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"My dear Jack--before I met you my life seemed like a train pulling a trail of empty carriages, and then there you were, and suddenly most of them were full--with people and noise and laughter, with faith and vision and your extraordinary, electric vitality." "So now, my love, I know the worst. Your brain is shrinking inside your skull. You are going to disintegrate very slowly, mind and body. You will feel our loving in rags and your God absent and I will hold you to my breast and cradle the shell of your skull, for you will have gone, my lover, my dear one. But not quite." "I know that I cannot bear the pain of Jack's situation any longer, unrelieved. To survive and provide him with the buoyant atmosphere he wants, I have to have hopes and horizons beyond him. These horizons have included another person." When Rebecca de Saintonge's husband Jack developed Lewy Body Dementia--an incurable degenerative brain disease--she faced the dual challenge of trying to keep the integrity of their relationship intact while also avoiding her own destruction within their diminishing world. She survived by taking a lover. Through extracts from Rebecca's journal, One Yellow Door explores the conflicting emotions and complex ethics of infidelity in marriage where one partner is severely disabled. It is about a re-thinking of traditional faith and the discovery of a new, deeper spirituality, and ultimately about the indestructibility of love.
"My dear Jack--before I met you my life seemed like a train pulling a trail of empty carriages, and then there you were, and suddenly most of them were full--with people and noise and laughter, with faith and vision and your extraordinary, electric vitality." "So now, my love, I know the worst. Your brain is shrinking inside your skull. You are going to disintegrate very slowly, mind and body. You will feel our loving in rags and your God absent and I will hold you to my breast and cradle the shell of your skull, for you will have gone, my lover, my dear one. But not quite." "I know that I cannot bear the pain of Jack's situation any longer, unrelieved. To survive and provide him with the buoyant atmosphere he wants, I have to have hopes and horizons beyond him. These horizons have included another person." When Rebecca de Saintonge's husband Jack developed Lewy Body Dementia--an incurable degenerative brain disease--she faced the dual challenge of trying to keep the integrity of their relationship intact while also avoiding her own destruction within their diminishing world. She survived by taking a lover. Through extracts from Rebecca's journal, One Yellow Door explores the conflicting emotions and complex ethics of infidelity in marriage where one partner is severely disabled. It is about a re-thinking of traditional faith and the discovery of a new, deeper spirituality, and ultimately about the indestructibility of love.
She never thought it could happen to her. Why would she be in danger of ever being taken from her family? The day she was taken will forever live in her memory, in her dreams, and in her fears. Learning to live after dying is a feat no young woman should ever have to accomplish. With the help of people in her life, will Hope Matthews be able to defeat her demons, or will she forever be plagued by the what-ifs in life? Plagued by decisions he has made in recent months, Joe Clemmons is not certain he is the right man to help Hope. It seems every time he turns around, there is another obstacle in his path. Does he have what it takes to make a positive difference in her life, or does it make more sense for him to let her live her life without him?
Sansei Amy Uyematsu's The Yellow Door celebrates her Japanese-American roots and the profound changes that have occurred in her lifetime. As a woman born after World War II, her six decades in Los Angeles are captured in verse that link Hokusai woodblack paintings, her grandparents' journeys to California, church parties playing Motown music, and Buddhist obon festivals. With the color yellow as a running theme, Uyematsu embraces "the idea of being a curious, sometimes furious yellow." A genuine product of the sixties, she adds her own unique LA Buddhahead twist to Asian American identity in the twentieth and twenty-first centuries.
THIS IS THE POCKET BOOK FORMAT OF THE SAME 1ST EDITION AND EBOOK. I learned about an island. It intrigued me. Its people. Its history. Its beauty. I had to be there. Even though no one lived there anymore. This may be fiction. But it is full of truth.