, decadentism, morbidity, the "philosophy of the graveyard"; to words like fear, dread, anxiety, anguish, suffering, aloneness, death; to novelists such as Jean-Paul Sartre, Dostoievski, Camus, Kafka; to philosophers like Kierkegaard, Heidegger, Marcel, Jaspers, and Sartre-and because it refers to, and is concerned with, all of these ideas and persons, existentialism has lost any clearer meaning it may have originally possessed. Because it has so many definitions, it can no longer be defined. As Sartre writes: "Most people who use the word existentialism would be em barrased if they had to explain it, since, now that the word is all the rage, even the work of a musician or painter is being called existentialist. A gossip columnist . . . signs himself The Exis tentialist, so that by this time the word has been so stretched and has taken on so broad a meaning, that it no longer means anything at all. " 2 This state of definitional confusion is not an accidental or negligible matter. An attempt will be made in this introduction to account for the confustion and to show why any definition of existentialism in volves us in a tangle. First, however, it is necessary to state in a tenta tive and very general manner what points of view are here intended when reference is made to existentialism.
Understanding Existentialism provides an accessible introduction to existentialism by examining the major themes in the work of Heidegger, Sartre, Merleau-Ponty and de Beauvoir. Paying particular attention to the key texts, Being and Time, Being and Nothingness, Phenomenology of Perception, The Ethics of Ambiguity and The Second Sex, the book explores the shared concerns and the disagreements between these major thinkers. The fundamental existential themes examined include: freedom; death, finitude and mortality; phenomenological experiences and 'moods', such as anguish, angst, nausea, boredom, and fear; an emphasis upon authenticity and responsibility as well as the denigration of their opposites (inauthenticity and Bad Faith); a pessimism concerning the tendency of individuals to become lost in the crowd and even a pessimism about human relations more generally; and a rejection of any external determination of morality or value. Finally, the book assesses the influence of these philosophers on poststructuralism, arguing that existentialism remains an extraordinarily productive school of thought.
Webber argues for a new interpretation of Sartrean existentialism. On this reading, Sartre is arguing that each person’s character consists in the projects they choose to pursue and that we are all already aware of this but prefer not to face it. Careful consideration of his existentialist writings shows this to be the unifying theme of his theories of consciousness, freedom, the self, bad faith, personal relationships, existential psychoanalysis, and the possibility of authenticity. Developing this account affords many insights into various aspects of his philosophy, not least concerning the origins, structure, and effects of bad faith and the resulting ethic of authenticity. This discussion makes clear the contributions that Sartre’s work can make to current debates over the objectivity of ethics and the psychology of agency, character, and selfhood. Written in an accessible style and illustrated with reference to Sartre’s fiction, this book should appeal to general readers and students as well as to specialists.