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The articles republished in this volume are ground-breaking studies that employ a large body of religious figural imagery of Byzantine lead seals ranging from the 6th to the 15th century. A number of the studies present tables, charts and graphs in their analysis of iconographic trends and changing popularity of saintly figures over time. And since many of the seals bear inscriptions that include the names, titles or offices of their owners, information often not given for the patrons of sacred images in other media, these diminutive objects permit an investigation into the social use of sacred imagery through the various sectors of Byzantine culture: the civil, ecclesiastical and military administrations. The religious figural imagery of the lead seals, accompanied by their owners’ identifying inscriptions, offers a means of investigating both the broader visual piety of the Byzantine world and the intimate realm of their owners’ personal devotions. Other studies in this volume are devoted to rare or previously unknown sacred images that demonstrate the value of the iconography of Byzantine lead seals for Byzantine studies in general. This volume includes studies dedicated to the image of Christ, primarily found on imperial seals, various images of the Virgin, and narrative or Christological scenes. A companion volume presents various articles focusing on sphragistic images of saints and on the religious imagery of Byzantine seals as a means of investigating the personal piety of seal owners, as well as the wider realm of the visual piety and religious devotions of Byzantine culture at all levels. (CS1085)
The articles republished in this volume are ground-breaking studies that employ a large body of religious figural imagery of Byzantine lead seals ranging from the 6th to the 15th century. A number of the studies present tables, charts and graphs in their analysis of iconographic trends and changing popularity of saintly figures over time. And since many of the seals bear inscriptions that include the names, titles or offices of their owners, information often not given for the patrons of sacred images in other media, these diminutive objects permit an investigation into the social use of sacred imagery through the various sectors of Byzantine culture: the civil, ecclesiastical and military administrations. The religious figural imagery of the lead seals, accompanied by their owners’ identifying inscriptions, offers a means of investigating both the broader visual piety of the Byzantine world and the intimate realm of their owners’ personal devotions. Other studies in the volume are devoted to rare or previously unknown sacred images that demonstrate the value of the iconography of Byzantine lead seals for Byzantine studies in general. This volume includes various articles focusing on sphragistic images of saints and on the religious imagery of Byzantine seals as a means of investigating the personal piety of seal owners, as well as the wider realm of the visual piety and religious devotions of Byzantine culture at all levels. A companion volume includes studies dedicated to the image of Christ, primarily found on imperial seals, various images of the Virgin, and narrative or Christological scenes. (CS1086).
Throughout the history of Byzantium 65 emperors were dethroned and only 39 reigns ended peacefully. How might a usurper get away with murdering his predecessor? And how could a bloody act of regicide lead to one of the most glorious of all eras in Byzantium? These were questions that puzzled Michael Psellos as he looked back at Basil I’s assassination of Michael III and the origin of the Macedonian dynasty. Might the imperial art of Basil, his sons and grandson help to explain how the dynasty overcame its violent beginnings and secured the loyalty of its subjects? It has long been recognised that the early Macedonian emperors were active propagandists but royal art has usually been viewed thematically over the span of centuries. Official iconography has been understood to project imperial power in ways which were impersonal and unchanging. This book instead adopts a chronological approach and considers how Basil justified his seizure of power, and how his successors went on to articulate their own ideas about authority. It concludes that imperial art did at times reflect the personality of the emperor and the political demands of the moment, such as the need for an heir, the nature of court politics or the choice of successor. This innovative account of the forging of the Macedonian dynasty will appeal to those interested in how early medieval kings and emperors used art to create their own image, to differentiate themselves from rivals and to extend the boundaries of their personal power.
This Handbook is the first to consider the interrelated subjects of gender and sexuality in the Eastern Roman Empire from an interdisciplinary perspective. Drawing on both modern theories and Byzantine perceptions, and considering multiple periods and religions (Eastern Orthodox, Islamic, and Jewish), it provides evidentiary textual and visual material support for an analysis of the two linked themes. Broadly, the essays demonstrate that gender and sexual constructs in Byzantium were porous. As a result, they expand our knowledge of not only how sex and gender were conceived and performed but also how ideas and practices shaped Byzantine life. The Routledge Handbook of Gender and Sexuality in Byzantium will be an indispensable guide for students and scholars of late antique and Byzantine religion, history, culture, and art, who will find it a useful critical survey of current scholarship and one that shines new light in their areas of research. The focus on issues of gender and sexuality may also be of interest to individuals concerned with Eastern Mediterranean culture, as well as to the broader public. Chapter 21 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
A Companion to Seals in the Middle Ages is a cross-disciplinary collection of fourteen essays on medieval sigillography. It is organized thematically, and it emphasizes important, often cutting-edge, methodologies for the study of medieval seals and sealing cultures. As the chronological, temporal and geographic scope of the essays in the volume suggests, the study of the medieval seal—its manufacture, materiality, usage, iconography, inscription, and preservation—is a rich endeavour that demands collaboration across disciplines as well as between scholars working on material from different regions and periods. It is hoped that this collection will make the study of medieval seals more accessible and will stimulate students and scholars to employ and further develop these material and methodological approaches to seals. Contributors are Adrian Ailes, Elka Cwiertnia, Paul Dryburgh, Emir O. Filipovi, Oliver Harris, Philippa Hoskin, Ashley Jones, Andreas Lehnertz, John McEwan, Elizabeth A. New, Jonathan Shea, Caroline Simonet, Angelina A. Volkoff, and Marek L. Wójcik.
