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Love Signs and You is the definitive volume of romantic astrology.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
The German 'Blitz' that followed the Battle of Britain killed tens of thousands and laid waste to large areas of many British cities. And although the destruction of 1940-1 was never repeated on the same scale, fears that Hitler possessed a secret weapon of mass destruction never entirely died, and were partially realized in the VI and V2 raids of 1944-5. The British and American response to the 'Blitz', especially from 1943 onwards, was massive and incomparably more devastating - with apocalyptic consequences for German cities such as Hamburg, Dresden, and Berlin, to name but the most prominent. In this ground-breaking new book, German historian Dietmar Süss investigates the effects of the bombing on both Britain and Nazi Germany, showing how these two very different societies sought to withstand the onslaught and keep up morale amidst the material devastation and psychological trauma that was visited upon them. And, as he reflects in the conclusion, this is not a story that is safely confined to the past: the debate over the rights and the wrongs of the mass bombing of British and German cities during World War II remains a highly emotional subject even today.
Public Papers of the Presidents of the United States
During times of conflict, Americans have worried that enemies within would twist freedom of speech into a weapon of propaganda and use freedom of assembly to unleash violent internal chaos. As a result, the government isolated and confined within federal communities groups that they deemed dangerous. Within these so-called cultural structures of realistic democracy, the government awkwardly attempted to protect citizens while curbing their rights and freedoms. ø It is no accident that the government?s enclosed worlds were most numerous in the American West, where abundant open space has long symbolized the glory of American freedom and progress. Heather Fryer looks at four of these inverse utopias in the American West: the Klamath Indian reservation; the community of nuclear scientists in Los Alamos; the Japanese internment camp in Topaz, Utah; and the wartime company town of Vanport, Oregon. Each community stripped freedoms from Americans based on beliefs about the treacherous tendencies of minorities, workers, and radicals. Although the differences of experience among the four populations were considerable, they shared the marginalization, repression, displacement, and disillusionment with the federal government that flourished within the confined spaces of America?s inverse utopias. Nor was their experience theirs alone; it is instead part of a patterned, national, wartime dynamic that makes enemies of citizens while fighting to extend American freedom to every corner of the globe.
Edward Kennedy “Duke” Ellington was one of jazz’s greatest innovators. Join Bill Gutman as he explores the fascinating life of this legend from his birth at the turn of the century to his death at the age of seventy‐five. Interviewing Duke’s friends, fans, and fellow musicians, Gutman documents the progress of a man who dedicated his life to crafting the ever‐changing sound of jazz. Gutman plunges into the history of jazz from its origin in the honky‐tonk sounds of the Ragtime Era to the forms that are widely enjoyed today. Jazz has evolved through the years to become one of the most popular forms of music, with Duke Ellington as chief composer, artist, and perfomer. Gutman’s account of Ellington’s life as it parallels the history of jazz provides a fascinating history for both jazz veterans and those new to the art form.