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Harlem Renaissance author Nella Larsen (1891 –1964) published just two novels and three short stories in her lifetime, but achieved lasting literary acclaim. Her classic novel Passing first appeared in 1926.
In "Touch Me," the last poem in the collection, Kunitz propounds a question, "What makes the engine go?" and gives us his answer: "Desire, desire, desire." These poems fairly hum with the energy, the excitement, the ardor, that make Kunitz one of our most enduring and highly honored poets. In the words of Carolyn Forch , "he is a living treasure."
Spanning the early 1900s up to modern times, this collection of stories traces the intersecting lives of travelers, expatriates and local folks on a fictional Caribbean Island.
Like a well-crafted stage play, Just Passin' Thru delivers one suspenseful scene after another. But in this historic setting — a store on the Appalachian Trail called Mountain Crossings — the characters who show up are no fictional creations. They are the real-life stars of the author’s new life as a backpack-purging, canteen-selling, hostel-running, bandage-taping, lost-child finding, argument-settling, romance-fixing, chili-making man of many faces. Like any good drama, there are the good guys (and gals) and the weirdos, too. Some show up once (and that’s enough), and some appear again and again. Some are friends, and some dangerous. But all are united by two things: the author’s story-capturing talent, and whatever it is that lures them to attempt (or conquer) a 2,200-mile path that climbs and plummets from Georgia to Maine.
After receiving the devastating news that she would have to receive a lumpectomy in order to remove a tumor, Marci goes under the knife in hopes that the tumor will be benign. While the tumor is removed and it is not cancerous, the worst is only yet to come. Her health drastically declines due to this (her thirteenth surgery) Several deadly complications arise- a painful hematoma, pulmonary embolism and appendicitis. As she undergoes emergency surgery for appendicitis, she almost dies due to complications of having two surgeries so close together.This is just the beginning of a life and death struggle for Marci. Her health declines and she is diagnosed with the incurable disease of Gastroparesis, a chronic illness that has developed through all of her medical issues. This disorder means her stomach cannot tolerate food or drink, and she finds herself being rushed to the emergency room every week for IV fluids as her health continues to deteriorate.Now too sick to work and living alone, Marci is convinced her time on earth has come to an end. As she prepares for hospice care, she receives an outpouring of love and support by friends and family, including angelic visits from her deceased father. They give her the strength to fight for her life.Overwhelming trials continue for Marci, and at one point she loses consciousness and falls, striking her head. Her spirit goes to heaven and meets the Savior. She wants to stay, but the Savior tells her she must return and finish her second book "Just Passing Through On My Way To Heaven". Join Marci on her journey of faith, hope, and miracles amidst great adversity as she places her life and trust in the Lord's hands.
Passing Through Humansville offers alliance by way of a deep human lineage. These poems are filled with a wisdom that is expressly for sharing, an argument meant "to see how all things/are connected by barely a breath."
As part of the Louis L’Amour’s Lost Treasures series, this edition contains exclusive bonus materials! It seemed the perfect place to lie low. The owner of the ranch was an attractive gray-haired lady who had once been an actress. The other woman was a beautiful, fragile-seeming blonde. They needed repairs done, and he needed to disappear for a while. The first sign that things were not as they should be was when a Pinkerton man questioned him about a missing woman. Then he accidentally found a will belonging to the previous owner of the ranch. After that, a young lady showed up in town making claims that the place belonged to her. Worried that his hideout was turning into a battleground, he didn’t know what would be more dangerous, staying or leaving. For a man interested only in passin’ through, he suddenly found himself entangled in a deadly struggle. . . . Louis L’Amour’s Lost Treasures is a project created to release some of the author’s more unconventional manuscripts from the family archives. In Louis L’Amour’s Lost Treasures: Volume 1 and Volume 2, Beau L’Amour takes the reader on a guided tour through many of the finished and unfinished short stories, novels, and treatments that his father was never able to publish during his lifetime. L’Amour’s never-before-seen first novel, No Traveller Returns, faithfully completed for this program, is a voyage into danger and violence on the high seas. Additionally, many beloved classics will be rereleased with an exclusive Lost Treasures postscript featuring previously unpublished material, including outlines, plot notes, and alternate drafts. These postscripts tell the story behind the stories that millions of readers have come to know and cherish.
