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The planets Earth and Vulcan experience a mysterious first contact in this fascinating Star Trek novel featuring the crew of the U.S.S. Enterprise. Years before the formal first contact between Earth and another planet’s inhabitants, a Vulcan space vessel crash landed in the South Pacific, forcing humanity to decide whether to offer the hand of friendship, or the fist of war. Complicating matters is a second visitation: a group of people from two hundred years in the future, who serve on a starship called Enterprise. Discover the astonishing truth about this heretofore unknown first contact and the nightmares that plague Admiral James T. Kirk. Dreams of his dead comrades, of his earliest days aboard the U.S.S. Enterprise, and of a forgotten past in which he somehow changed the course of history and destroyed the Federation before it began.
Although recognizing the end of the Indians' freedom is near, a young Cheyenne still chooses to fight with Crazy Horse at the Little Big Horn to prove himself to the girl he loves.
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One moment Joseph Schwartz is a happily retired tailor in Chicago, 1949. The next he's a helpless stranger on Earth during the heyday of the first Galactic Empire. Earth, as he soon learns, is a backwater, just a pebble in the sky, despised by all the other 200 million planets of the Empire because its people dare to claim it's the original home of man. And Earth is poor, with great areas of radioactivity ruining much of its soil--so poor that everyone is sentenced to death at the age of sixty. Joseph Schwartz is sixty-two. This is young Isaac Asimov's first novel, full of wonders and ideas, the book that launched the novels of the Galactic Empire, culminating in the Foundation series. This is Golden Age SF at its finest. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Hawai‘i author Chris McKinney’s first entry in a brilliant new sci-fi noir trilogy explores the sordid past of a murdered scientist, deified in death, through the eyes of a man who once committed unspeakable crimes for her. Year 2142: Earth is forty years past a near-collision with the asteroid Sessho-seki. Akira Kimura, the scientist responsible for eliminating the threat, has reached heights of celebrity approaching deification. But now, Akira feels her safety is under threat, so after years without contact, she reaches out to her former head of security, who has since become a police detective. When he arrives at her deep-sea home and finds Akira methodically dismembered, this detective will risk everything—his career, his family, even his own life—and delve back into his shared past with Akira to find her killer. With a rich, cinematic voice and burning cynicism, Midnight, Water City is both a thrilling neo-noir procedural and a stunning exploration of research, class, climate change, the cult of personality, and the dark sacrifices we are willing to make in the name of progress.
How and why has God spoken to us? Our purpose in this book is to provide a biblical study of the various types and purposes of the myriad of different methods of divine revelation. In the process we endeavor to answer such critical and controversial questions as: - How do we know when God is 'speaking'? - What has been the progression of divine revelation? - What are the only two methods of revelation that God uses to communicate to all of humanity? - Why is Scripture so authoritative and sufficient for the Christian life? - What are the several vital but often neglected ways that God "speaks" to us apart from Scripture? - How does God expect us to make decisions and does He have a "personal" will for our lives that cannot be found in Scripture? - Does God "speak" to us by planting thoughts in our mind?
This is a fascinating depiction of the transformation of the Indian riverine goddess from the manuscript-carrying vīṇā-player to the Buddhist weapon-wielding defender of the Dharma. Drawing on Sanskrit and Chinese textual sources, as well as Hindu, Jain, and Buddhist art historical representations, this book traces the conceptual and iconographic development of the riverine goddess of knowledge Sarasvatī from some time after 1750 B.C.E. to the seventh century C.E. Through the study of Chinese translations of no longer extant Sanskrit versions of the Buddhist Sutra of Golden Light the author sheds light on Sarasvatī's interactions with other Indian goddess cults and their impact on one another.