The eleventh century marked a turning point in the history of the Byzantine Empire. At its start Byzantium was the paramount power in the Mediterranean world, by turns feared, respected and admired. By the century's close the empire had lost half of its territory and had managed only a partial recovery under the leadership of the Komnenos family. How did a powerful and famously wealthy empire collapse so quickly? The contemporary accounts of this turbulent 'long' century (taken here as c. 950–1100) attribute the empire's decline to the emperors' reckless and self-serving favouring of civilian bureaucrats and, while these sources are today widely acknowledged as biased and unreliable, modern assessments of the century have hitherto failed to suggest any tangible alternatives. To circumvent this dearth of archival material, Jonathan Shea has meticulously analysed 2,200 unpublished seals from the period (more than a third of the known total extant today) to uncover exactly whom the emperors were favouring and promoting, as well as developing a nuanced and revealing picture of the makeup of the much-chastised civilian bureaucracy. The sigillographic evidence is throughout measured against the written material to give a fresh account of this key transitional century and a rare insight into Byzantine politics.
Using epigrammatic poetry as a framework, investigates the interplay between art and religious devotion in the later Byzantine period.
This is the first book to examine the late Byzantine peasantry through written, archaeological, ethnographic and painted sources. Investigations of the infrastructure and setting of the medieval village guide the reader into the consideration of specific populations. The village becomes a micro-society, with its own social and economic hierarchies. In addition to studying agricultural workers, mothers and priests, lesser-known individuals, such as the miller and witch, are revealed through written and painted sources. Placed at the center of a new scholarly landscape, the study of the medieval villager engages a broad spectrum of theorists, including economic historians creating predictive models for agrarian economies, ethnoarchaeologists addressing historical continuities and disjunctions, and scholars examining power and female agency.
This book offers a study into the perceptions of ancient and medieval Iran in the Byzantine Empire, as well as the effects of Persian culture upon Byzantine intellectualism, society, and culture. Byzantine Ideas of Persia, 650-1461 focuses on the place of ancient Persia in Byzantine cultural memory, both in the "religious" and the "secular" sense. By analysing a wide range of historical sources – from church literature to belles-lettres – this book provides an examination of the place of ancient Persia in Byzantine cultural memory, as well as the place and function of Persian motifs in the Byzantine mentality. Additionally, the author uses these sources to analyse thoroughly the knowledge Byzantines had about contemporary Iranian culture, the presence of ethnic Iranians and the circulation and usage of the Persian language in Byzantium. Finally, this book discusses the importance and influence of Iranian science on Byzantine scholars. This book will appeal to scholars and students interested in Byzantine and Iranian History, particularly in reference to the cross-cultural and social influence of the two societies during the Middle Ages.
"This is the first comprehensive, single-author history of the eastern Roman empire (or Byzantium) to appear in over a generation. It begins with the foundation of Constantinople in 324 AD and ends with the fall of the empire to the Ottoman Turks in the fifteenth century, covering political and military history as well as all major changes in religion, society, demography, and economy. In recent decades, the study of Byzantium has been revolutionized by new approaches and sophisticated models for how its society and state operated. The book's core is an accessible and lively narrative of events, free of jargon, which incorporates new findings, explains recent models, and presents well-known historical characters and events in new light. Two overarching themes shape the narrative. First, by projecting accountability the Roman state persuaded its subjects that it was working in their interests and thereby forestalled separatist movements. To do so, it had to restrain the tendency of elites to extract ever more resources from the labor-force. Second, the effort to sustain a common identity, both Roman and Christian, was subject to powerful forces of internal division and put under severe strain by western Europeans in the later Middle Ages. The book explains in detail the alternating periods of success and failure in the long history of this polity. It foregrounds the dynamics of Christian identity, asking why it tended to fracture along lines of doctrine, practice, and ultimately over Union with the Catholic West"--