In this updated and revised edition of Just Passing Through: A German American Family Saga, first published in 2011, the author tells the story of several generations of his unique but dysfunctional family spanning over a hundred years including the two world wars. Peter Zell was eight years old when World War II ended and in a prologue entitled A German - American Childhood recounts his boyhood experiences that included the apocalyptic firebombing of his hometown of Stuttgart by the western Allies, the postwar occupation of Germany, and his family’s emigration to America. The book centers on the author’s mother, whom her children called Mutti, and her ordeal during the Nazi era for having been married to a Jew, the son of prosperous Frankfurt business owners, with whom she had two children. With anti-Semitism on the rise in Germany, her husband decided to emigrate to America but Mutti chose to remain behind to take care of her ailing father. The couple had an amicable divorce and while her ex-husband took their son with him, their daughter remained with Mutti in Germany. Under the Nuremberg Laws of 1935, mother and daughter now found themselves classified as non-Aryans which meant that Mutti could not remarry while their teenage daughter, being half Jewish, was put in dire jeopardy of her life. At this point Mutti’s older brother, himself a dedicated National Socialist, proposed an unconventional solution that ensured her survival. Following his advice, she had more children, fathered by so-called Aryans, who were eventually all brought to America. The book follows the lives of the five siblings, all half-brothers and half-sisters, and their difficult relationships with each other as each seeks to achieve his or her version of the American Dream.
Don't waste a chance at happiness... Leo is a lonely workaholic with no time for romance in his life. His job in London takes all his energy and commitment. When he goes to Cornwall to stay with his terminally ill uncle, Edwin, love is the last thing Leo expects to find. Tris lives in a cottage on Edwin's land. Gay, but still half in the closet, he and Leo bond over their affection for Edwin, and the pull of attraction between them proves too strong to ignore. In Tris's arms, in the wilds of Cornwall, Leo finds a peace he'd forgotten existed. On his return to London, Leo finds himself grieving for more than just the loss of his uncle. When some unexpected news gives Leo the chance to return to Cornwall, he's afraid it will be too late to rekindle things with Tris. But having learned much from his stay with his uncle, Leo doesn't want to look back and wish he'd done things differently. It's time to seize the day--if it's not already too late.
"When Tod Papageorge began this work, the newspapers saw Central Park chiefly as a site of danger and outrage, and they were doubtless partly right. But the park shown here seems no more dangerous than life itself, and no less filled with beauty, charming incident, excess, jokes in questionable taste, unintended consequence, and pathos, truly described. One might say that no artist has done so much for this piece of land since Frederick Law Olmstead." --John Szarkowski, The Museum of Modern Art, New York After receiving a Guggenheim Fellowship in 1977, Tod Papageorge began to photograph intensively in Central Park, employing medium-format cameras rather than the 35mm Leicas that he had used since moving to New York in 1965. These pictures, gathered in Passing Through Eden, convey the passion that--as Rosalind Krauss once described it in Papageorge's work--embraces "the sensuous richness of physical reality, that fullness which Baudelaire called intimacy when he meant eroticism." From picture to picture, Papageorge constructs a world that resembles our own, but that also invokes that of the Bible: Passing Through Eden is sequenced to parallel, in its opening pages, the first chapters of Genesis--from the Creation through the (metaphorical) generations that follow on from Cain--before giving over to a virtuosic run of pictures that, as he expresses it in his illuminating afterword to the book, picks up "the threads that tie the Bible to Chaucer, Shakespeare and "Page Six" of the New York Post." This ambitious body of work--incorporating pictures produced over the course of 25 years--displays not only Papageorge's remarkable ability to make photographs that read like condensed narratives, but also his skill at weaving them into sequences that echo profound cultural narratives. It challenges the reader to succumb (or not) to the pleasures of the "fullness" of each individual photograph, while ignoring (or not) the tug of a tale demanding to be told. Like Eden itself, this book sets our desire for beauty against that of knowledge, even as it reminds us of some of the ways that we read, and come to know, books.