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For several weeks in February, the eyes of the world will be on Whistler, BC, as it hosts the 2010 Olympic Winter Games and the appetite for a story to go with the place will be extreme. Stephen Vogler has that story, and in this book he tells it fully for the first time. Vogler is one of those rare Whistlerites who actually grew up in Whistler and he has for some years been running a one-man crusade as writer, broadcaster and author of books to prove his hometown is not only a bona fide community, but a uniquely interesting one. Whistler begins in the days when the town had a mere 500 year-round residents who referred to weekend visitors as "turkeys" or "gorbies." His parents were old-school European alpinists who had given up a comfortable life in Vancouver so they could teach their children how to yodel and schuss in an appropriate setting. People like them, with names like Ples and Wilhelmsen, had developed the ski hill in the 1960s and together formed one of Whistler's founding cultures. The other founding culture was a swarming, partying mass of snow-hippies who lived rent-free in rough squatters' shacks and liked marijuana as much as they didn"t like wearing clothes. Their "high" spirits melded with the soberer tradition of the transplanted Tyroleans to produce a hybrid "only in Whistler" character that is equally devoted to serious skiing and unserious living. It was no accident that the first Whistlerite to win an Olympic gold medal also tested positive for cannabis, and successfully defended himself by arguing that just breathing the air in his hometown was enough to put him over the limit. If anybody doubts that story, they won't after reading Only in Whistler: Tales of a Mountain Town.
#1 NEW YORK TIMES BESTSELLER • A high-stakes thrill ride through the darkest corners of the Sunshine State, from the author hailed as “the best thriller writer alive” by Ken Follett We expect our judges to be honest and wise. Their integrity is the bedrock of the entire judicial system. We trust them to ensure fair trials, to protect the rights of all litigants, to punish those who do wrong, and to oversee the flow of justice. But what happens when a judge bends the law or takes a bribe? Lacy Stoltz is an investigator for the Florida Board on Judicial Conduct. It is her job to respond to complaints dealing with judicial misconduct. After nine years with the Board, she knows that most problems are caused by incompetence, not corruption. But a corruption case eventually crosses her desk. A previously disbarred lawyer is back in business, and he claims to know of a Florida judge who has stolen more money than all other crooked judges combined. And not just crooked judges in Florida. All judges, from all states, and throughout United States history. And now he wants to put a stop to it. His only client is a person who knows the truth and wants to blow the whistle and collect millions under Florida law. When the case is assigned to Lacy, she immediately suspects that this one could be dangerous. Dangerous is one thing. Deadly is something else. “[A] main character [who’s] a seriously appealing woman . . . a whistle-blower who secretly calls attention to corruption . . . a strong and frightening sense of place . . . [John Grisham’s] on his game.”—Janet Maslin, The New York Times “[John Grisham is] our guide to the byways and backwaters of our legal system, superb in particular at ferreting out its vulnerabilities and dramatizing their abuse in gripping style.”—USA Today “Riveting . . . an elaborate conspiracy.”—The New York Times Book Review Don’t miss John Grisham’s new book, THE EXCHANGE: AFTER THE FIRM, coming soon!
Mister Whistler always has a song in his head and a dance in his feet. But when he has to catch a train, he is so distracted that he loses his ticket-and has to dance his way out of his clothes to find it!
Legendary film director Robert Wise called the Whistler features, "examples of budget filmmaking at its very best." Noted B movie historian Don Miller cited them as, "the best B pics of the period from Columbia." Famed film critic/historian Leonard Maltin referred to the series as "one of the most unusual- and one of the best mystery series of the 30's and 40's. . ." Based on J. Donald Wilson's hit radio suspense program featuring ironic tales of terror spun by a mysterious host, The Whistler film series consisted of eight motion pictures produced by Columbia Pictures between 1944 and 1948 starring legendary, Academy Award-nominated actor, Richard Dix. Although manufactured quickly and cheaply to fill the bottom half of a mandatory double bill, The Whistler films were suspenseful and well made, engendering wide popularity and surprising critical acclaim. Today historians and movie aficionados frequently cite them for their innovation and style-and as early examples of film noir. This is the story of the making of this landmark Columbia series, and the many extraordinary individuals who pooled their singular talents to make eight low budget movies into film classics. Included are rare profiles of 50 Whistler filmmakers: actors, directors, writers, and technicians.
