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(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part, as well as in the vocal line.
(Easy Piano Personality). 12 songs: Afer Ventus * Book of Days * Caribbean Blue * The Celts * Fairytale * No Holly for Miss Quinn * On Your Shore * Orinoco Flow * Shepherd Moons * Storms in Africa * To Go Beyond * Watermark.
(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part, as well as in the vocal line.
(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line.
From a seductive storyteller who dares to plumb the dark, passionate depths of the heart and soul comes an absorbing new erotic thriller that is also a gripping tale of psychological suspense. SHEET MUSIC Grief-stricken Justine Pagett fled to Paris after her mother’s death, but scandal forces her back to the States to redeem her tarnished reputation as a journalist. Commissioned to write a piece on the eccentric classical composer Sophie DeLyon, Justine finds herself part of a mysterious deception. At Euphonia, the exclusive institution DeLyon created to nurture America’s most gifted music prodigies, a malevolent presence is composing a deadly work. Threatening cybermessages meant to intimidate convince a determined Justine that fascinating secrets await her. But when Sophie suddenly disappears, Justine’s assignment to mine the story behind the legend becomes an even greater challenge. The disharmonious DeLyon family seems more interested in Sophie’s estate than in her artistic legacy, and a group of devoted fans is fiercely defending the name of the enigmatic genius. Wrestling with her own demons while searching for the truth, Justine is clear about one thing: Someone is orchestrating a deadly deceit . . . from which no one will emerge unscathed. An expertly crafted opus of obsessive passions and poisonous shame, of brilliant achievements and brutal deception, Sheet Music confirms M. J. Rose’s place at the forefront of today’s top psychological suspense writers.
In the 1950s, as the leader of the Upsetters, the original backing band for rock pioneer Little Richard, Grady Gaines first exposed the music world to his unique brand of “honkin’,” bombastic, attitude-drenched saxophone playing. In the years that followed, the Upsetters became the backing band for Sam Cooke and crisscrossed the country as the go-to-band for revue-style tours featuring James Brown, Gladys Knight and the Pips, the Supremes, Jackie Wilson, Little Willie John, and Etta James. In I’ve Been Out There, the Houston blues and R&B legend Grady Gaines speaks candidly about his sixty-year music career and life on the road supporting some of the biggest names in blues, soul, and R&B. This annotated autobiographical account details Gaines's professional triumphs and personal sacrifices. The book contains anecdotes about life on the road and in the studio during a period when the entertainment industry was vastly different, affording readers a glimpse into the creative makeup of a man whose distinctive sax playing powered some of the most popular songs of the era, helped define the genre, and mesmerized countless audiences.
Regina Rheda is a contemporary award-winning Brazilian writer whose original voice and style have won her many admirers. First World Third Class and Other Tales of the Global Mix presents some of her finest and most representative work to an English-speaking readership. Stories from the Copan Building consists of eight tales set in a famous residential building in São Paulo. The stories, like the apartment complex, are a microcosm of modern-day urban Brazil. They are witty, consistently caustic, and never predictable. Also in this volume is the poignant and often hilarious novel First World Third Class. It depicts young middle-class professionals and artists who, as opportunities in Brazil diminished, opted to leave their country, even if it meant taking menial jobs abroad. At the center of the narrative is Rita, a thirty-year-old aspiring filmmaker who migrates to England, and then Italy. She looks for work and love in all the wrong places, moving from city to city and from bed to bed. The last three stories in this collection also happen to be among the author's most recent. "The Enchanted Princess" is an ironic title for a postfeminist tale of a South American woman being wooed to marry an old-world gentleman who promises to take care of her every need. "The Sanctuary" concerns the living conditions of immigrant workers and farm animals. Equally piquant in nature, "The Front" deals with ecology, labor environments, and gender politics.
Intended for readers who are already married or in premarital counseling, "Sheet Music" is a detailed, practical guide to sex within marriage according to God's plan. With his characteristic warmth and humor, Leman addresses a wide spectrum of people, from those with no sexual experience to those dealing with past sexual sin or abuse.
Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. In addition to essays by scholars, the book also features reflections by renowned American tenor George Shirley. Contributors are Naomi André, Melinda Boyd, Gwynne Kuhner Brown, Karen M. Bryan, Melissa J. de Graaf, Christopher R. Gauthier, Jennifer McFarlane-Harris, Gayle Murchison, Guthrie P. Ramsey Jr., Eric Saylor, Sarah Schmalenberger, Ann Sears, George Shirley, and Jonathan O. Wipplinger.