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The World Fantasy Award–winning novel of a female deity trying to save a modern world gone mad—“Invites comparisons with Vonnegut and even Rushdie” (The Washington Post). Rejoice! A new messiah has come, and her name is Julie. Born to Murray Katz, the solitary (and celibate) keeper of an abandoned lighthouse on the Jersey shore, our protagonist arrives on Earth boasting supernatural abilities evocative of her divine half brother, Jesus. As a child, she revels in her talent for walking on water, resurrecting dead crabs, and treating fireflies as luminous alphabet blocks. But after she reaches adolescence, her life becomes as challenging and ambiguous as any mortal’s. Not only is Julie Katz obliged to deal with a silver-tongued devil and self-righteous neo-Christian zealots, she must also figure out what sort of mission her mother—the female Supreme Being—has in mind for her. At once outrageous and affirming, this Nebula Award finalist is a magnificent work of contemporary satire that holds a mirror up to human nature, astutely reflecting our species’ failings, foibles, and often misguided affections.
Morrow explores the difficulties facing God's twentieth-century offspring, complete with virgin birth. Julie Katz is a New Jersey girl--the miracle child of a celibate Jewish recluse whose sperm sample, donated to an Atlantic City baby bank, spontaneously gestates.
Jessica McCloud knows first-hand that it's tough to fit in when you're God's only begotten daughter. While she has the power to smite, and she's privy to most of the juicy gossip in her West Texas town, nobody is knocking on her door with frankincense and myrrh. The Messiah-in-the-making still has to contend with algebra tests, her first crush, and menstrual cramps with the power to spark lightning storms. As if dealing with her overbearing Father and a scheming preacher wasn't enough, Jessica must face down the demons that lurk around every corner. No matter what she wants from life, everything seems to lead to a final showdown with the devil. The daughter of God has a choice: face the destiny thrust upon her or find some way to forge her own path.--Publisher's description
Morrow unabashedly delves into matters both sacred and secular in this collection of short stories buoyed by his deliciously irreverent wit. Among the dozen selections is the Nebula Award-winning "Bible Stories for Adults, No. 17: The Deluge." Contents: Bible Stories for Adults, No. 17: The Deluge (1988) Daughter Earth (1991) Known but to God and Wilbur Hines (1991) Bible Stories for Adults, No. 20: The Tower (1994) Spelling God with the Wrong Blocks (1987) The Assemblage of Kristin (1984) Bible Stories for Adults, No. 31: The Covenant (1989) Abe Lincoln in McDonald's (1989) The Confessions of Ebenezer Scrooge (1989) Bible Stories for Adults No. 46: The Soap Opera (1994) Diary of a Mad Deity (1988) Arms and the Woman (1991)
This is the first introduction to the whole field of modern fantasy literature in the English-speaking world.
The fifth issue of the Interdisciplinary Journal for Religion and Transformation in Contemporary Society (J-RaT) centers on the topic of religion, transformation and sex/gender. The focal point will be on religious and cultural transformation processes and their repercussions on gender roles, constructs and representations on the one hand, and on sex and/or gender transformations which are embedded in the context of specific religious traditions on the other. Transformation is understood here as change, alteration and reformatting. The multifaceted connections between religion, transformation and sex/gender are concretized in an abundance of material and symbolic phenomena and are examined starting from different subject-specific and methodical approaches.
Queer Milton is the first book-length study dedicated to anti-heteronormative approaches to the poetry and prose of John Milton. Organized into sections on “Eroticism and Form” and “Temporality and Affect,” essays in this volume read Milton’s works through radical queer interpretive frameworks that have elsewhere animated and enriched Renaissance Studies. Leveraging insights from recent queer work and related fields, contributions demonstrate diverse possible futures for Queer Milton Studies. At the same time, Queer Milton bears witness to the capacity for queer to arbitrate debates that have shaped, and indeed continue to shape, developments in the field of Milton Studies.
Heresy studies is a new interdisciplinary, supra-religious, and humanist field of study that focuses on borderlands of dogma, probes the intersections between orthodoxy and heterodoxy, and explores the realms of dissent in religion, art, and literature. Free from confessional agendas and tolerant of both religious and non-religious perspectives, heresy studies fulfill an important gap in scholarly inquiry and artistic production. Divided into four parts, the volume explores intersections between heresy and modern literature, it discusses intricacies of medieval heresies, it analyzes issues of heresy in contemporary theology, and it demonstrates how heresy operates as an artistic stimulant. Rather than treating matters of heresy, blasphemy, unbelief, dissent, and non-conformism as subjects to be shunned or naively championed, the essays in this collection chart a middle course, energized by the dynamics of heterodoxy, dissent, and provocation, yet shining a critical light on both the challenges and the revelations of disruptive kinds of thinking and acting.