The Opinionated Hikers: Kathy & Craig Copeland have created the new Done in a Day series to show hikers with limited time where to enjoy the greatest scenic rewards. Start your adventure within a short drive of the village, and witness the wonders of Whistler and be back for a hot shower, great meal, and soft bed at the end of the day. Choose from easy, vigorous, or challenging hikes that have been boot-tested and certified spectacular by the authors.
A biography of James McNeill Whistler (1834-1903) that dispels the popular notion of Whistler as merely a combative, eccentric and unrelenting publicity seeker, a man as renowned for his public feuds with Oscar Wilde and John Ruskin as for the iconic portrait of his mother.
After Bean loses his father hunting in the mountains of Utah, he meets an old medicine man who makes a blood-oath to help find him. Bean must retrieve an ancient artifact. With a magic whistle, map, and his backpack, Bean travels through portals finding himself in precarious circumstances and encountering curious strangers along the way.
James McNeill Whistler painted his mother on impulse, when she came to London to escape the American Civil War, forcing him to evict his mistress from his house. It is hard to imagine a greater contrast than that between Whistler's outrageously flamboyant life in London--where he famously befriended Oscar Wilde and Dante Gabriel Rossetti--and the subdued, touchingly melancholic depiction of his Puritan mother he entitled "Arrangement in Grey and Black." This portrait has become one of the world's best-known paintings and an American icon, yet we know remarkably little about it. While restoring the painting for the Louvre, Sarah Walden became intrigued by the extraordinary and complex history of the painting, which had never been fully explored. From French, British, and American sources, Walden uncovers the intersections between Whistler's flawed genius, his struggle for recognition, his troubled relationship with his mother and mistresses, and the unprecedented historical response to his greatest work. Walden's findings read like a detective story, and her controversial and progressive views on art restoration combine with biography and criticism to create a gripping narrative that skillfully weaves history and aesthetics into a seamless tapestry.
American painter James McNeill Whistler probably never expected the portrait of his mother that graces the cover of this book to become a cultural icon. Begun on a whim when another model failed to show up for a session, the painting, familiarly known simply as "Whistler's Mother," has become one of the best known and most beloved in the world and now hangs in the Musee d'Orsay in Paris. Nor, we can be sure, did Anna McNeill Whistler expect that her "cook book" would one day be published and thereby enjoyed by myriad readers beyond her own family. Irreverently referred to by her son as her "Bible," the manuscript book was kept faithfully by Mrs. Whistler of many years and contained recipes for such varied and delectable dishes as bread-and-butter pudding, "oisters," "mackroons," "whigs," quince marmalade, and pickled walnuts. Bequeathed by Whistler's sister-in-law, along with other books and letters from his estate, to the University of Glasgow, the manuscript has been edited for this publication by Margaret MacDonald, research fellow at the Centre for Whistler Studies at the university. MacDonald also provides a fascinating account of the Whistler household in the United States, Russia, and Britain, offering a rare and delightful glimpse into nineteenth-century family life. The recipes are both delicious and easy to prepare; just in reading them, one can sense the flavors and aromas of good home cooking. They are presented both in Mrs. Whistler's words-"To a pint of pulped apples add the juice of a Lemon and a little of the peel shred fine, 5 eggs and a gill of cream . . ."-and in terms more familiar to the modern cook. Where deciphering listed ingredients-such as rose-water, emptins, isinglass, or pearl ash-might otherwise prove perplexing, these terms are fully explained and their modern successors substituted. Among the illustrations in this new edition of Margaret MacDonald's 1979 classic are some of Whistler's most evocative drawings and prints of shopping, cooking, and dining, many in full color, as well as portraits of Whistler and his mother and pages from the original cook book.
In "Palaces in the Night", MacDonald looks at a key period in James Whistler's career, examining his unique vision of Venice and his development of the medium of etching. 120 illustrations.